The Path of Angels

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The Path of Angels

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It’s not the first time that I photograph Castel Sant’Angelo from his bridge. Over the years I have proposed this shot at least 3 times always with a different light and at different time of the day… today is a new version related to the other shots I took in Rome in this after quarantine days

This is the version where for the first time in all my attempts to photograph Castel Sant’Angelo I did not have to use lens-filters or other photoshop tools to cancel people and tourists on the bridge. This is in fact another spot in Rome that is really very crowded during all the year and only now that the city has not yet opened its doors to tourists is it possible to do, here also in the early morning here are always someone taking photos

Regarding the shot this time I positioned my tripod at eye level since I wanted to avoid the falling lines of the castle and the angels on the bridge, with all this leading lines is very easy to have wide angle lens distortions here… I made it all through a series of bracketing of 5 shots

WORKFLOW EXPLANATION

I made a digital blend using my panel TTS Pro, I removed some ghosts bird in the sky using clone stamp tool than I started editing lights and shadows using luminosity masks

After correcting color cast, I increased color vibrance and details. I create a small orton effect to give a more dreamy feel to the shot, with dodge and burn I lightened some darker parts of the castle and around the bridges

I increased contrast and highlights and I corrected shadows, after a soft decrease of general luminosity I pushed up some sunrise colours using a cold filter

As final step I added a very soft vignette to put the viewer’s eye on the leading lines

I hope you will find this usefull! I’m happy to ear this from you!

TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14mm)

Five Expoures (-2; -1; 0 +1; +2)

ISO: 100 at f/22

Software: Photoshop CC2020

Plugin: TTS Pro

Trevi

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In these days I have had the lucky opportunity to photograph the Trevi’s Fountain without all those thousands of tourists who are perennially around the square

For those who have never been here, to give you an idea of the amount of people just think that as soon as you enter the fountain square you must start making your way through the crowd… here every semi-panoramic photo of the fountain is impossible throughout all the day. Only in the very early morning is there any chance of succeeding and it is not even so obvious

In these days without tourists in Rome everything is easier and in the early morning the square is completely deserted, only the wonderful sound of water is heard and the magical atmosphere of the fountain attracts to you

Nevertheless to give an image of the Trevi’s Fountain that enhances the light of the sky I chose a vertical shot also to give greater dynamism to the scene, I took many photos here also horizontally but in my opinion this view includes many essential elements of the fountain having something different from the classic postcards of Trevi

WORKFLOW EXPLANATION

I blended all the exposure using TTS Pro and with the use of luminosity masks I lightened the sky and shadows. I added details selectively excluding the water of the fountain and the sky clouds

I increased the color vibrance with the filter inside my free panel here and I give a warm look in the highlights and shadows using a warm filter. With the help of dodge and burn I pushed up the light in the main spots of the shot

I correct the perspective of the shot that had a strong wide angle perspective and as final touch, I added a small dark vignette around the photo to give more attention to the viewer to the fountain and the sky lights

I really hope you will find this usefull! I like to ear this from you!

TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14mm)

Single Shot

ISO: 100 at f/10

Software: Photoshop CC2020

Plugin: TTS Pro

A New Day

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Finally I have again the opportunity to freely go out to photograph and on the first day I decided to go to the most famous spot of my city. It was great to take advantage of the total absence of tourists and people in the area but despite everything to avoid any possible presence of people, I went there for the sunrise

The splendid sunrays of sun that at this time of year are behind the Coliseum were unfortunately covered by clouds but anyway with all the sunrise colours on the sky

Talking about composition I preferred a vertical shot with composition, they are among my favorites, to emphasize the coliseum in the background and a leading compositional line towards the monument

WORKFLOW EXPLANATION

I made the image with the focus stacking technique by shooting the bracketed image for each series of captured images. If you want to know more about this technique that I always use when taking photos like this, I recommend reading this guide

With the resulting expoures I digital blended the images using TTS Pro. With the help of luminosity masks I fixed highlights, shadows and contrasts. After adding details selectively I increased the color vibrance exalting magentas and blue colours

I added orton effect and with the use of dodge and burn I lightened the blacks around the Coliseum. With the glow tool I lightened some highlights in the sky and created soft light bleeding near the sun position. As final step I added a vignette to darken the foreground and to give more prominence to the central scene

As always I hope you will find this usefull! I like to ear this from you!

TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14mm)

Single Shot

ISO: 100 at f/9

Software: Photoshop CC2020

Plugin: TTS Pro

The Autumn Leaves

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This week I take a break from the tutorials to return to publish some new photos and today I propose an old photo taken in Japan in 2018. I had discarded this photo at the time because I did not like that framing of leaves so blurred for which I didn’t have to chance to capture the shot using focus stacking for logistical problems…

In fact, to capture this temple with this view I had to climb through a very high bush for which not even the easel could reach, I took it freehand and on tiptoe. All this set of non-technical details, made me think that something wrong in this shot but that I reevaluated it today, also looking at the many images that run on web with very prominent framing like this

The blurring of the leaves on the left gives an idea of ​​the context in which this splendid temple is located in Kyoto, a beautiful garden that I could safely admire and turn at the opening of the temple gates to avoid finding tourists in the area

WORKFLOW EXPLANATION

I take this shot as single exposure so no digital blend was done for this, I started fixing highlights, shadows and contrast using luminosity masks.

