In the Wood

In the Wood

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A small series of images that I collected during my latest photo session inside the wood. I waited here until sunset to catch the colors of autumn and to give more prominence to the leaves. The sun filtering through the branches of the trees was also a strong inspiration for me, as my previous post, for that as well as an important point of energy in the photo

The first image is a bit of a classic of autumn photos although I have never taken anything like this before, on the other two I tried two different point of view

WORKFLOW EXPLANATION

I made for all the shots very similar edits. I captured all the shots with no brackets so every image is a single shot, I didn’t use any digital blending here, but at the same time I used for all the fixes TTS Pro with I launched orton effect, increased glow, details, contrast and warmth

I also increased the color vibrance to push the red color up, I increased the yellow tone of the sky and pushed up the highlights, I also added a smart vignette effect to the image to increase the sense of darkness in the wood

I hope you will find this informations usefull. I love to ear this from you!

TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 24-70 f/2,8 (different angles)

N/A

ISO: 320 at f/9

Software: Photoshop CC2020

Plugin: TTS Pro


Side Walk

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Waterfalls and autumn are two elements that always get along very well. During the autumn season I always try to find some beautiful glimpses with waterfalls inside woods and small forests, the water as I wrote in my tutorial dedicated to autumn how to photograph the beauty of autumn colours ,is a very strong element for autumn shots

I took this photo without the help of any filter since the water flow was very strong and I didn’t want to risk an excessive loss of water texture

I used focus stacking in this photo by focus on the foreground and then on the rest of the scene, since the focus point was the same

WORKFLOW EXPLANATION

I create the shot to edit blending the shots needed for focus stacking. Also with this image for every focus point I take two exposures, darker and brighter in order to digital blend the shots before proceed with focus stacking

I increased the highlights coming from the aperture on the trees to increase the sense of glow in this picture and I pushed up orton effect and glow effect for this

I increased details selectively on the rocks and on the trees, with luminosity masks I fixed contrast and lights over the scene, I added glow in the scene also using the glow tool

As final steps I increased the color vibrance and pushed up the autumn colours

All the edits are done with my TTS Pro panel, I hope you will find this usefull. I always love to ear that from you!

TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14mm)

Focus Stacking

ISO: 64 at f/11

Software: Photoshop CC2020

Plugin: TTS Pro


How to Photograph the beauty of Autumn Colours

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Autumn offers many photographic opportunities for the beauty of his colours and moody shots and is therefore one of the favorite seasons of landscape photographers. Capturing the colours and the atmosphere of autumn is not so obvious, so in this guide we will see how to photography the beauty of the autumn colours following this 8 tips:

1. Prefer the Golden Hour

This applies as a general rule not only in autumn photography, golden hour helps to get much more vibrant and pop colors that best suit to get that perfect glow effect for fall colours

Since many autumn photos are taken in wooded environments, photographing during the golden hour in an area with very dense and closed trees can be counterproductive so in this case prefer times with the highest sun position

2. Use the Right White Balance

Usually automatic white balance is one of the most used one, automatic mode is comfortable and often reliable but this tends to flatten and neutralize the colours of the photos. To emphatize the autumn colours it would be preferable to choose a white balance using Shade mode. The light in shade is normally a little cooler than in the daylight, so this mode will add some warmth to your image

A pro tip is to use the Kelvin mode in your autumn shot, so you can adjust the temperature as your taste using live view in order to obtain more customizable results

3. Take Advantage of Fog and Clouds

Fog is that high-impact element that will incredibly help you create more atmosphere in your autumn landscapes, this because fog softens the contrasts of the scene and gives a nice depth of field. Fog is that high-impact element that will incredibly help you create more atmosphere in your autumn landscapes

Cloudy sky likewise comes to our aid, rain and overcast skies are all conditions that help to focus on the colours of the autumn composition

4. Use Polarizer Filters

In autumn photography the polarizing filters are of great help to enhance the colours and contrast, this will give you a base image more easy to start editing. Other benefits of using polarizer filters are: reduce the glare, make sky more clear, allows to using lower shutter speed in case you shot for water

5. Use the Right Lens

In landscape photography the wide angle lens is often used, but knowing how to vary the lenses according to the condition allows you to capture the best image in the right moment

In autumn photography the attention to detail is the key, that’s why I take many photos with my 70-200 telephoto. Using a telephoto will help you to focus on a single spot and better enhance the scene details

6. Natural Frame your Shots

Framing is a very effective photography composition rules, taking advantages of the colours of the foliages, the trees, rivers and rocks can be a great help to better composite your shot and emphatize the viewer’s eye on the main subject.

