Vernazza Sunset

Vernazza Sunset

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One of the most significant sunsets of the Cinque Terre is located in Vernazza, from this incredible spot you can portray the town of Vernazza with all its characteristic elements … the vegetation, the sea, the sun and the coast as well as the town that extends towards the sea

When I decided to travel the Cinque Terre I had this shot among my main objectives and that day I fortunately found a great light with a beautiful colored sky

I go to this spot several minutes before sunset armed with beer and chips to deceive the time once the tripod was placed ūüôā

I did all long exposures in bracketing mode since I was shooting directly into the sun direction if I had not had many shots to blend would have been difficult have a non burned sky

Even the long exposure is a requirement that I love in the maritime locations like Vernazza where the water that breaks on the rocks always creates that typical silk effect that I really like. I shot 7 exposure brackets shot with longest on 48 seconds with ND64 filter

 

WORKFLOW EXPLANATION

I blended the exposure taken starting from the darkest images, where I gradually move frame to the brightest. With my brand new panel TTS PRO I used luminosity mask contrast function to fix the contrast on the various areas of the picture having great control of them

I make a light bleeding over the sun and on the plants in the foreground and after I removed all the lens flares in the image using eyedropper tool with paint brush in a brand new layer with soft light fusion mode.

With dodge and burn tool I fixed the remaining spot of strong light caused of lens flare, after this always using my panel I launched warm highlights funcion to give a touch of more yellow on the frame reducing the opacity to decrease the effect. After giving to the image a stronger look with more details, I increased a bit the vibrance and I give more light to the shadows for not having them too dark

I always hope you will find this usefull. Love to ear this from you!

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 20mm)

Seven Exposure ( -3; -2; -1; 0; +1; +2; +3)

ISO: 100 at f/11

Software: Photoshop CC2018

Plugin: TTS Pro

 

 


The Valley of Dreams Pt. 2

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Also this photo was taken in the same location of my last post. I’m still talking about the Valley of the Ferriere located near the beautiful harbor town of Amalfi. On the path that climbs through a valley full of all natural beauty there are many waterfalls ¬†and this is one of those that I found along my way

In particular it was a very narrow stream that flowed down, it caught my attention. It was difficult to find a good position to capture the scene since I could not get too close because of the splashes of water came decided on my filter screen and not too far to not compromise the composition

I used a -6 stop ND filter to smooth the water,¬†compared to the previous photo where in all the shots I’ve done I never exceeded 30 seconds in this shot I had exposure times even longer than 2 minutes, I was in a dense thicket and the light that filtered was very low. Shutter speed for this photo is 120 seconds



 

WORKFLOW EXPLANATION

I started using two exposure, not to made a digital blend but to save trees and leafs from movement. As always I used luminosity masks to decrease the lights around the water and softner the white effect of the long exposure. With my panel¬†I launched details to boost of all them, launched also¬†orton effect beacause I like this effect in all waterfall shots ūüôā

Using dodge and burn tool I lightened the darker parts of the wood and I increased light on the direction of the sunrays. With a yellow brush I colored some part of the rocks reducing the opacity and setting the layer as soft ligth, in this way I intensified the yellow color on the rocks with a softner effect. I fixed contrast with luminosity masks reducing the effect decreasing the opacity. Also here I created a small vignette but increasing the bright of the image

I hope you will find this post usefull. I always love to ear this from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 22mm)

Long Exposure for 120′

ISO: 100 at f/10

Software: Photoshop CC2018

Plugin: TTS Fast Panel

 


The Valley of Dreams

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That’s right, the valley of dreams! is not really called in this way but it is a dream place for all nature lovers here! I’m talking about the Valley of the Ferriere that is located in the town of Amalfi, it is reached with about an hour walk with a walking path ¬†inside of the town. Inside the valley there are many small waterfalls, rivers of all kinds and above all many lemon trees ūüôā

Time ago this area was full of mills as evidenced by the ruins in the valley, It is a very interesting place to immerse yourself in nature and to add to the sea of Amalfi also a part of hiking. During the path inside the Valley of Ferriere I found this small waterfall that although it was not very high had a considerable and very strong water flow

Using a maximum time of 30 seconds shot and with the help of an ND1000 I reached a very smooth water without using a very long exposure time. I made several shots even vertically but in the end I preferred this view that had less foreground but immerses more in the context of the context, do not you think?

 

WORKFLOW EXPLANATION

I used a single shot for this, I started using the luminosity masks action to reduce lights around the waterfall and to increase darks on the shadows.  I used TTS Fast Panel to launch all my luminosity masks and to use high details to push up all the details in this frame. I launched orton effect to create a soft look around the waterfall, reducing the darker effect on the darker area using layer mask

I increased the yellow colors using a warm filter applied to luminosity masks. Using as always dodge and burn  to fix some strongly darks areas and to darken some overexposed part of the water. Also used back luminosity masks applied to curves to fix contrasts and lights again

In the final steps I reduce the luminosity of the whole picture and I added a small vignette to create a dark mood look

As always I hope you will find this informations usefull. I’m always happy to ear it from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 20mm)

Long Exposure for 30′

ISO: 100 at f/10

Software: Photoshop CC2018

Plugin: TTS Fast Panel


My 2017

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As final post of the year I will be back of my annual photo composition. This is a photo manipulation obtained with all top elements of my year. In this photo composition every thing, object and person you see has its own meaning, its importance, its memory, a moment that I wanted to remember and keep with special affection in this 2017

Places visited, travels, personal goals and all that was dear to me is¬†pictured here. This is a representation of¬†my 2017, a very personal meaning of this year… but I hope to leave to you the fascination look of the picture that I hope will¬†leave field even for your imagination…¬†enjoy it!

