The Hiding

The Hiding

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Today I post two shots of a details of some peaks during my hike in Passo Falzarego. That day I was surrounded by clouds, I took these two photos while I was uphill and the colors of the sunset that struck these two high peaks struck my attention

The colors in those days were fabulous, accentuated even more by the magic of the low clouds which, as I wrote in previous posts, contributed to creating a magnificent atmosphere throughout the valley


WORKFLOW EXPLANATION

For both exposures I made two handheld shots. For both shots I followed the same workflow in order to obtain 2 similar images. I proceeded for a digital blending than adding details using TTS Pro

I added some warm colours using luminosity masks applied to hightlighs and a warmer filter. After adding a small orton effect, I increased the yellow colours where the sun hit the mountain helping myself with a dodge and burn tool to empatize the lighting

I fixed lights and contrast in the highlights and shadows, I added some lights using a white brush with the glow tool

The last touch was to add a small vignette to increase the darkness around the border

I always hope you will find this usefull. I’m happy to ear that from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 70-200 f/2,8 (used at 102mm)

Three Shots (-1; 0; +1)

ISO: 320 at f/7,1

Software: Photoshop CC2020

Plugin: TTS Pro


The Golden Touch

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I took this photo at sunset in a traditional Seoul village, where you get a taste of the ancient korean times while escaping from the bustling city life of modern times. The traditional garden created its peaceful ambiance outside the pavillions

At sunset a splendid light passed through all the pavillions inside the park, so I used the sun’s rays to capture the sunlight and its rays at sunset. All the interior in the garden had a beautiful oriental atmosphere of tranquility, it seemed very far from the city but it is inside it

Inside the houses are arranged to help guests understand the daily lives of the past, and the clean, traditional houses, as well as their antique items provide a great photo op. To protect these fragile heritages, only one of the hanok houses is open to the public


WORKFLOW EXPLANATION

I captured 5 bracketed shots in order to extend the dynamic range as much I can, later I blended my shots using my panel. I increased details and highlights selectively using luminosity masks, than always using TTS Pro I set the contrast over the frame

I launched dodge and burn to give more light around the leafs and I increased the yellow colours using a warm filter applied to highlights and shadows

I increased the warmyth using color efex pro filters, after this I created a orton effect to give more soft look on the sunlight

I hope you will find this usefull. I like to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 22mm)

Five Shots (-2; -1; 0; +1;+2)

ISO: 100 at f/8

Software: Photoshop CC2020

Plugin: TTS Pro, Color Efex Pro


Walking through the Ancient

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I love Seoul because it is a very variegate city, inside we can find tall skyscrapers and modern buildings but there is a part linked to tradition and traditional life

I’ts the case of this place, this is the beautiful Hanok Village, where you can find the traditional korean house. It is fascinating to walk along its narrow streets among the low houses and the so characteristic and traditional roofs. The Hanok Village offers one of the most interesting view of Seoul, with this street view that leads to the modern buildings

It seems a museum itinerary but the streets are full of real houses, it is considerated a residential zone and some people leave here. I arrived here quite early and found various signs on the spot asking for silence until at least 9 am, to allow the residents to rest

That’s right! in fact I read a few days before about this village that its streets are full of tourists during the day, which is why going there very early in the morning remains the only solution to shooting

Furthermore near the village there are several shops that rent the hanbok, the famous and traditional Korean dress, so it’s not difficult to find someone like you who decided to wake up early to get some shots immersed in the tradition ūüôā


WORKFLOW EXPLANATION

Taking this shot did not require any particular technicalities, I reach the top of the village to benefit from the perspective, a girl who dressed in the traditional hanbok dress that was taking selfies just passed she approached a door I started taking some pictures

I take a single shot for this image so this time i didn’t used any digital blending but I used the same luminosity masks to correct the highlights in the sky and recover the shadows

I increased details and pushed up colours using TTS Pro, with dodge and burn tool I dodged some house tiles touched by the light to increase the clarity effect

I corrected the wide angle effect that was created on the houses creating a slight distortion, to do this I used the free transform tool dragging it on side

I hope you will find this usefull. I like to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14mm)

Single Shot

ISO: 100 at f/9

Software: Photoshop CC2019

Plugin: TTS Pro


Conjunctions

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I took this photo in a beach located in the Gulf of Cilento, I love this area of Italy and very often I spend a few days here in the summer. The Cilento area is located in the southern part of Campania and is a UNESCO heritage area that offers not only beautiful beaches but also small mountains, archaeologic areas and natural parks

Although we are along the coast, the proximity of the hills to the sea, makes that in the evening, the sky around the mountains, is often clouded; creating interesting photographic spots not so common on the coasts

I make this shot in the final hours of sunset, to capture the movement of the water I used a 3-stop ND filter to avoid exposures that were too long for each series of shots


WORKFLOW EXPLANATION

I captured 5 exposure bracketing for this that I blended using my panel TTS PRO, to the blended image I added contrast and details

