From this Day on

From this Day on

Tags : 

From the same location in Rome as Castel Sant’angelo, I propose a shot that I took many years ago and that I have never reproposed afterwards.

In this spot you can capture the whole location including with the help of a good wide angle, the entire location of the castle and the energy of the sun setting on the sides of it

A few days ago I was here waiting for the blue hour to photograph the view of San Pietro in the evening, I had arrived a little earlier and I took the opportunity to photograph the splendid effect of the sun disappearing behind the buildings, all with branches of the trees along the river that complete the frame of the image

WORKFLOW EXPLANATION

I captured 3 bracketed shots for this image that I merged with the help of TTS Pro, using the same panel I correct the sky and make it more pop selectively. With the clone stamp and lazo tool I removed some unwanted spot and ghosts from the image

By using another picture with the finger on the sunlight, I replace some part of the image to totally remove any lens flare from the frame. I added orton effect, increased the yellow tone of highlights, decreased the shadows and increased details. All the passages above using luminosity masks applied selectively

I also applied the glow tool on some areas of the image in order to create more atmosphere, as last step I added a dark vignette to increase the sense of darkness of the image

TECNHNICAL STUFF

Camera: Nikon D850

Sigma 24-70 f/2,8 (used at 29mm)

Focus Stacking

ISO: 100 at f/20

Software: Photoshop CC2021

Plugin: TTS Pro


Chasing Sunlight

Tags : 

Hi guys, also this week here you are another sunrise shot from Rome for this photo I chose another spot where you can admire the roman sunrise in all its beauty

The view of the roman forum is truly spectacular, I went here just before the sun started to glimpse the horizon composing the shot in a way that so that I could have a general overview of the roman forum with the Coliseum on the right

I captured some series of bracketing shots, also including some shots holding my finger in front of the sunlight, in order to have some shots without the lens flare for the blend with other photos, in this way I removed all the lens flare from the final image


WORKFLOW EXPLANATION

I blended all the exposures using TTS Pro, I decreased the shadows and increased the highlights to push up the sunrise lights than, with the use of luminosity masks, I give more contast to the image.

After adding a warm filter to give a more yellow tone to the image, I added a orton effect to increase the dreamy look feel of the sunlight. With the use of dodge and burn I fixed some light and shadows spot around the picture and for the last I used a dark vignette around the picture

I hope you will find this usefull! I’m happy to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14mm)

Five Expoures (-2; -1; 0 +1; +2)

ISO: 100 at f/22

Software: Photoshop CC2020

Plugin: TTS Pro


Infusion of Light

Tags : 

Here we are still in my location of the last posts, this time with a vertical shot, in this photo I captured the icy foreground on this beautiful lake. I love the vertical angle precisely because of the perspectives that the light can give to the viewer

In my post Afterlight I told you about the light that was present in this location and the lighting that filtered through the mountains, in that circumstance I was able to capture a beautiful moment of light that hit the lake giving magnificent golden reflections

Here instead I tried to shoot a different scene more focused on perspectives and depth. I love this mountain scenery, the ice, the colors of the sky and those of the ice. I can’t wait to leave again for new winter destinations soon, I will update you on the subject as always


WORKFLOW EXPLANATION

For this image I used the focus stacking technique, I blended the exposure with foreground in focus than the other exposure series with the mountain both using TTS Pro with my filters, after this I blended the shots for focus stacking

I increased details using my panel, I increased the level of yellow tones to give more light at the sunset applying a warming filter to luminosity masks.

Subsequently I added two types of orton effect: the first was the classic orton effect decreased to the opacity to 15% and the second was the orton effect dark, that emphatize the dark tones of the image… you can fin both filters inside my panel

I fixed the contrast and lights using luminosity masks, and helping myself with a brush in a new layer I lightened some dark areas of the picture and given more light to the highlights and clouds

As last touch I created a soft vignette to give more attention to the ice subject on the foreground

I hope you will find this informations usefull! I love to ear feedback from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14 mm)

Single Shot

ISO: 100 at f/14

Software: Photoshop CC2020

Plugin: TTS Pro



Timeless

Tags : 


Another waterfall from my recent trip to South Korea, the water of this waterfall ends directly into the sea, I never saw a waterfall like that and I must say that it was very cool photography sunset from a beach with a waterfall on the right 🙂

Upon my arrival I found some people at the foot of the waterfall who were practically on the beach, I would have preferred a frontal view of the waterfall that fell directly into the sea but I had to give it up for a more distant and covered view. At the beginning I tried to photograph from a closer and more central point but it was practically impossible because of all the water spashes in front of

In the picture it doesn’t look like a big waterfall but I can assure you that it was pretty big and had a considerable water flow, so I decided for a vertical shot farther back behind some big rocks (it was one of the few points where you could be without it to be wet)

I captured a series of exposure to make this shot, without the use of practically unusable filters, the water you see moved was captured by longer exposures


WORKFLOW EXPLANATION

I blended the shots using TTS Pro with some exposures taken from before the golden hour till the blue hour, I was able to take the sunlight I like with this

I added details on the frame and I increased the warmth applied to shadows using luminosity masks, I made some adjustments with clone stamp tool to remove some water spot on the lens and I cleaned the scene from other small spots

With the help of dodge and burn I incresed the lighting over the rocks near me and I lightened the water coming from the waterfall. I added a orton effect because I like this kind of effect on waterfalls.