I removed some chromatic aberrations around the corner of the leaves and I fixed colors first removing any color cast than increasing the purple tones and increasing vibrance

I added some more details selectively, than I added a soft orton effect. As final step I added a small vignette increasing the light in the center to make the image more pop

I hope you will find this usefull! I like to ear this from you!

TECNHNICAL STUFF

Camera: Nikon D-800

Sigma 24-70 f/2,8 (used at 70mm)

Single Shot

ISO: 200 at f/7,1

Software: Photoshop CC2020

Plugin: TTS Pro

Relighting

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A shot on a mountain view in Passo Falzarego captured during a strongly overcasted day. The light that hit the top of the mountain seemed to turn on that mountainous stretch of lighter nature, giving great difference of colors and tones to the rest of the mountain, the cloudy sky of those days characterizes the surrounding environment of a truly very involving atmosphere

I captured this shot with my 70-200 by freehand, (thanks VR :)) I made 3 bracketing shots that I easily realigned in Photoshop when making my corrections

WORKFLOW EXPLANATION

I digital blend the shots using TTS Pro starting from the darker exposure I used the auto blend function with the brighter exposure. I corrected contrast, lights and colors than I applied details to the whole frame

I give a touch of orton effect as I usually do in my every mountainscape, because I really like this effect on the mountain scenery, with dodge and burn I fixed up the yellow light over the mountain and I lightened the dark part of the sky

Again with the use of luminosity masks I made some adjustments to the highlights and shadows, after adding a cooling filter I applied selective warm color to the mountain lightened by the sun

As final step I added a vignette and slightly reduced the exposure of the picture to increase the sense of dark atmosphere

I really hope you will find this usefull! I like to ear this from you!

TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 70-200 f/2,8 (used at 98 mm)

Single Shot

ISO: 100 at f/9

Software: Photoshop CC2020

Plugin: TTS Pro

Mountain Roots

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In the splendid setting of the Alps I took advantage of every single shot and moment of light that I had available, it was a beutiful excursion and a very prolific day from a photographic point of view. I made this shot using a large root of a tree that protruded from the ground around the frozen lake with the mountain in the background to complete the scenery

Here too, as in my two previous photos, I shot with the focus stacking technique, then first capturing a series of shots for the foreground and then a new series of shots for the mountain in the background. The result is a shot completely in focus, you can find more information on this technique in my article dedicated to how to use focus stacking with exposure bracketing

WORKFLOW EXPLANATION

The processing was very similar to the latest of this series, I firstly blended the shots with respective focus, than I blended the two groups of images using focus stacking technique

With the use of TTS Pro I added details and contrast to the frame, than I increased warm lights with a warm filter applied to luminosity masks. I launched orton effect, than I fixed lights and contrasts using again luminosity masks around the main point of interests such as highlights and dark shadows

With the use of dodge and burn I lighten the root in order to give more appearance to the eye of the viewer, I also lightened the trees below the mountain and given more prominence to the sunlight reflections on the ice

I increased the colour vibrance and the autumn colour look using the specific effect you can find in my free panel

As final touch I darkened the the lawn area around the roots to give greater prominence to the central figure of the photo

I hope you will find this usefull! I’m happy to ear this from you!

TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14 mm)

Single Shot

ISO: 100 at f/14

Software: Photoshop CC2020

Plugin: TTS Pro

The Crystal Veins

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I know, there are many photos that I am posting every week of this place and its surroundings but the situations I found with light, ice, colours and great points of view was very very interesting

Compared to last week’s shot I shot a few tens of meters but as you can see for yourself the main subject remains the same. Here too I benefited from large and interesting colors in the sky not quite the classical golden hour time, a sign that in the mountains there are many hours during the day where you can shoot with great colours during the day

Also here as for the previous shot I used the focus stacking technique with multi exposure, so I captured a bracketing series with a focus on the foreground and a bracketing series with the focus on the mountain subject in order to blend the “two series of shots” togheder

WORKFLOW EXPLANATION

To use the focus stacking technique I digital blended the shots with foreground using TTS Pro than I repeated the same process for the shots with mountain focused, after this I merged the two series togheder using focus stacking function on Photoshop

I fixed the highlights using luminosity masks, than I regulated contrast and colours. With dodge and burn I regulated all the lighting around the mountain, the forest below it but also in the reflections of the lake and on the rock

With my glow tool and the use of a brush with warm colors I emphasized the colors on the rocks of the sun and on the ice around them

After this I increased details and sharpness removing the effect in the unwanted areas using a simple layer mask and a black brush

Also for this shot I applied two different kinds of orton effect: the first is the classic orton effect decreased to the opacity to 15% and the second is the orton effect dark, that emphatize the dark tones of the image this time reduced in the opacity by 10%

I also decreased a bit the whole exposure of the shot, to create more atmosphere in this view

I really hope you will find this usefull! I like to ear this from you!

TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14 mm)

Single Shot

ISO: 100 at f/14

Software: Photoshop CC2020

Plugin: TTS Pro

Afterlight II

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I took this photo earlier than my last posted last week.
In this photo I wanted instead to take a larger part of the frame by going to directly insert the reflection of the sun also inside the water

I absolutely love the winter scenery on mountain lakes, here conditions change continuously and every shot can give you totally different look

I closed the shutter to catch the spikes of the sun with the help of a series of shots taken later to eliminate the lens flare, some time ago I also wrote an article that I recommend you read on the topic: 5 useful tips to shoot into the sun direction

Putting the hand on the sun on the camera is a great way to have a shot without any lens flare, this allows you to have a clean shot very usefull to mask out all flares

WORKFLOW EXPLANATION

I digital blended the exposure using TTS Pro, the blend focused mainly on lightening the shadows using the overexposed shot

As I saied on top I used the shot without reflections to eliminate the lens flare on the water and around the rock on the right

I increased the detail by removing the effect on the water, then I added a slight orton effect as I do in practically all my images

Always using my panel, I fixed contrast using luminosity masks applied to curves, I increased the color vibrance and I pushed up sun warmth by applying luminosity masks to a warming filters

As last steps I added a small vignette and pushed up the shadows using luminosity masks

I hope you will find this informations usefull! I like and I’m avaiable to ear feedback from you!

TECNHNICAL STUFF

Camera: Nikon D-800

Sigma 24-70 f/2,8 (used at 31 mm)

Single Shot

ISO: 100 at f/13

Software: Photoshop CC2020

Plugin: TTS Pro

Afterlight

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I have a beautiful remember of this afternoon when I went to this lake, the light was fantastic and the sun peeked through the clouds and the mountains

I have long been looking for a spot where I could take the beautiful reflections of the lake and I waited for the moment that the light filtered through the clouds, the colors of the lake that changed in the sunlight were beautiful and made the atmosphere warm and magical

The light intervals were really fast and I happened to lose some of them but I managed to capture this moment, the light coming from the left was much stronger than what is shown in the photo, I eliminated the lens flare using layer mask with the other expousure taken before

WORKFLOW EXPLANATION

Although I captured the scene in different moments of light the result of this photo is not a digital blending, I used the other shots to remove lens flare and light imperfections of the main shot but basically I worked on a single shot

I started with a variation of colors increasing the warm tones, then I raised the details by removing the effect on the reflections of the water

With orton effect I increase the sense of softness of the scene to mitigate the strongness of details throught the trees and on the mountains, I raised up the light using dodge an burn and fixed the contrast using curves applied to luminosity masks

I darkened the scene increasing the purple tones, as last step I increased sharpness on the mountain peaks and on the branches of the trees

I hope you will find this usefull. I like to ear this from you!

TECNHNICAL STUFF

Camera: Nikon D-800

Sigma 24-70 f/2,8 (used at 31 mm)

Single Shot

ISO: 100 at f/13

Software: Photoshop CC2020

Plugin: TTS Pro

The Sky in the Lake

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During my last trip in Carinthia I visited many of the famous lakes that distinguish this area in Austria. Mostly these are large swimming lakes, with very interesting views of the mountains, but what you see in the picture was what fascinated me most

I’m talking about the famous Faaker lake, on my arrival I was impressed by the incredible silence that was heard in the clearing, only the noise that I heard was the ducks bathing in the distance, I walked on the shore for a few time until I found this point of view with these moorings for boats

I started taking some test shots until over time the sky brought out the beautiful colors of the golden hour, coloring not only the clouds behind the mountains but the whole body of water of the lake where the sky was perfectly reflected

I tried both compositions both vertical and horizontal but the vertical one was the one that gave greater depth to the photo and greater movement also thanks to the leaf that was at the bottom


WORKFLOW EXPLANATION

I blended my exposures using digital blending, after this I edited colors to give more emphasis to yellows and golden hour colours. I increased details and contrast in order to let the image result less flat

I added orton effect to create a dreamy look and make the image more pop, after some adjustments using luminosity masks on the exposure and highlights I used dodge an burn on the poles and on the leaf in order to give more result and make them less dark

I added a soft vignette to darked the lower part of the picture and give more sense of depth on the whole picture

I always hope you will find this usefull. I like to ear this from you!

TECNHNICAL STUFF

Camera: Nikon D-800

Sigma 14-24 f/2,8 (used at 22 mm)

Three Shots (-1; 0; +1)

ISO: 100 at f/13

Software: Photoshop CC2020

Plugin: TTS Pro

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Hi, my name is Giuseppe Sapori, a professional photographer and author of this website, created by yours truly to show my work and share with you the techniques I use. My expertise is in the field of Landscape Photography... (Read More)

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