Trevi

Trevi

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In these days I have had the lucky opportunity to photograph the Trevi’s Fountain without all those thousands of tourists who are perennially around the square

For those who have never been here, to give you an idea of the amount of people just think that as soon as you enter the fountain square you must start making your way through the crowd… here every semi-panoramic photo of the fountain is impossible throughout all the day. Only in the very early morning is there any chance of succeeding and it is not even so obvious

In these days without tourists in Rome everything is easier and in the early morning the square is completely deserted, only the wonderful sound of water is heard and the magical atmosphere of the fountain attracts to you

Nevertheless to give an image of the Trevi’s Fountain that enhances the light of the sky I chose a vertical shot also to give greater dynamism to the scene, I took many photos here also horizontally but in my opinion this view includes many essential elements of the fountain having something different from the classic postcards of Trevi


WORKFLOW EXPLANATION

I blended all the exposure using TTS Pro and with the use of luminosity masks I lightened the sky and shadows. I added details selectively excluding the water of the fountain and the sky clouds

I increased the color vibrance with the filter inside my free panel here and I give a warm look in the highlights and shadows using a warm filter. With the help of dodge and burn I pushed up the light in the main spots of the shot

I correct the perspective of the shot that had a strong wide angle perspective and as final touch, I added a small dark vignette around the photo to give more attention to the viewer to the fountain and the sky lights

I really hope you will find this usefull! I like to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14mm)

Single Shot

ISO: 100 at f/10

Software: Photoshop CC2020

Plugin: TTS Pro


The Crystal Veins

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I know, there are many photos that I am posting every week of this place and its surroundings but the situations I found with light, ice, colours and great points of view was very very interesting

Compared to last week’s shot I shot a few tens of meters but as you can see for yourself the main subject remains the same. Here too I benefited from large and interesting colors in the sky not quite the classical golden hour time, a sign that in the mountains there are many hours during the day where you can shoot with great colours during the day

Also here as for the previous shot I used the focus stacking technique with multi exposure, so I captured a bracketing series with a focus on the foreground and a bracketing series with the focus on the mountain subject in order to blend the “two series of shots” togheder


WORKFLOW EXPLANATION

To use the focus stacking technique I digital blended the shots with foreground using TTS Pro than I repeated the same process for the shots with mountain focused, after this I merged the two series togheder using focus stacking function on Photoshop

I fixed the highlights using luminosity masks, than I regulated contrast and colours. With dodge and burn I regulated all the lighting around the mountain, the forest below it but also in the reflections of the lake and on the rock

With my glow tool and the use of a brush with warm colors I emphasized the colors on the rocks of the sun and on the ice around them

After this I increased details and sharpness removing the effect in the unwanted areas using a simple layer mask and a black brush

Also for this shot I applied two different kinds of orton effect: the first is the classic orton effect decreased to the opacity to 15% and the second is the orton effect dark, that emphatize the dark tones of the image this time reduced in the opacity by 10%

I also decreased a bit the whole exposure of the shot, to create more atmosphere in this view

I really hope you will find this usefull! I like to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14 mm)

Single Shot

ISO: 100 at f/14

Software: Photoshop CC2020

Plugin: TTS Pro


Afterlight II

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I took this photo earlier than my last posted last week.
In this photo I wanted instead to take a larger part of the frame by going to directly insert the reflection of the sun also inside the water

I absolutely love the winter scenery on mountain lakes, here conditions change continuously and every shot can give you totally different look

I closed the shutter to catch the spikes of the sun with the help of a series of shots taken later to eliminate the lens flare, some time ago I also wrote an article that I recommend you read on the topic: 5 useful tips to shoot into the sun direction

Putting the hand on the sun on the camera is a great way to have a shot without any lens flare, this allows you to have a clean shot very usefull to mask out all flares


WORKFLOW EXPLANATION

I digital blended the exposure using TTS Pro, the blend focused mainly on lightening the shadows using the overexposed shot

As I saied on top I used the shot without reflections to eliminate the lens flare on the water and around the rock on the right

I increased the detail by removing the effect on the water, then I added a slight orton effect as I do in practically all my images

Always using my panel, I fixed contrast using luminosity masks applied to curves, I increased the color vibrance and I pushed up sun warmth by applying luminosity masks to a warming filters

As last steps I added a small vignette and pushed up the shadows using luminosity masks

I hope you will find this informations usefull! I like and I’m avaiable to ear feedback from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Sigma 24-70 f/2,8 (used at 31 mm)

Single Shot

ISO: 100 at f/13

Software: Photoshop CC2020

Plugin: TTS Pro


The Sky in the Lake

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During my last trip in Carinthia I visited many of the famous lakes that distinguish this area in Austria. Mostly these are large swimming lakes, with very interesting views of the mountains, but what you see in the picture was what fascinated me most

