Side Walk

Side Walk

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Waterfalls and autumn are two elements that always get along very well. During the autumn season I always try to find some beautiful glimpses with waterfalls inside woods and small forests, the water as I wrote in my tutorial dedicated to autumn how to photograph the beauty of autumn colours ,is a very strong element for autumn shots

I took this photo without the help of any filter since the water flow was very strong and I didn’t want to risk an excessive loss of water texture

I used focus stacking in this photo by focus on the foreground and then on the rest of the scene, since the focus point was the same

WORKFLOW EXPLANATION

I create the shot to edit blending the shots needed for focus stacking. Also with this image for every focus point I take two exposures, darker and brighter in order to digital blend the shots before proceed with focus stacking

I increased the highlights coming from the aperture on the trees to increase the sense of glow in this picture and I pushed up orton effect and glow effect for this

I increased details selectively on the rocks and on the trees, with luminosity masks I fixed contrast and lights over the scene, I added glow in the scene also using the glow tool

As final steps I increased the color vibrance and pushed up the autumn colours

All the edits are done with my TTS Pro panel, I hope you will find this usefull. I always love to ear that from you!

TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14mm)

Focus Stacking

ISO: 64 at f/11

Software: Photoshop CC2020

Plugin: TTS Pro


The Touch

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Not so far from the city of Rome some forests still looks green, it will take some other week to turn to the beautiful autumn orange. Meanwhile, here is another image of a waterfall captured directly from its shore, the series of waterfalls in this area creates a deep pool of water on multiple levels

Since I was in a wooded area quite closed from light, I went here during the day with full daylight, to benefit from a brighter light to sufficiently illuminate the scene. From the right suddenly a strong light filtered towards the water and the leaves that were in front of me and that I used as the main subject of the foreground, as a touch of light in a darker scene

I capture this photo through focus stacking and perspective blending techniques, so I capture different focus on the scene and I blended togheder to obtain a perfectly focused frame, I already corrected the perspective with the waterfall using another waterfall picture with an undistorted perspective

WORKFLOW EXPLANATION

I captured 4 different focus point in the scene + another picture for the correct perspective of the waterfall + another one for saving the moving foliages

For every focus point I got two exposures darker and brighter that I used for digital blending. Once I composed the base working image, I started editing the image using TTS Pro. With luminosity masks I fixed the highlights and shadows in the frame and with dodge and burn I decreased all the strong lights in the frame

I used orton effect here, perfect for this kind of scenes and with the use of glow tool  I created some glowing lights in the picture. I increased the color vibrance, increased details and sharpness on the rocks and on the leafs

As final step I launched a soft vignette to favor the impression of a mysterious image to the viewer

As always I hope you will find this usefull! I love to ear that from you!

TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14mm)

Focus Stacking

ISO: 64 at f/14

Software: Photoshop CC2020

Plugin: TTS Pro


The Waterway

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Near Rome there is this graceful waterfall which takes the name of Mola like the millstone located next to an old mill, built in the 1500s. The artifact was used for the milling of wheat from flour, exploiting the waters of the river

The waterfall is surrounded by greenery a few kilometers from the town and the canalization works, the lock and the remains of the tuff perimeter walls are still visible from the old mill

I captured this shot using focus stacking technique so capturing a series of exposures near the foreground water and another series for the trees, no other shots was necessaries for the mid elements

WORKFLOW EXPLANATION

I blended all the shots captured using focus stacking in order to create the image perfectly focused. In this shot I also used another technique which I have never talked about so far but which I promise to deepen in the coming months, that is the perspective blending

With the use of perspective blending I corrected the perspective between the water in the foreground and the waterfall which was distorted by the vertical line, it often happens that moving the angle of view too low, the images in the background are excessively affected by the distortion of the wide angle but correcting properly the perspective can achieve a optimal result

Once corrected all I started adding details, contrasts and correcting the lights using TTS Pro panel, after this I added  orton effect, I love this effect in nature sceneries and the glow tool over the water and the sky

I increased the yellow colors using luminosity masks applied to shadows and blue tones applied to highlights. I also fixed the vibrance of colors and the whole luminosity of the shot

As final step I also added a manual vignette to the foreground

I really hope you will find this usefull! I like e to ear this from you!

TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14mm)

Three Shots (-1; 0; +1) focus stacked

ISO: 100 at f/13

Software: Photoshop CC2020

Plugin: TTS Pro


A Different Sigh

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Anyone who has been to Venice knows this bridge it is one of the most famous bridges in the city and one of the most photographed locations in Venice

In all the times I’ve been to Venice I photographed this bridge many times far and wide but today I propose a shot from a slightly different spot from the usual

Taking advantage of the framing in this photograph helps to create a different perspective than usual, initially I tried to do the focus stacking between the two perspectives but after a few attempts I preferred to keep the foreground blurred to give more prominence to the bridge at the bottom

WORKFLOW EXPLANATION

I captured the shots in order to create a focus stacking image between the framing and the bridge, but as mentioned above, I come back to my steps thus preferring a blurred framing to a photo in focus at every point.

I have already used a similar technique in this post with good results. So I edited only one image using to fix the sky highlights and to recover some shadows

I used the glow tool to lighten the bridge applying to the layer a gaussian blur filter, I also used the orton effect to create a soft look on the main subject. To increase the yellow tone look I applied a warm filter to  luminosity masks using highlights

I increased details and as final step I added with Color Efex Pro filter “darken lighten center” to better focus the viewer’s eye to the bridge

I always hope you will find this usefull! I love to ear that from you!

TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 19mm)

Three Shots (-1; 0; +1)

ISO: 100 at f/9

Software: Photoshop CC2020

Plugin: TTS Pro, Color Efex Pro


Trevi

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In these days I have had the lucky opportunity to photograph the Trevi’s Fountain without all those thousands of tourists who are perennially around the square

For those who have never been here, to give you an idea of the amount of people just think that as soon as you enter the fountain square you must start making your way through the crowd… here every semi-panoramic photo of the fountain is impossible throughout all the day. Only in the very early morning is there any chance of succeeding and it is not even so obvious

In these days without tourists in Rome everything is easier and in the early morning the square is completely deserted, only the wonderful sound of water is heard and the magical atmosphere of the fountain attracts to you

Nevertheless to give an image of the Trevi’s Fountain that enhances the light of the sky I chose a vertical shot also to give greater dynamism to the scene, I took many photos here also horizontally but in my opinion this view includes many essential elements of the fountain having something different from the classic postcards of Trevi


WORKFLOW EXPLANATION

I blended all the exposure using TTS Pro and with the use of luminosity masks I lightened the sky and shadows. I added details selectively excluding the water of the fountain and the sky clouds

I increased the color vibrance with the filter inside my free panel here and I give a warm look in the highlights and shadows using a warm filter. With the help of dodge and burn I pushed up the light in the main spots of the shot

I correct the perspective of the shot that had a strong wide angle perspective and as final touch, I added a small dark vignette around the photo to give more attention to the viewer to the fountain and the sky lights

I really hope you will find this usefull! I like to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14mm)

Single Shot

ISO: 100 at f/10

Software: Photoshop CC2020

Plugin: TTS Pro


The Crystal Veins

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I know, there are many photos that I am posting every week of this place and its surroundings but the situations I found with light, ice, colours and great points of view was very very interesting

Compared to last week’s shot I shot a few tens of meters but as you can see for yourself the main subject remains the same. Here too I benefited from large and interesting colors in the sky not quite the classical golden hour time, a sign that in the mountains there are many hours during the day where you can shoot with great colours during the day

Also here as for the previous shot I used the focus stacking technique with multi exposure, so I captured a bracketing series with a focus on the foreground and a bracketing series with the focus on the mountain subject in order to blend the “two series of shots” togheder


WORKFLOW EXPLANATION

To use the focus stacking technique I digital blended the shots with foreground using TTS Pro than I repeated the same process for the shots with mountain focused, after this I merged the two series togheder using focus stacking function on Photoshop

I fixed the highlights using luminosity masks, than I regulated contrast and colours. With dodge and burn I regulated all the lighting around the mountain, the forest below it but also in the reflections of the lake and on the rock

With my glow tool and the use of a brush with warm colors I emphasized the colors on the rocks of the sun and on the ice around them

After this I increased details and sharpness removing the effect in the unwanted areas using a simple layer mask and a black brush

Also for this shot I applied two different kinds of orton effect: the first is the classic orton effect decreased to the opacity to 15% and the second is the orton effect dark, that emphatize the dark tones of the image this time reduced in the opacity by 10%

I also decreased a bit the whole exposure of the shot, to create more atmosphere in this view

I really hope you will find this usefull! I like to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14 mm)

Single Shot

ISO: 100 at f/14

Software: Photoshop CC2020

Plugin: TTS Pro


Afterlight II

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I took this photo earlier than my last posted last week.
In this photo I wanted instead to take a larger part of the frame by going to directly insert the reflection of the sun also inside the water

I absolutely love the winter scenery on mountain lakes, here conditions change continuously and every shot can give you totally different look

