Author Archives: Giuseppe Sapori

The Hiding II

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Some scenarios of the beautiful autumn colors that I found during my last trip to the Dolomites. On a rainy morning I captured some low-cloud scenarios on trees with autumnal colors near the Fanes Watefalls

At the end of the path that leads to these beautiful waterfalls, a gorge opens up with a great view, in front of that day I couldn’t see much of the mountain behind the clouds but my intent was to portray the trees in their beautiful colors just behind a neutral white cloud

All this clearing was exactly on the other side of the gorge but right in front of me, not was so much far I took this picture with my 24-70 captured at 46mm to get a close-up image of the trees and create a hat-effect with clouds


WORKFLOW EXPLANATION

For this shot no digital blending was necessary, I just used a couple of shots and make some ajustments using brush with luminosity masks

The main area affected was the trees: first I increased the luminosity using the brighter exposure and a brush, than I added details and contrast using TTS Pro and launching two effects related to this

Always with the use of luminosity masks I decreased the light in the clouds and I decreased the luminosity in the whole frame. I increased the autumn colours decreasing the opacity to 10% and I increased all the vibrance by +15% in order to give more result to greens and reds of the trees

As final step I added a small vignette to create more visibility to the trees in the center of the frame

I hope you will find this usefull. I always love to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Sigma 24-70 f/2,8 (used at 46mm)

Three Shots (-1; 0; +1)

ISO: 100 at f/13

Software: Photoshop CC2020

Plugin: TTS Pro


Where Tomorrow Goes

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A blue hour at the beginning of darkness at Passo Falzarego, a beautiful atmosphere during the day and a night that turns out to be even more interesting an mysterious

I took this photo just before darkness shoting on one of the main peaks and working with a focus stacking between the backround mountain and the foreground shrub

My main intent in this photo was to convey a sense of darkness and mystery, I used focus stacking on a bracketing series which that I blended with luminosity masks in Photoshop


WORKFLOW EXPLANATION

I blended the shot using TTS Pro to achieve a final shot with both background and foreground in focus, after this I increased the blue colours and decreased the exposure to intensify the dark mood

I increased details and I applied a orton effect, , after this I fixed contrast over the frame. I added a soft blue filter and with dodge and burn tool I made some painting over the shrub and over the mountain

I fixed the lights and darkness using luminosity masks and I increased sharpen over the mountain, as last touch I increased the vignette giving more light to the center of the image

I always hope you will find this usefull. I’m happy to ear that from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 70-200 f/2,8 (used at 102mm)

Three Shots (-1; 0; +1)

ISO: 320 at f/7,1

Software: Photoshop CC2020

Plugin: TTS Pro


The Hiding

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Today I post two shots of a details of some peaks during my hike in Passo Falzarego. That day I was surrounded by clouds, I took these two photos while I was uphill and the colors of the sunset that struck these two high peaks struck my attention

The colors in those days were fabulous, accentuated even more by the magic of the low clouds which, as I wrote in previous posts, contributed to creating a magnificent atmosphere throughout the valley


WORKFLOW EXPLANATION

For both exposures I made two handheld shots. For both shots I followed the same workflow in order to obtain 2 similar images. I proceeded for a digital blending than adding details using TTS Pro

I added some warm colours using luminosity masks applied to hightlighs and a warmer filter. After adding a small orton effect, I increased the yellow colours where the sun hit the mountain helping myself with a dodge and burn tool to empatize the lighting

I fixed lights and contrast in the highlights and shadows, I added some lights using a white brush with the glow tool

The last touch was to add a small vignette to increase the darkness around the border

I always hope you will find this usefull. I’m happy to ear that from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 70-200 f/2,8 (used at 102mm)

Three Shots (-1; 0; +1)

ISO: 320 at f/7,1

Software: Photoshop CC2020

Plugin: TTS Pro


Losing Sight

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During the days I stay at the Dolomites, the splendid scenery of the mountain in autumn was constantly changing. Very intense days of cloudiness alternated with low clouds to rainy days, unfortunately not always all suitable for taking good photos

That afternoon I was literally surrounded by low clouds on the horizon and I took a lot of photos in this mountain scenery so particular and engaging. In this photo the clouds moving towards the forest below

It was a very beautiful atmosphere, rarely seen in the past at these levels as I said in my previous post. More photos will follow with similar scenarios of those days


WORKFLOW EXPLANATION

This image is a result of a digital blending with 2 exposures (of course I captured 3 but used just 2) that I blended using TTS Pro with auto blend darks function inside that instantly blend a darker exposure into a brighter exposure

After this I started edit the shot using luminosity masks correcting lighting in the sky and shadows, I also fixed contrast using midtones masks. I increased details that I partially muted with a orton effect.