I fixed lights over the rocks and over the horizon using luminosity masks, than I enhanced colours using a cold filter applied to highlights and a bit less to the shadows

I boosted the colours of the sunset creating a mask for yellow, red and magenta to give more warm to the sky after this I applied a soft orton effect and a soft dodge and burn to the rocks and to the water

As final step I created a soft vignette to give more energy to the central scene

I hope you will find this usefull. I’m always happy to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14mm)

Five Exposures (-2; -1; 0; +1; +2)

ISO: 100 at f/11

Software: Photoshop CC2019

Plugin: TTS Pro


Hands Lifted

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Waiting for my next trip I spend a day last week in the Tuscia region. It was a name given to the old region of Etruria now named conventionally has the name of the region around Viterbo

Here there is a beautiful beech forest, located on Monte Cimino. The beech forest and is a pleasant walk (especially the summer) to go through these beautiful centenary trees, very suggestive the lights that filter through the branches during the morning

I found these two trees that they had a shape almost representing hands towards the sky, where a strong morning light filtered creates beautiful plays of light


WORKFLOW EXPLANATION

I edited the single shot with luminosity masks, used to adjust contrast lights and darkness, no blend here was possible because I was freehand and the wind moved the leaves

I increased details using TTS PRO ,created two warm filters (highlights and shadows) applied to luminosity masks to give more yellows tones to trees and leaves

I launched an orton effect to give more sens of glow in the frame, plus to intensity the light I used the glow tool with a brush around the main lights area

With the use of dodge and burn I reduced some strong lights around the trees and as final step I added a vignette to give more prominence to the light coming to the sky I darkened some rocks with too much lights on them, I adjusted contrast using it applied to luminosity masks

I hope you will find this usefull. I’m always happy to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14mm)

Single Shot

ISO: 250 at f/8

Software: Photoshop CC2019

Plugin: TTS Pro


Pool With a View

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This magical place is near the regional park of Alps in Belluno, skirting the lake of Mis you arrive in this series of natural pools feed by a waterfall with the alps in the background

The crystalline water and the white rock at certain times of the day it reaches its most complete amazing yellow colours when sun goes behind the mountains and all take a great looking yellow like golden hour

To take this photo I decided to create a vertical photomerge of two shots so as to include as much as possible of the scenery

The waterfall that feeds the pools is on the back, so I could not include it in the same shot but I promise you that it will be the subject of my next posts ūüėÄ



WORKFLOW EXPLANATION

I captured two series of shots to photomerge, for each series I take 3 bracketed shots that I blended using auto blend darks function of TTS PRO 

After a lights fix using curves applied to luminosity masks, I increased details and controlled contrast. With a warm filter, I generate more yellows tones and I decreased the luminosity of the mountain with dodge and burn

I applied a soft orton effect details using my panel, a orton effect that create the typical effect but avoiding to loose sharpness. I create a light painting in the picture using the brush on the main viewer’s eye points

I decrease the luminosity a bit and I generate a soft vignette as final steps

I hope you will find this informations usefull. I’m always happy to ear this from you!



TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14mm)

Three Exposures (-1; 0; +1)

ISO: 100 at f/7,1

Software: Photoshop CC2019

Plugin: TTS Pro


Bubble Crack

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Visiting Lake Braies is always beautiful, since I’ve been here other times, on my last visit I wanted to see it in winter.¬†Usually in winter the frozen lakes lose part of their fascination, especially due to the absence of reflections, but in my opinion they gain on the colors and the pov where it is possible to take some pictures and Braies is one of the best on this

I found a very interesting point under the famous pier overlooking the mountain, under the snow could not settle and so remained only the ice, here the view towards the mountain in the background was perfect and the ice with all its variations did the rest

Photo aside this pov was definitely very uncomfortable, I had to shoot quickly because the place was very slippery and my tripod keep slipping away ūüôā

I captured the images with two different focus points for focus stacking in order to obtain a unique focused picture of lake Braies 

 

WORKFLOW EXPLANATION

As I mentioned above, I captured all my bracketing exposures first focusing on the ice below and then focusing to the mountain.  Once at the computer I uploaded all the photos between them and started this process to have 3 final images focused near and to infinite

At this point I started using my TTS PRO panel, to make a digital blending between images using auto blend functions. I started removing some people in the scene with clone stamp tool, than I raised the detail levels and adjusted the contrast with the luminosity masks

I used the dodge and burn to give more impact to the bubbles below, then adjusted the colors by increasing the purple and applying a colder filter to the frame. With the glow tool I adjusted the light intensity of the sky and lightened some points of the photo.