Playing with colours while taking advantage of natural framing completes this tip even more

7. Look for Water

Adding water in your autumn shots will add a strong element to enhance your image, imagine a lake that reflects all the beautiful autumn colors in your scene, or a waterfall that with its flow guides the viewer’s eye towards other elements of the photo

Water is in general a very strong element in landscape photography and especially in autumn photography. To get the most out of the water combine it with the golden hour for a very powerful impact effect

8. Bonus Tip

If the colors of your autumn photographs do not seem so impactfull, I suggest you download my TTS Fast Panel or my TTS Pro Panel, in both of these adobe extensions panels there is an effect to enhance the autumn colours and bring out the best of your shots

Conclusions

Autumn photography offers many photographic ideas but mostly made up of opportunities, a planning phase is fundamental as is knowing how to exploit all the changes in the light conditions. To win this challenge, take the right time to go out, experiment and you will get to photograph the best autumn photos


The Wood of the Giant

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I recently spent a few days on the Dolomites to take a different tour than I did last time. To tell the truth, every time I try to do a different tour because the alternatives of beautiful natural places to visit here are really very much

Among my stops there was certainly a decent excursion to Passo Falzarego where I could admire a beautiful autumn scenery, in fact the whole area had a splendid view of red trees with low clouds, the one you see in the picture is a portion of what he surrounded me, in the next posts I will have the opportunity to show you the fullness of the autumnal scenery of the area

I also love the beautiful atmosphere that creates low clouds, on this day the colors and the atmosphere of the sky have really created a show that I have rarely seen. It must be said that I also had to face quite difficult days from a meteorological point of view, some days the clouds were so low that visibility was practically zeroed and rain don’t spared me, so a good mood but with moderation 🙂


WORKFLOW EXPLANATION

I captured 3 exposure in bracketing to make this shot, I make a blend manually using luminosity masks and my panel TTS Pro. I increased the yellows applying a warm filter to the highlights and shadows and I lighten up the light source using the glow tool

After this I increased details selectively and I applied a orton effect to create a dark dreamy look atmosphere to the mountain than, with the use of dodge and burn I increased the light source and the lights rays through the trees

I set the contrast and highlights and I increased the highlights, after a soft shadow recovery the last touch was to set the vibrance to give more show to the colors of autumn

I hope you will find this usefull. Love to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 70-200 f/2,8 (used at 105mm)

Three Shots (-1; 0; +1)

ISO: 320 at f/9

Software: Photoshop CC2020

Plugin: TTS Pro


The Bless II

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In one of my latest posts I talked about the valley of Ferriere, an enchanting place surrounded by nature that saw its period of greatest activity during the production of paper, where many paper mills in this valley were active and functioning

Today those paper mills are no longer there but all the remains of their buildings are still here, now the valley of Ferriere is aa very green wood full of waterways. During my journey I also found this waterfall which is located in a basin further downstream

The light was a bit strong and filtered through the branches, this meant that numerous contrasts were created between the areas struck by the sun and the darker ones. I captured this with a single shot and a 6-stop nd filter


WORKFLOW EXPLANATION

I edited the single shot with luminosity masks, used to adjust contrast lights and darkness

I increased the glow effect using TTS PRO applying an orton effect  and increasing the warm colors on the highlights

I also increased the lights coming from the highlights to give more enery to the warm between the trees.

I darkened some rocks with too much lights on them, I adjusted contrast using it applied to luminosity masks

I adjusted the yellow colors and the vibrance of the frame, the final step was to add a very soft vignette to give more impact to the waterfall

I hope you will find this usefull. I’m always happy to ear this from you!



TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14mm)

Single Shot – Long Exposure

ISO: 100 at f/11

Software: Photoshop CC2019

Plugin: TTS Pro


The Autumn Path

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This is a photo taken last autumn during my tour along the Friuli Venezia Giulia, were days of heavy rain and very adverse weather but during those days I could admire beautiful autumn landscapes

It often happened that I stopped with the car along the routes to get off to take pictures. Among these landscapes that have impressed me there is certainly this view of the valley of Raccolana wrapped in the fog and the colors of autumn, down the walking path through the woods

What struck me was the mix of colors not only present in the valley between the green and the red that blend the leaves and the trees but also the perfect meeting between the warm and the cold light at the end of the day

WORKFLOW EXPLANATION

I take this as single shot, so I edited the image by using luminosity masks applied to curves adjustment layer, without any blend

Using my panel TTS PRO, I launched autumn colours to increase the red look of the autumn foliage, with the same tool I launched high details to increase the details over the frame

My next step was to give more warm look to the photo so I applied a warm filter to the highlights, after this I launched orton effect  to give a more soft look to the landscape

Using dodge and burn applied to luminosity masks I give more lights over the fog, after this I fixed contrast between highlighs and darks

Latest steps was to decrease the general lights and to add a soft sharpen to the final frame

I always hope you will find this usefull. I’m happy to ear this from you!