I closed the shutter to catch the spikes of the sun with the help of a series of shots taken later to eliminate the lens flare, some time ago I also wrote an article that I recommend you read on the topic: 5 useful tips to shoot into the sun direction

Putting the hand on the sun on the camera is a great way to have a shot without any lens flare, this allows you to have a clean shot very usefull to mask out all flares


WORKFLOW EXPLANATION

I digital blended the exposure using TTS Pro, the blend focused mainly on lightening the shadows using the overexposed shot

As I saied on top I used the shot without reflections to eliminate the lens flare on the water and around the rock on the right

I increased the detail by removing the effect on the water, then I added a slight orton effect as I do in practically all my images

Always using my panel, I fixed contrast using luminosity masks applied to curves, I increased the color vibrance and I pushed up sun warmth by applying luminosity masks to a warming filters

As last steps I added a small vignette and pushed up the shadows using luminosity masks

I hope you will find this informations usefull! I like and I’m avaiable to ear feedback from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Sigma 24-70 f/2,8 (used at 31 mm)

Single Shot

ISO: 100 at f/13

Software: Photoshop CC2020

Plugin: TTS Pro


The Sky in the Lake

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During my last trip in Carinthia I visited many of the famous lakes that distinguish this area in Austria. Mostly these are large swimming lakes, with very interesting views of the mountains, but what you see in the picture was what fascinated me most

I’m talking about the famous Faaker lake, on my arrival I was impressed by the incredible silence that was heard in the clearing, only the noise that I heard was the ducks bathing in the distance, I walked on the shore for a few time until I found this point of view with these moorings for boats

I started taking some test shots until over time the sky brought out the beautiful colors of the golden hour, coloring not only the clouds behind the mountains but the whole body of water of the lake where the sky was perfectly reflected

I tried both compositions both vertical and horizontal but the vertical one was the one that gave greater depth to the photo and greater movement also thanks to the leaf that was at the bottom



WORKFLOW EXPLANATION

I blended my exposures using digital blending, after this I edited colors to give more emphasis to yellows and golden hour colours. I increased details and contrast in order to let the image result less flat

I added orton effect to create a dreamy look and make the image more pop, after some adjustments using luminosity masks on the exposure and highlights I used dodge an burn on the poles and on the leaf in order to give more result and make them less dark

I added a soft vignette to darked the lower part of the picture and give more sense of depth on the whole picture

I always hope you will find this usefull. I like to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Sigma 14-24 f/2,8 (used at 22 mm)

Three Shots (-1; 0; +1)

ISO: 100 at f/13

Software: Photoshop CC2020

Plugin: TTS Pro


From Red to Green

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Here is my first photo published in 2020, for this image I resume the location of my last photo published, I am talking about the beautiful Dolomites and its incredibles scenery

These are the waterfalls of Fanes, imposing waterfalls that are located inside a gorge and can only be reached through a wide climb on the promontory which must be followed by an equally descent to see them from below

I photographed the waterfalls from the top of the promontory in front of me in order to portray as much as possible the flow of water from the source to the end

The same atmosphere of the low clouds can be seen in the upper part of the photo above the trees giving them a mysterious look


WORKFLOW EXPLANATION

I blended the shots using digital blending to create the image to work on, the final bled is not so much far from the original shot, I just take some point of the brighter exposure to give more lights around the rock and to increase the softness of the water

I increased the yellow colours applying a warmer filter to the highlights through luminosity masks, after this details was increased using TTS Pro details effects

I fixed contast and lights around the rocks, after this I pushed up some colours like the autumn colours and the end of the waterfall to better look the amazing blue colour of the water

I also created a small vignette to give more darkness of the area around the waterfall and concentrate the viewer’s eye on the waterfall

I hope you will find this usefull. I always love to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Sigma 24-70 f/2,8 (used at 30mm)

Three Shots (-1; 0; +1)

ISO: 100 at f/13

Software: Photoshop CC2020

Plugin: TTS Pro


My 2019

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Here we are my final post of the year, my annual photo composition. Also this year I created a personal photo manipulation obtained with all top elements of this year. In this photo composition every thing, object and person you see has its own meaning, its importance, its memory for me, a moment that I want to remember and keep with special affection in this 2019

This is a personal representation of my 2019, here we have places visited, travels, personal goals and all that was dear to me.  This image has meaning for myself but I like to think that this image is beautiful even for you who look at it

I really hope you will appreciate the work, I always love to ear this from you! I want take the opportunity to thank you all for the support on my page and socials during this year, I want to wish you happy 2020 to all!


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Hi, my name is Giuseppe Sapori, a professional photographer and author of this website, created by yours truly to show my work and share with you the techniques I use. My expertise is in the field of Landscape Photography... (Read More)

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