I’m talking about the famous Faaker lake, on my arrival I was impressed by the incredible silence that was heard in the clearing, only the noise that I heard was the ducks bathing in the distance, I walked on the shore for a few time until I found this point of view with these moorings for boats

I started taking some test shots until over time the sky brought out the beautiful colors of the golden hour, coloring not only the clouds behind the mountains but the whole body of water of the lake where the sky was perfectly reflected

I tried both compositions both vertical and horizontal but the vertical one was the one that gave greater depth to the photo and greater movement also thanks to the leaf that was at the bottom



WORKFLOW EXPLANATION

I blended my exposures using digital blending, after this I edited colors to give more emphasis to yellows and golden hour colours. I increased details and contrast in order to let the image result less flat

I added orton effect to create a dreamy look and make the image more pop, after some adjustments using luminosity masks on the exposure and highlights I used dodge an burn on the poles and on the leaf in order to give more result and make them less dark

I added a soft vignette to darked the lower part of the picture and give more sense of depth on the whole picture

I always hope you will find this usefull. I like to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Sigma 14-24 f/2,8 (used at 22 mm)

Three Shots (-1; 0; +1)

ISO: 100 at f/13

Software: Photoshop CC2020

Plugin: TTS Pro


From Red to Green

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Here is my first photo published in 2020, for this image I resume the location of my last photo published, I am talking about the beautiful Dolomites and its incredibles scenery

These are the waterfalls of Fanes, imposing waterfalls that are located inside a gorge and can only be reached through a wide climb on the promontory which must be followed by an equally descent to see them from below

I photographed the waterfalls from the top of the promontory in front of me in order to portray as much as possible the flow of water from the source to the end

The same atmosphere of the low clouds can be seen in the upper part of the photo above the trees giving them a mysterious look


WORKFLOW EXPLANATION

I blended the shots using digital blending to create the image to work on, the final bled is not so much far from the original shot, I just take some point of the brighter exposure to give more lights around the rock and to increase the softness of the water

I increased the yellow colours applying a warmer filter to the highlights through luminosity masks, after this details was increased using TTS Pro details effects

I fixed contast and lights around the rocks, after this I pushed up some colours like the autumn colours and the end of the waterfall to better look the amazing blue colour of the water

I also created a small vignette to give more darkness of the area around the waterfall and concentrate the viewer’s eye on the waterfall

I hope you will find this usefull. I always love to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Sigma 24-70 f/2,8 (used at 30mm)

Three Shots (-1; 0; +1)

ISO: 100 at f/13

Software: Photoshop CC2020

Plugin: TTS Pro


My 2019

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Here we are my final post of the year, my annual photo composition. Also this year I created a personal photo manipulation obtained with all top elements of this year. In this photo composition every thing, object and person you see has its own meaning, its importance, its memory for me, a moment that I want to remember and keep with special affection in this 2019

This is a personal representation of my 2019, here we have places visited, travels, personal goals and all that was dear to me.  This image has meaning for myself but I like to think that this image is beautiful even for you who look at it

I really hope you will appreciate the work, I always love to ear this from you! I want take the opportunity to thank you all for the support on my page and socials during this year, I want to wish you happy 2020 to all!


Timeless

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Another waterfall from my recent trip to South Korea, the water of this waterfall ends directly into the sea, I never saw a waterfall like that and I must say that it was very cool photography sunset from a beach with a waterfall on the right 🙂

Upon my arrival I found some people at the foot of the waterfall who were practically on the beach, I would have preferred a frontal view of the waterfall that fell directly into the sea but I had to give it up for a more distant and covered view. At the beginning I tried to photograph from a closer and more central point but it was practically impossible because of all the water spashes in front of

In the picture it doesn’t look like a big waterfall but I can assure you that it was pretty big and had a considerable water flow, so I decided for a vertical shot farther back behind some big rocks (it was one of the few points where you could be without it to be wet)

I captured a series of exposure to make this shot, without the use of practically unusable filters, the water you see moved was captured by longer exposures


WORKFLOW EXPLANATION

I blended the shots using TTS Pro with some exposures taken from before the golden hour till the blue hour, I was able to take the sunlight I like with this

I added details on the frame and I increased the warmth applied to shadows using luminosity masks, I made some adjustments with clone stamp tool to remove some water spot on the lens and I cleaned the scene from other small spots

With the help of dodge and burn I incresed the lighting over the rocks near me and I lightened the water coming from the waterfall. I added a orton effect because I like this kind of effect on waterfalls.