TECNHNICAL STUFF

Camera: Nikon D-800

Sigma 24-70 f/2,8 (used at 31mm)

Single Shot

ISO: 100 at f/6,3

Software: Photoshop CC2019

Plugin: TTS Pro


Cave In

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Back from Japan, on my lastest trip I visited Friuli region in Italy, during the course of my itinerary I have marked many photographic spots and this is precisely one of those. This famous waterfall in this area is named Fontanon di Goriuda that faces to a mountain recess inside a wood. It’s amazing to be near and feel the loud noise of water coming from it, in the area that is exactly behind there is a flow of air that brings a lot of water so the wash is assured 🙂

During my days in those areas I found a really bad weather, the rain was strong beating most of the day, many roads were closed for collapsed trees and even the day I went to visit the Fontanon di Goriuda it was raining heavily, fortunately the recess in the rock allowed me to take pictures in complete calm sheltered from the rain

Finding the exact position to make this shot was not easy considering the too much water  coming under the waterfall and on the other side the ground was sloping with mud … at the end with a little patience and getting muddy 🙂 I could find this point of view, my intention was to portray an overview of what I was facing: the beautiful Friulian landscape with the Fontanon di Goriuda on the left

 

WORKFLOW EXPLANATION

I captured 5 exposure brackets to make this but I don’t used all the shots for blending because the tree on the right moved too much from one pictures to another, so I just used one darker and one brighter exposure to fix the main darkness inside the cave and to decrease the lights in the sky

I launched  luminosity masks to made the main adjustments using contrasts and curves to lights and darkness, with the use of TTS PRO  I increased details and I launched orton effect to smooth the effect and to create a soft dreamy look around the waterfall. After this I used a white brush applied to a layer with soft light to intensify th glow effect selectively, you can see more of it here.

I little intensified the yellow look of the frame by applying a warm filter to the luminosity masks and then I stepped up the full color scale through the LAB Coloring

I also used dodge and burn around some areas that I wanted to lighten, as a final touch I lowered the brightness a little while preserving the light on the waterfall

As always I hope you will find this usefull. I love to ear that from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8

Three Exposures (-2 ;-1; 0; +1; +2)

ISO: 100 at f/10

Software: Photoshop CC2019

Plugin: TTS Pro

 


The Sky Terrace

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Giuseppe Sapori - The sky terrace

The terrace of Metropol Parasol in Seville where you can admire a beautiful view of the city. The wooden structure extends for tens of meters across the square, the sight is very impressive and special. The structure is perforated to allow air to circulate in summer days (since it is very hot in Seville). The Metropol Parasol is also a huge “umbrella” that protects passers by direct sunlight so the structure is beautiful, but also functional and practical.

I realized 5 exposures in this photo, just like the previous one, the difference is that this image has been realized a few minutes later, so the sun was lower and lower was the light … which is why I discard the most underexposed because too dark, taking advantage of the other 4 exposures for the necessary corrective action of light, shadow, contrast and detail with Photoshop CC

 

TECHNICAL STUFF 

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Five Exposures (-2; -1; 0; +1; +2)

ISO: 200 at f/10

Software: Photoshop CC2015


Stairway to the Sky

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Giuseppe Sapori - Steps on the Clouds

The Metropol Parasol in Seville, as I write some time ago on my facebook page this gigantic wooden structure was one of the key points of my visit in the beautiful Spanish city of Seville. The Metropol Parasol stands at the center of a large square near the city center where it’s possible to go upstairs with an elevator and then walk on the wooden frame to admire the beautiful panorama of the city.

That day I was particularly lucky because during the dusk the sky becomes cloudy, the right conditions to take my shots, between clouds and filtered light of sunset.
I take this picture from 5 exposures, I had wait a bit ‘on the steps to wait for the passage of people/tourist on the bridge of Metropol Parasol… despite the time was still a lot, however I realized my series of exposures without much trouble 🙂 I worked the images almost completely with the use of Luminance Masks and Camera Raw.

 

TECHNICAL STUFF 

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Five Exposures (-2; -1; 0; +1; +2)

ISO: 200 at f/10

Software: Photoshop CC2015


Wooden details

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Near Soriano nel Cimino is a beech forest, located just on top of Mount Cimino. The top of the mountain has about 60 hectares covered by a beech forest whose cover and often prevents the growth of shrubs.

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Hi, my name is Giuseppe Sapori, a professional photographer and author of this website, created by yours truly to show my work and share with you the techniques I use. My expertise is in the field of Landscape Photography... (Read More)

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