Curon

Curon

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Years ago I had the chance to visit the now famous Resia lake in winter. It was interesting to see live one of the most bizarre places in Italy. The history behind this bell tower wants that the construction of a large dam in 1950 unified the first two previous lakes and submerged the ancient town of Curon Venosta which was rebuilt further upstream

In the summer season the scenery is certainly much more interesting than in winter but in winter the frozen surface of the lake allows you to go up to the bell tower on foot and take different angle shots

WORKFLOW EXPLANATION

For both images I did a few edits and the images was very fast to complete. I used single exposures here that I edited using luminosity masks, I used TTS Pro to enhance details, colours and contrast

I used a soft orton effect on the image and I used dodge and burn over the shadows areas to decrease the blacks. I lightened the highlighs in the sky using luminosity masks and decreased the brights in the foreground to decrease the whites

I also increased colours vibrance and decreased the luminosity of the whole frame using levels

I hope you will find this usefull. I love to ear this from you!

TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 15mm)

Two shots

ISO: 100 at f/13

Software: Photoshop CC2021

Plugin: TTS Pro


10 Pro Tips for Snow Photography

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A snow covered landscape is always an attraction for every landscape photographer, for this reason every year I take almost two trip on the snow to take photos with beautiful icy and snowy sceneries. I love the colors of the sunset that reflects on the white that characterizes the landscapes this period of year. Photographing in the snow can give beautiful lights to your images, but to do the best you need to be prepared, which is why I have prepared this guide about 10 pro tips for snow photography

1. Save your Batteries

Cold is one of the downsite of snow photography, this reduces the battery longevity of your camera and all your electronic devices, including phone. One solution is to always have a spare battery and to put the camera on the bag when you don’t use it in order to keep your equipment warm

2. Be Careful of Condensation

This point is partly connected to the first one, before going from a cold to a warm environment remember to put your camera in your backpack. Switching from a cold environment to a heated indoor environment instantly creates condensation that can damage your camera and lenses

3. Set the Right White Balance

White balance is very important, especially when photographing in the snow. In snowy locations a trick is to set maually the white balance using Kelvin mode, this allows you to handle the white balance in various situations and set it on the light you have. If 5000K is the mid-day light a good starting point for white balance for snow is around 8000K

4 Use the Histogram

Using the histogram is very usefull in every photography situations not ony during snow photography, but in these cases the histogram takes on even more importance because it gives us a correct and graphic measurement of the exposure, avoiding relying only on a visual image in a prominent white scene

5. Find Colors and Contrasts

This is a compositional tip: in a mainly white scene playing with colors or strong contrasts helps the image to be pop or of greater impact for the viewer

6 Protect your Gear

When shooting in the snow some recommended precautions are:

  1. Keep the lens cap when you don’t use your camera to prevent moisture on the lens,
  2. If your lens becomes fogged avoid to blow warm air on it,
  3. Hold your breath when bringing your camera up to your face to take a picture could prevent fogging on your LCD screen and viewfinder

7 Use Polarizing Filters

Using a polarizing filter while shooting a snowy scene will help you cut through over-powering glare. The use of filters also reduces the light that passes through the lens and can make a great difference in the final result

8 Use Zoom Lenses

Images appear flat when there is nothing standing out in the foreground and most of the image is white. Snowy scenes are dominated by prominent colors over white. Getting closer on the main subject and its details is an interesting compositional solution to add depth to the image and make the image more captivating

9 Adjust the Exposure

In the white of the snow it may be necessary to have to adjust your exposure compensation to get the right light on the snow, in addition to this it is always useful to shoot in raw to be able to fix the exposure even in post with ease

10 Protect your Hands

While shooting landscapes we all use a lot the hands to interact with the camera, for this reason always having warm and dry hands is essential.
Having a pair of warm gloves that allow you to interact easily with the camera will prove to be the most important choice for the success of your winter photos


Afterlight

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I have a beautiful remember of this afternoon when I went to this lake, the light was fantastic and the sun peeked through the clouds and the mountains

I have long been looking for a spot where I could take the beautiful reflections of the lake and I waited for the moment that the light filtered through the clouds, the colors of the lake that changed in the sunlight were beautiful and made the atmosphere warm and magical

The light intervals were really fast and I happened to lose some of them but I managed to capture this moment, the light coming from the left was much stronger than what is shown in the photo, I eliminated the lens flare using layer mask with the other expousure taken before


WORKFLOW EXPLANATION

Although I captured the scene in different moments of light the result of this photo is not a digital blending, I used the other shots to remove lens flare and light imperfections of the main shot but basically I worked on a single shot

I started with a variation of colors increasing the warm tones, then I raised the details by removing the effect on the reflections of the water

With orton effect I increase the sense of softness of the scene to mitigate the strongness of details throught the trees and on the mountains, I raised up the light using dodge an burn and fixed the contrast using curves applied to luminosity masks

I darkened the scene increasing the purple tones, as last step I increased sharpness on the mountain peaks and on the branches of the trees

I hope you will find this usefull. I like to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Sigma 24-70 f/2,8 (used at 31 mm)

Single Shot

ISO: 100 at f/13

Software: Photoshop CC2020

Plugin: TTS Pro


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Hi, my name is Giuseppe Sapori, a professional photographer and author of this website, created by yours truly to show my work and share with you the techniques I use. My expertise is in the field of Landscape Photography... (Read More)

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