I fixed up colours adding more vibrance and giving more yellow tones around the trees and the part of the mountain touched by sunlight

I made a small crop to cut off an empty space below and I made some small intervention with clone stamp tool to remove some rain drops

Last touch was to add a small vignette excluding the sky because it makes the clouds too dark

I hope you will find this usefull. I’m happy to listen it from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 70-200 f/2,8 (used at 102mm)

Three Shots (-1; 0; +1)

ISO: 320 at f/7,1

Software: Photoshop CC2020

Plugin: TTS Pro


The Wood of the Giant

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I recently spent a few days on the Dolomites to take a different tour than I did last time. To tell the truth, every time I try to do a different tour because the alternatives of beautiful natural places to visit here are really very much

Among my stops there was certainly a decent excursion to Passo Falzarego where I could admire a beautiful autumn scenery, in fact the whole area had a splendid view of red trees with low clouds, the one you see in the picture is a portion of what he surrounded me, in the next posts I will have the opportunity to show you the fullness of the autumnal scenery of the area

I also love the beautiful atmosphere that creates low clouds, on this day the colors and the atmosphere of the sky have really created a show that I have rarely seen. It must be said that I also had to face quite difficult days from a meteorological point of view, some days the clouds were so low that visibility was practically zeroed and rain don’t spared me, so a good mood but with moderation 🙂


WORKFLOW EXPLANATION

I captured 3 exposure in bracketing to make this shot, I make a blend manually using luminosity masks and my panel TTS Pro. I increased the yellows applying a warm filter to the highlights and shadows and I lighten up the light source using the glow tool

After this I increased details selectively and I applied a orton effect to create a dark dreamy look atmosphere to the mountain than, with the use of dodge and burn I increased the light source and the lights rays through the trees

I set the contrast and highlights and I increased the highlights, after a soft shadow recovery the last touch was to set the vibrance to give more show to the colors of autumn

I hope you will find this usefull. Love to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 70-200 f/2,8 (used at 105mm)

Three Shots (-1; 0; +1)

ISO: 320 at f/9

Software: Photoshop CC2020

Plugin: TTS Pro


Halfway to the Coast

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The beautiful colors of the Cilento cliffs are one of my favorite spots in this area. This year I have been several times here and every time I managed to capture great sunsets and as many beautiful colors. The mountains are not far from the sea here and this creates a beautiful atmosphere at sunset

When I took this photo in the evening the sea was very rough, I put my tripod on a rock sheltered from the high water and started shooting with the colors of the golden hour until almost complete darkness

Capturing the entire event allowed me to take the whole dynamic range of the scene. In particular the brightly colored sky is the result of the yellow colors of the sunset when it was to turn towards the blue, having more series of shots at my disposal it allowed me to protect the yellows by exploiting the beautiful purple colors of “evening”

At the same time the long exposure of the water was captured in another series of shots that I used on the main frame to edit


WORKFLOW EXPLANATION

For this shot I makes 2 different blends: one for a series captured during the golde hour and another with another exposure series captured during the blue hour, so with more darkness.

I selected the shot with the golden hour and I used the blue hour blend to make some adjustments in the main frame, so I used it to blend, water and some part of the sky that i want to replace with a more dark image

I added details and I increased yellow colours in the sky using a warm filter applied to luminosity masks. I used dodge and burn on the rocks to make some lights effect in the direction of the sun, I always used dodge and burn to soften som lights coming from the clouds. I added orton effect and I increased the contrast using TTS Pro that have this function applied to luminosity masks in order to create a series of curves easy to adjust

I fixed the finale exposure and I increased the shadows to mitigate the darkess coming from the foreground rocks

As final step I made some colours increase adjustments, pushing up the vibrance but reducing the blues becoming too strong

I hope you will find this usefull. I like to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 22mm)

Three Shots (-1; 0; +1) x2

ISO: 100 at f/14

Software: Photoshop CC2020

Plugin: TTS Pro


The Golden Touch

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I took this photo at sunset in a traditional Seoul village, where you get a taste of the ancient korean times while escaping from the bustling city life of modern times. The traditional garden created its peaceful ambiance outside the pavillions

At sunset a splendid light passed through all the pavillions inside the park, so I used the sun’s rays to capture the sunlight and its rays at sunset. All the interior in the garden had a beautiful oriental atmosphere of tranquility, it seemed very far from the city but it is inside it

Inside the houses are arranged to help guests understand the daily lives of the past, and the clean, traditional houses, as well as their antique items provide a great photo op. To protect these fragile heritages, only one of the hanok houses is open to the public


WORKFLOW EXPLANATION

I captured 5 bracketed shots in order to extend the dynamic range as much I can, later I blended my shots using my panel. I increased details and highlights selectively using luminosity masks, than always using TTS Pro I set the contrast over the frame

I launched dodge and burn to give more light around the leafs and I increased the yellow colours using a warm filter applied to highlights and shadows

I increased the warmyth using color efex pro filters, after this I created a orton effect to give more soft look on the sunlight

I hope you will find this usefull. I like to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 22mm)