I really hope you will appreciate the work, I always love to ear it from you! I take the opportunity to thank you all for the support on my page and social, I want to wish you all a happy 2018!

 


By the Sea

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I take this shot on the seafront of Palinuro, this small beach looked out over the sunset and did not miss the opportunity to shot in the  sun direction. Taking shots in  direction of the sun provides a very important point of energy to the whole picture. I used my nd64 filter to capture water movements in bracketing mode to have various lower exposures for blending sunlight and sky

 

WORKFLOW EXPLANATION

With the exposure taken I make a blend using luminosity masks, I save all the water part and I recover the exposure on the sky and the sun. With dodge and burn I recover some overexposed parts of the water and darkened some glows around the mountain. Using TTS Fast Panel I launched details and sharpen and with orton effect I increased the glow effect in the photo

I used a warmer filter to increase the sunset lighting, I also fixed colors using hue saturation and increasing/decreasing the luminance and saturation of them, the color correction component affects very much of this kind of pictures especially on colors and water illumination. As final touch I added a small vignette to the frame to increse the dark look of the picture

I hope you will find this usefull. I always happy to ear it from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8(Shot at 14mm)

Five Exposures (-2; -1; 0; +1; +2)

ISO: 100 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 


Ascension

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giuseppe-sapori-ascension

Here we are in the new year with views of the Tre Cime di Lavaredo. This picture is part of the images that I made last October during my trip on the place. I took this picture in the late afternoon after a long time under the Tre¬†Cime waiting the best light. I realize this final image after different series of exposures¬†including one where I put a finger in front of the lens to remove the lens flare that reverberated in the image ūüôā

I was with a D90 rent by a friend and I made five bracketed exposures using¬†before a bkt series (-1, 0, +1) and then a (-2, 0, +2)¬†because the menu of ¬†D90 will not take us longer than three bracketed exposures. However I was in the past a possessor of Nikon D90 and I¬†not remember¬†about it, D90¬†has proven a great camera, it¬†has done a great job ūüôā

 

WORKFLOW EXPLANATION

I started as usual with the digital blending of the images using the luminosity masks, starting from the over exposed  that I gradually darkened on the foreground and the sky, I repeated the same thing for the other series of exposures made by placing the finger in front the sun to avoid lens flare. So I created two final images taken with a digital blending, one with the sun and one with my finger placed in front of it. I used this last to remove all reflections from the main picture having an image from the sunlight clean without reflections

I flatten all levels and started editing the picture mainly using camera raw, I lowered  the exposure, highlights and lights. With my panel I launched the luminosity masks and applied contrast using midtones 3 applied to curves and soft light. I launched the dodge and burn with whom I dodge some points of the Tre Cime di Lavaredo as areas illuminated by the sun in the foreground.

I launched the effects high details and sharpen to increase detail and sharpness. As a finishing touch I still got up the contrasts using the levels adjustment layer¬†and created a small vignetting to enhance the viewer’s vision depth. I hope you find this information useful, if you have any tips, questions or advices¬†leave a comment I am always proud to hear you

 

TECNHNICAL STUFF

Camera: Nikon D-90

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Six Exposures (-1; 0; +1) (-2; 0; +2)

ISO: 100 at f/10

Software: Photoshop CC2017

Extensions: TTS Fast Panel


The Balance

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Giuseppe Sapori - The Balance

A detail below the columns¬†of the beautiful Plaza de Espa√Īa¬†in Seville. I can say without exageration that this is one of the most beautiful squares I’ve ever seen in my life.¬†Plaza de Espa√Īa is a square¬†full of beautiful and semicircular building with symmetrical construction. Inside the square there is a semicircular waterway where you can rent boats to sightseeing the square by the river. During my visit in¬†Plaza de Espa√Īa it was hit by a warm, bright sun that brought that day the temperature to 25 degrees in the middle of December ūüôā
I realized 3 bracketed shots, I used all three shots to take with the luminance masks the desired brightness in the most contrasting areas of the colonnade. I deleted some tourists passing in the distance and I emphasized the effect of sunlight through the columns of the square.

 

TECHNICAL STUFF 

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Five Exposures ( -1; 0; +1;)

ISO: 100 at f/7,1

Software: Photoshop CC2015


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Hi, my name is Giuseppe Sapori, a professional photographer and author of this website, created by yours truly to show my work and share with you the techniques I use. My expertise is in the field of Landscape Photography... (Read More)

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