As final steps I decreased the general exposure of the frame just a bit to emphatize the lighting coming from the sunset

I hope you will find this usefull. I’ts a pleasure to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 16mm)

Five Shots (-2; -1; 0; +1;+2)

ISO: 100 at f/10

Software: Photoshop CC2019

Plugin: TTS Pro


The Awakening

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When I took this photo I was in a special place, a very special place that I found with after a bit of research on google earth in order to find waterfalls along my South Korea itinerary

This is precisely the first of my in trip researches resuls, reaching it was not easy but it was satisfying, together with this waterfall in the next post I will also show you another waterfall that is absolutely unique

However the light coming from the top of the waterfall was lovely, photographing it and capturing that light was my main goal since I reached the location

Behind me there were some tourists who take selfies in every way possibles 🙂 A very strange thing, throughout the entire journey in South Korea I didn’t see half photographer or landscape photographer who had a tripod or a DSRL, never happened before in all of life


WORKFLOW EXPLANATION

I captured different shots in order to capture the best dynamic range, I blended 3 of them to obtain a final frame with the right light around the water and over the trees

I blended the shots using TTS Pro and luminosity masks to fix the lights around the rocks after the blend. Always with the use of my panel I increased the yellow colours of highlights and shadows using the warm colour filter

With the glow tool I incrased some lights over the main light spot and over the leafs on the trees, I decreased the luminosity in order to generate a more dark look and I applied a soft orton effect to emphatize this

I increased the vibrance of the colours around +10 using hue/saturation given more contrast using curves adjustment layer applied to luminosity masks

I hope you will find this usefull. I like to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Sigma 24-70 f/2,8 (used at 35mm)

Three Shots (-1; 0; +1)

ISO: 100 at f/16

Software: Photoshop CC2019

Plugin: TTS Pro


Conjunctions II

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From the beautiful beaches of Cilento, I come back with a photo from a different perspective of my favorite beach of this area. To take this picture I used the distortion of my wide angle to create a more impactful effect in the foreground

To take advantage of the distortion it is always good to consider the corners of the image to avoid falling lines on the horizon. I love vertical photos but the management of distortions when you want to highlight a subject in the foreground may not always be easy

In my tutorial 7 composition guidelines for better landscape photography I insered Mind the Corners, to remember the presence of spots or other distracting elements in the picture that could focus away the viewer’s attention, the falling lines are one of them so always check it when you use lens distortion for you shots


WORKFLOW EXPLANATION

I captured 5 exposure bracketing series that I blended using TTS PRO.I used an additional shot to capture the sea with a long exposure that I used to make the water more soft

With the complete blend, I straighten up the horizon and removed some water spots on the lens. With the use of luminosity masks, I decreased the highlights and I increased the shadows in order to make better visibles the stones around the beach

I increased contrast and I added some blue colors to the image using a cold filter. I added a very soft orton effect and I used dodge and burn to increase the lights over the rocks and decrease the luminosity of the sea

Always using my panel I used the glow tool to make other adjustments and creating a manual vignette over the image

I hope you will find this usefull. I’m always happy to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14mm)

Five Exposures (-2; -1; 0; +1; +2)

ISO: 100 at f/11

Software: Photoshop CC2019

Plugin: TTS Pro


Conjunctions

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I took this photo in a beach located in the Gulf of Cilento, I love this area of Italy and very often I spend a few days here in the summer. The Cilento area is located in the southern part of Campania and is a UNESCO heritage area that offers not only beautiful beaches but also small mountains, archaeologic areas and natural parks

Although we are along the coast, the proximity of the hills to the sea, makes that in the evening, the sky around the mountains, is often clouded; creating interesting photographic spots not so common on the coasts

I make this shot in the final hours of sunset, to capture the movement of the water I used a 3-stop ND filter to avoid exposures that were too long for each series of shots


WORKFLOW EXPLANATION

I captured 5 exposure bracketing for this that I blended using my panel TTS PRO, to the blended image I added contrast and details

I fixed lights over the rocks and over the horizon using luminosity masks, than I enhanced colours using a cold filter applied to highlights and a bit less to the shadows

I boosted the colours of the sunset creating a mask for yellow, red and magenta to give more warm to the sky after this I applied a soft orton effect and a soft dodge and burn to the rocks and to the water

As final step I created a soft vignette to give more energy to the central scene

I hope you will find this usefull. I’m always happy to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14mm)

Five Exposures (-2; -1; 0; +1; +2)

ISO: 100 at f/11

Software: Photoshop CC2019

Plugin: TTS Pro


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Hi, my name is Giuseppe Sapori, a professional photographer and author of this website, created by yours truly to show my work and share with you the techniques I use. My expertise is in the field of Landscape Photography... (Read More)

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