As final steps I decreased the general exposure of the frame just a bit to emphatize the lighting coming from the sunset

I hope you will find this usefull. I’ts a pleasure to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 16mm)

Five Shots (-2; -1; 0; +1;+2)

ISO: 100 at f/10

Software: Photoshop CC2019

Plugin: TTS Pro


The Touch of the Sun

Tags : 

Looking back at some of the shots taken in Japan, I found this picture that take my interest.

In particular this is the initial area of the Arashiyama Bamboo forest, at this point the bamboo is not as thick and narrow as in some of the inner points but you can appreciate the beautiful through the bamboo

The light is surely the most striking in this photo and in particular how it touches those two large dark trees beside the bamboo, the tree on the right in particular

To make the shot in my opinion very interesting there is also the beautiful game of contrasts and lights on the main avenue and at the end a tourist who enters the frame at the bottom that concludes the composition of the image


WORKFLOW EXPLANATION

I captured for this shot 3 exposure brakets that I blended using my panel, with the same tool I lauched high details effect very usefull to add details using frequency separation

I incresed the yellow colours applying a warmer filter first to the highlights than to the shadows, separately with a different opacity (usually shadows require less % than highlights)

With the dodge and burn tool I darkened some part of the foliage with too much light and with the glow tool I increased the luminosity at the points of the path and on the fence hits by the sun

With the use of orton effect I increased the glow of the picture, to give more energy to the sunlight. Final steps was to decrease a bit the general luminosity, recover the shadows and to add a small vignette

I really hope you will find this usefull. I’m always happy to ear this words!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14mm)

Five Exposures (-1; 0; +1)

ISO: 100 at f/9

Software: Photoshop CC2019

Plugin: TTS Pro


Sensō-ji

Tags : 

 

During my stay in Tokyo I could not miss the most famous temple in the city, I am talking about the Sensō-ji temple. That is a Buddhist temple complex located in the Asakusa district of Tokyo. It is the oldest temple in the city, and one of the most important. I take this photo to the  imposing five-storey pagoda that you can find near the temple

The entrance to the temple is marked by the famous “door of thunder”. It houses a huge paper lantern, painted red with black characters. In the nearbyes there’s a busy shopping street, that leads to the main entrance of the Sensō-ji temple

The Sensō-ji is a popular tourist destinations.  In the shopping street you can find a high number of stores specializing in the sale of traditional Japanese items have emerged in its surroundings, as well as restaurants offering traditional Japanese food (ramen, sushi, tempura, etc.). Many of these shops are run by the heirs of former owners, who started their business thanks to the economic income secured by the great flow of pilgrims to the temple

I really enjoyed the visit to Sensō-ji and among good food, photos and shops the visit to this traditional Tokyo place is very pleasant 🙂

Here you are some shots taken in the temple area:

 

 

WORKFLOW EXPLANATION

The main picture of pagoda is a result of a digital blending made from 3 exposures brackets. I used my panel to stack the images and to blend them using luminosity masks blending funcions inside TTS PRO

I increased details and I launched dodge and burn applied to luminosity masks to avoid to affect the unwanted part of the picture, in particular I lightened the darker areas near the door. I also applied a warmer filter to the highlights and shadows to emphatyze the yellow lights and I added some glow effect to the sky

After a fix on the sky colours I added a soft contrast using midtones. As final touch I added a small vignette to increase emphatyze the center of the image

As always I hope you will find this usefull. I like to ear this from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 15mm)

Three Exposures

ISO: 100 at f/9

Software: Photoshop CC2018

Plugin: TTS Pro

 


Vernazza Sunset

Tags : 

 

One of the most significant sunsets of the Cinque Terre is located in Vernazza, from this incredible spot you can portray the town of Vernazza with all its characteristic elements … the vegetation, the sea, the sun and the coast as well as the town that extends towards the sea

When I decided to travel the Cinque Terre I had this shot among my main objectives and that day I fortunately found a great light with a beautiful colored sky

I go to this spot several minutes before sunset armed with beer and chips to deceive the time once the tripod was placed 🙂

I did all long exposures in bracketing mode since I was shooting directly into the sun direction if I had not had many shots to blend would have been difficult have a non burned sky

Even the long exposure is a requirement that I love in the maritime locations like Vernazza where the water that breaks on the rocks always creates that typical silk effect that I really like. I shot 7 exposure brackets shot with longest on 48 seconds with ND64 filter

 

WORKFLOW EXPLANATION

I blended the exposure taken starting from the darkest images, where I gradually move frame to the brightest. With my brand new panel TTS PRO I used luminosity mask contrast function to fix the contrast on the various areas of the picture having great control of them

I make a light bleeding over the sun and on the plants in the foreground and after I removed all the lens flares in the image using eyedropper tool with paint brush in a brand new layer with soft light fusion mode.

