The Hiding II

The Hiding II

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Some scenarios of the beautiful autumn colors that I found during my last trip to the Dolomites. On a rainy morning I captured some low-cloud scenarios on trees with autumnal colors near the Fanes Watefalls

At the end of the path that leads to these beautiful waterfalls, a gorge opens up with a great view, in front of that day I couldn’t see much of the mountain behind the clouds but my intent was to portray the trees in their beautiful colors just behind a neutral white cloud

All this clearing was exactly on the other side of the gorge but right in front of me, not was so much far I took this picture with my 24-70 captured at 46mm to get a close-up image of the trees and create a hat-effect with clouds


For this shot no digital blending was necessary, I just used a couple of shots and make some ajustments using brush with luminosity masks

The main area affected was the trees: first I increased the luminosity using the brighter exposure and a brush, than I added details and contrast using TTS Pro and launching two effects related to this

Always with the use of luminosity masks I decreased the light in the clouds and I decreased the luminosity in the whole frame. I increased the autumn colours decreasing the opacity to 10% and I increased all the vibrance by +15% in order to give more result to greens and reds of the trees

As final step I added a small vignette to create more visibility to the trees in the center of the frame

I hope you will find this usefull. I always love to ear this from you!


Camera: Nikon D-800

Sigma 24-70 f/2,8 (used at 46mm)

Three Shots (-1; 0; +1)

ISO: 100 at f/13

Software: Photoshop CC2020

Plugin: TTS Pro

Mostly White

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I took this photo during my last trip to Trentino, I returned to some of the places that I enjoyed better last time, Lake Carezza is one of these. As I headed towards the lake, I thought I would find it frozen, but not to find so much snow over the ice that I could not even recognize where the land ended where the water started 🙂

The place was surrounded by a magical atmosphere of silence, and sinking with snow up to almost the knee in the end I managed to take all the shots I need, since the moment of the shots I realized that they were photos in a natural black and white



This is probably the fastest workflow of latest years, the picture was naturally in black and white with no colors, the only things to do was fix the white balance and the exposure. I take the better exposed shot and I used  dodge and burn under brightest areas, I decreased luminosity under the foreground snow

I added contrast in the frame and I fixed lighting using luminosity masks applied to curves tool. With TTS Fast Panel I added details, the final touch was to increase the vibrant colors that add a more blue light to the image

As always I hope you will find this informations usefull. I always love to ear it from you!



Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Five Exposures ( -2; -1; 0 +1; +2)

ISO: 100 at f/16

Software: Photoshop CC2017

Extensions: TTS Fast Panel

The White Diamond

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I take this photo during the days I spent in Copenhagen, this is the famous black diamond structure adjacent to the royal library. As I say in my previous post  that the building takes the name of black diamond for the color of the exterior windows that are made of black granite of Zimbawe, inside this structure is completely white

Contrary to the original black name, I called this image white diamond because it represents the exactly opposite view of my previous post

This is the main entrance view from the top stairs I really liked the lighting that passed through the large window with the view of the houses of Christianshavn, the district starting from the other side of the river



I made a blend with the shots I take, first things was to fix the lighting: using luminosity masks applied to curves I decrease the lights coming from the window and increase the darks. Always using luminosity masks applied to curves, I select midtones 4 decreased by darks 3 to fix and increase contrast avoiding darks

With dodge and burn I reduce lights around the staircase and on the top window, with orton effect I increased the glow effect of light, setting it with an opacity of 20%. I applied details and sharpen to have more details and I increased colors on the floor.

I increased contrast more than 1 time but nevertheless the look of the image was still flat, so I used the color lookup effects to launch some filters (3 in totals) reducing the opacity between 10 and 25%, this gave to the picture a more fade filtered look but also more aggressive contrasts, for more information about this method I wrote a tutorial some time ago on Camerapixo site

I hope you will find this usefull. I always love ear it from you!



Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8(Shot at 14mm)

Three Exposures

ISO: 200 at f/8

Software: Photoshop CC2017

Extensions: TTS Fast Panel



How to Increase Details Selectively

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The selective application of digital Photoshop editings are now a crucial prerequisite in contemporary digital photography. This applies not only to details but to all those kinds of interventions that affects our images; so them  colors, details, lights, contrasts etc… To obtain a good image is therefore essential to know how to master the application of selective elements, details in this case are a factor of particular importance for the selective application. Let’s see how to do it:

– Duplicate Layer

– Select Black and White adjustment layer

– Change the Blending mode in Hard Light

– Go to Filters>Others>High Pass  and put radius as follow

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Now create a layer mask and fill it with black color MAC (Cmd+I) PC(Ctrl+I).

Your layer mask will be look like this. Black mask has the effect of hide the High Pass filter applied.

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Now select the White Brush and set the opacity around 30% (you can set an higher value for a stronger effect).

By painting the various elements, you are selectively showing the details in the affected areas 🙂

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Snow Pass

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This avenue is the walkway inside the ancient Aurelian Walls in Rome. A long wall surrounding the ancient city. This HDR image was achieved with 3 shots processeded in Photomatix, texturized and edited using Photoshop.

Snowfall in Rome

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It was 27 years who was not a serious snowfall in Rome. I was a child, I have in mind some vague memory that I played with the snow with my parents.

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Site Founder

Hi, my name is Giuseppe Sapori, a professional photographer and author of this website, created by yours truly to show my work and share with you the techniques I use. My expertise is in the field of Landscape Photography... (Read More)

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