Five Shots (-2; -1; 0; +1;+2)

ISO: 100 at f/8

Software: Photoshop CC2020

Plugin: TTS Pro, Color Efex Pro


Timeless

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Another waterfall from my recent trip to South Korea, the water of this waterfall ends directly into the sea, I never saw a waterfall like that and I must say that it was very cool photography sunset from a beach with a waterfall on the right 🙂

Upon my arrival I found some people at the foot of the waterfall who were practically on the beach, I would have preferred a frontal view of the waterfall that fell directly into the sea but I had to give it up for a more distant and covered view. At the beginning I tried to photograph from a closer and more central point but it was practically impossible because of all the water spashes in front of

In the picture it doesn’t look like a big waterfall but I can assure you that it was pretty big and had a considerable water flow, so I decided for a vertical shot farther back behind some big rocks (it was one of the few points where you could be without it to be wet)

I captured a series of exposure to make this shot, without the use of practically unusable filters, the water you see moved was captured by longer exposures


WORKFLOW EXPLANATION

I blended the shots using TTS Pro with some exposures taken from before the golden hour till the blue hour, I was able to take the sunlight I like with this

I added details on the frame and I increased the warmth applied to shadows using luminosity masks, I made some adjustments with clone stamp tool to remove some water spot on the lens and I cleaned the scene from other small spots

With the help of dodge and burn I incresed the lighting over the rocks near me and I lightened the water coming from the waterfall. I added a orton effect because I like this kind of effect on waterfalls.

As final steps I decreased the general exposure of the frame just a bit to emphatize the lighting coming from the sunset

I hope you will find this usefull. I’ts a pleasure to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 16mm)

Five Shots (-2; -1; 0; +1;+2)

ISO: 100 at f/10

Software: Photoshop CC2019

Plugin: TTS Pro


The Awakening

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When I took this photo I was in a special place, a very special place that I found with after a bit of research on google earth in order to find waterfalls along my South Korea itinerary

This is precisely the first of my in trip researches resuls, reaching it was not easy but it was satisfying, together with this waterfall in the next post I will also show you another waterfall that is absolutely unique

However the light coming from the top of the waterfall was lovely, photographing it and capturing that light was my main goal since I reached the location

Behind me there were some tourists who take selfies in every way possibles 🙂 A very strange thing, throughout the entire journey in South Korea I didn’t see half photographer or landscape photographer who had a tripod or a DSRL, never happened before in all of life


WORKFLOW EXPLANATION

I captured different shots in order to capture the best dynamic range, I blended 3 of them to obtain a final frame with the right light around the water and over the trees

I blended the shots using TTS Pro and luminosity masks to fix the lights around the rocks after the blend. Always with the use of my panel I increased the yellow colours of highlights and shadows using the warm colour filter

With the glow tool I incrased some lights over the main light spot and over the leafs on the trees, I decreased the luminosity in order to generate a more dark look and I applied a soft orton effect to emphatize this

I increased the vibrance of the colours around +10 using hue/saturation given more contrast using curves adjustment layer applied to luminosity masks

I hope you will find this usefull. I like to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Sigma 24-70 f/2,8 (used at 35mm)

Three Shots (-1; 0; +1)

ISO: 100 at f/16

Software: Photoshop CC2019

Plugin: TTS Pro


Lines of the Night

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In the previous post I show you one of Busan spots that really impressed me and it is the main center activity of the city, but it is not the only one. Busan has also another very interesting city heart near the harbour

This is a view from the Busan Tower a a 120-metre-high tower at Yongdusan Park. I like very much the view from this tower because it benefit from a great view over the sea and from the proximity of other buildings

When I take this shot I come before the dusk and go upstairs still with sunlight, I cecked my favourite view and waited the right mix between golden and blue hour (i really love this kind of lights mix), usually during this time the citylights starts and at the same time the sky offers beautiful colours

I took this photo through the glass of the Busan Tower windows, using a suction cup to attach to the glass to avoid internal reflections, I captured some bracketed shots that I used to blend the final frame especially for what concerns the highlights


WORKFLOW EXPLANATION

I blended two shots for this image, I worked mainly on a shot and I used a underexposed exposure to decrease the highlights using digital blending with TTS Pro, after this I straighten the horizon and fixed color cast

I still decreased the highlights using color range funcion and applying the selection to luminosity masks. I removed some dust spots over the window using clone stamp tool, after I increased details and colours vividness

Using hue/saturation I decreased the blues on the left part of the sky that was originally too much strong. I set contrast and shadows as fnal touch

I really hope you will find this usefull. Love to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14mm)

Three Shots (-1; 0; +1)

ISO: 100 at f/16

Software: Photoshop CC2019

Plugin: TTS Pro


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Hi, my name is Giuseppe Sapori, a professional photographer and author of this website, created by yours truly to show my work and share with you the techniques I use. My expertise is in the field of Landscape Photography... (Read More)

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