With dodge and burn tool I fixed the remaining spot of strong light caused of lens flare, after this always using my panel I launched warm highlights funcion to give a touch of more yellow on the frame reducing the opacity to decrease the effect. After giving to the image a stronger look with more details, I increased a bit the vibrance and I give more light to the shadows for not having them too dark

I always hope you will find this usefull. Love to ear this from you!

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 20mm)

Seven Exposure ( -3; -2; -1; 0; +1; +2; +3)

ISO: 100 at f/11

Software: Photoshop CC2018

Plugin: TTS Pro

 

 


The Valley of Dreams Pt. 2

Tags : 

 

Also this photo was taken in the same location of my last post. I’m still talking about the Valley of the Ferriere located near the beautiful harbor town of Amalfi. On the path that climbs through a valley full of all natural beauty there are many waterfalls  and this is one of those that I found along my way

In particular it was a very narrow stream that flowed down, it caught my attention. It was difficult to find a good position to capture the scene since I could not get too close because of the splashes of water came decided on my filter screen and not too far to not compromise the composition

I used a -6 stop ND filter to smooth the water, compared to the previous photo where in all the shots I’ve done I never exceeded 30 seconds in this shot I had exposure times even longer than 2 minutes, I was in a dense thicket and the light that filtered was very low. Shutter speed for this photo is 120 seconds



 

WORKFLOW EXPLANATION

I started using two exposure, not to made a digital blend but to save trees and leafs from movement. As always I used luminosity masks to decrease the lights around the water and softner the white effect of the long exposure. With my panel I launched details to boost of all them, launched also orton effect beacause I like this effect in all waterfall shots 🙂

Using dodge and burn tool I lightened the darker parts of the wood and I increased light on the direction of the sunrays. With a yellow brush I colored some part of the rocks reducing the opacity and setting the layer as soft ligth, in this way I intensified the yellow color on the rocks with a softner effect. I fixed contrast with luminosity masks reducing the effect decreasing the opacity. Also here I created a small vignette but increasing the bright of the image

I hope you will find this post usefull. I always love to ear this from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 22mm)

Long Exposure for 120′

ISO: 100 at f/10

Software: Photoshop CC2018

Plugin: TTS Fast Panel

 


The Valley of Dreams

Tags : 

 

That’s right, the valley of dreams! is not really called in this way but it is a dream place for all nature lovers here! I’m talking about the Valley of the Ferriere that is located in the town of Amalfi, it is reached with about an hour walk with a walking path  inside of the town. Inside the valley there are many small waterfalls, rivers of all kinds and above all many lemon trees 🙂

Time ago this area was full of mills as evidenced by the ruins in the valley, It is a very interesting place to immerse yourself in nature and to add to the sea of Amalfi also a part of hiking. During the path inside the Valley of Ferriere I found this small waterfall that although it was not very high had a considerable and very strong water flow

Using a maximum time of 30 seconds shot and with the help of an ND1000 I reached a very smooth water without using a very long exposure time. I made several shots even vertically but in the end I preferred this view that had less foreground but immerses more in the context of the context, do not you think?

 

WORKFLOW EXPLANATION

I used a single shot for this, I started using the luminosity masks action to reduce lights around the waterfall and to increase darks on the shadows.  I used TTS Fast Panel to launch all my luminosity masks and to use high details to push up all the details in this frame. I launched orton effect to create a soft look around the waterfall, reducing the darker effect on the darker area using layer mask

I increased the yellow colors using a warm filter applied to luminosity masks. Using as always dodge and burn  to fix some strongly darks areas and to darken some overexposed part of the water. Also used back luminosity masks applied to curves to fix contrasts and lights again

In the final steps I reduce the luminosity of the whole picture and I added a small vignette to create a dark mood look

As always I hope you will find this informations usefull. I’m always happy to ear it from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 20mm)

Long Exposure for 30′

ISO: 100 at f/10

Software: Photoshop CC2018

Plugin: TTS Fast Panel


My 2017

Tags : 

As final post of the year I will be back of my annual photo composition. This is a photo manipulation obtained with all top elements of my year. In this photo composition every thing, object and person you see has its own meaning, its importance, its memory, a moment that I wanted to remember and keep with special affection in this 2017

Places visited, travels, personal goals and all that was dear to me is pictured here. This is a representation of my 2017, a very personal meaning of this year… but I hope to leave to you the fascination look of the picture that I hope will leave field even for your imagination… enjoy it!

I really hope you will appreciate the work, I always love to ear it from you! I take the opportunity to thank you all for the support on my page and social, I want to wish you all a happy 2018!

 


Site Founder

Hi, my name is Giuseppe Sapori, a professional photographer and author of this website, created by yours truly to show my work and share with you the techniques I use. My expertise is in the field of Landscape Photography... (Read More)

Newsletter Signup