Finally I launched a slight orton effect and created a vignette effect to emphasize the central scene

As always I hope you will find this usefull. I love to ear this from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8

Three Exposures Focus Stacked (-1; 0; +1;)

ISO: 50 at f/6,3

Software: Photoshop CC2019

Plugin: TTS Pro


The Wayside

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We are in Osaka and this is the view from one of the hightest point of the city. I’m talking about another very tall building, the Umeda Sky Building located in the Kita-ku district, in Shin Umeda, an area that developed northwest of the Umeda commercial district

It is a building where there are mainly offices, together with an observation platform where you can admire a beautiful view of the city

The Umeda Sky Building has a bridge structure consists of two twin towers of forty floors connected to each other on the two highest floors; these last two floors house the structure called Floating Garden Observatory, one of the main attractions of the city

Also here like in Tokyo Tower and Tokyo Skytree I took the picture through a window so I had to be careful not to bring the lights inside the structure reflected on the glass

 

WORKFLOW EXPLANATION

Since I go upstairs the Umeda Sky Building with the sunlight, I took advantage of the twilight moment to capture the view of the city with the soft light. I blended my exposures into one image using TTS PRO , I fixed lights and contrasts using luminosity masks

I used dodge and burn and clone stamp to fix some lights relfections that escaped my sight, after this I increased details. I fixed the colors of the frame giving  a blue tone in the foreground but at the same time more warm to lights and skylight

I increased the glow effect using a soft orton effect  and glow painting over the buildings, with the same technique I created a manual vignette around the image

As always I hope you will find this usefull. I love to ear that from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8

Three Exposures (-1; 0; +1)

ISO: 200 at f/9

Software: Photoshop CC2019

Plugin: TTS Pro

 


Towards the Sky

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Another image from the Bamboo forest of Arashiyama, in my previous post I have spoken extensively about this forest, which is an unmissable destination for those who go to Japan, but I also talked about how difficult it is to take pictures inside it to stay quiet away from tourists…¬†Well, the photo in question instead does not consider all this ūüėÄ

In fact in this incredible location just look up at the sky in some points of the forest to find shows of trees that are intertwined upwards, leaving just some glimmers in the light to enter and it is precisely these glimmers of light to create the magical atmosphere that reigns in the Bamboo forest of Arashiyama

I love the play of light that is created between the trunks of the bamboo, especially those that have formed on the left, illuminating some parts of the forest that are in the shadow areas. I made this shot handheld, without a tripod although in fact I used bracketing as I always do for habit at the end but I have only used one exposure of these, the reason? the wind and the leaves that moved made impossible any sort of alignment between the trees and the image will result blurry if I use digital blending

 

WORKFLOW EXPLANATION

As anticipated a moment ago this is a single shot, so I exploited the potential of luminosity masks to raise and lower the lights and shadows of the image. Although I intervened several times on the central light coming from the opening between the trees, I have also chosen to leave the light source strong, to give greater contrast to the image but also to increase the sense of illumination.

I increased details using my panel placing the effect with 50% opacity and than I launched the orton effect decreasing the opacity to 10%. After increasing the yellow tones of the image with two warm filters applied to highlights and shadows, with dodge and burn I made some adjustments on the top leaves and on the dark tree on the right

I tried as much as possible to keep an editing similar to the one in my previous photo since the same location I like the idea of having results in terms of color and lighting similar, although the subject and lighting in this case is completely different. For this reason also this time I used Color Efef Pro with Sunlight filter and reducing opacity to 35%, to increase the glow coming from the main light

Last passage was to create a dark vignette but this time without increasing the light in the center part of the frame,¬†the light would have been really too much this time ūüôā

As always I hope you will find this usefull. Love to ear this from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Single Shot

ISO: 100 at f/10

Software: Photoshop CC2018

Plugin: TTS Pro, Color Efex pro

 


A Night in the Village

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Second image from Takayama village in Japan, I took this second picture a few minutes after that of my previous post going to photograph the bridge in his front view, the image so quiet in the village at sunset illuminated by these yellow lanterns was a very impressive element for me.

Even the contrast between the yellow lights and the blue twilight has greatly attracted my curiosity, I love the blue hour for these reasons. I captured this image with a very low light, so at ISO 100 the shutter speed was 30 seconds

 

WORKFLOW EXPLANATION

This is a single shot, so this time no blending was done for this picture. Anyway I always used luminosity masks  to fix the lights in the sky, over the lanterns and set the right contrast. I set the proportions and slightly straightened the photo, with the clone stamp I removed a spot at the top

With the glow tool  I made some lights adjustments on the bridge to increase the light and give more warm over the area under the lanters. I gave a soft orton effect and I added a warm filter to the foreground to give more the impression of  lighting coming from the lanterns. I raised up the shadows with luminosity masks and as a last touch I created a small vignette to increase the sense of darkness

I hope you will find this usefull. I like to ear this from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Single shot for 30′

ISO: 100 at f/10

Software: Photoshop CC2018

Plugin: TTS Pro

 


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Hi, my name is Giuseppe Sapori, a professional photographer and author of this website, created by yours truly to show my work and share with you the techniques I use. My expertise is in the field of Landscape Photography... (Read More)

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