Relighting

Relighting

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A shot on a mountain view in Passo Falzarego captured during a strongly overcasted day. The light that hit the top of the mountain seemed to turn on that mountainous stretch of lighter nature, giving great difference of colors and tones to the rest of the mountain, the cloudy sky of those days characterizes the surrounding environment of a truly very involving atmosphere

I captured this shot with my 70-200 by freehand, (thanks VR :)) I made 3 bracketing shots that I easily realigned in Photoshop when making my corrections


WORKFLOW EXPLANATION

I digital blend the shots using TTS Pro starting from the darker exposure I used the auto blend function with the brighter exposure. I corrected contrast, lights and colors than I applied details to the whole frame

I give a touch of orton effect as I usually do in my every mountainscape, because I really like this effect on the mountain scenery, with dodge and burn I fixed up the yellow light over the mountain and I lightened the dark part of the sky

Again with the use of luminosity masks I made some adjustments to the highlights and shadows, after adding a cooling filter I applied selective warm color to the mountain lightened by the sun

As final step I added a vignette and slightly reduced the exposure of the picture to increase the sense of dark atmosphere

I really hope you will find this usefull! I like to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 70-200 f/2,8 (used at 98 mm)

Single Shot

ISO: 100 at f/9

Software: Photoshop CC2020

Plugin: TTS Pro


Mountain Roots

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In the splendid setting of the Alps I took advantage of every single shot and moment of light that I had available, it was a beutiful excursion and a very prolific day from a photographic point of view. I made this shot using a large root of a tree that protruded from the ground around the frozen lake with the mountain in the background to complete the scenery

Here too, as in my two previous photos, I shot with the focus stacking technique, then first capturing a series of shots for the foreground and then a new series of shots for the mountain in the background. The result is a shot completely in focus, you can find more information on this technique in my article dedicated to how to use focus stacking with exposure bracketing


WORKFLOW EXPLANATION

The processing was very similar to the latest of this series, I firstly blended the shots with respective focus, than I blended the two groups of images using focus stacking technique

With the use of TTS Pro I added details and contrast to the frame, than I increased warm lights with a warm filter applied to luminosity masks. I launched orton effect, than I fixed lights and contrasts using again luminosity masks around the main point of interests such as highlights and dark shadows

With the use of dodge and burn I lighten the root in order to give more appearance to the eye of the viewer, I also lightened the trees below the mountain and given more prominence to the sunlight reflections on the ice

I increased the colour vibrance and the autumn colour look using the specific effect you can find in my free panel

As final touch I darkened the the lawn area around the roots to give greater prominence to the central figure of the photo

I hope you will find this usefull! I’m happy to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14 mm)

Single Shot

ISO: 100 at f/14

Software: Photoshop CC2020

Plugin: TTS Pro


The Crystal Veins

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I know, there are many photos that I am posting every week of this place and its surroundings but the situations I found with light, ice, colours and great points of view was very very interesting

Compared to last week’s shot I shot a few tens of meters but as you can see for yourself the main subject remains the same. Here too I benefited from large and interesting colors in the sky not quite the classical golden hour time, a sign that in the mountains there are many hours during the day where you can shoot with great colours during the day

Also here as for the previous shot I used the focus stacking technique with multi exposure, so I captured a bracketing series with a focus on the foreground and a bracketing series with the focus on the mountain subject in order to blend the “two series of shots” togheder


WORKFLOW EXPLANATION

To use the focus stacking technique I digital blended the shots with foreground using TTS Pro than I repeated the same process for the shots with mountain focused, after this I merged the two series togheder using focus stacking function on Photoshop

I fixed the highlights using luminosity masks, than I regulated contrast and colours. With dodge and burn I regulated all the lighting around the mountain, the forest below it but also in the reflections of the lake and on the rock

With my glow tool and the use of a brush with warm colors I emphasized the colors on the rocks of the sun and on the ice around them

After this I increased details and sharpness removing the effect in the unwanted areas using a simple layer mask and a black brush

Also for this shot I applied two different kinds of orton effect: the first is the classic orton effect decreased to the opacity to 15% and the second is the orton effect dark, that emphatize the dark tones of the image this time reduced in the opacity by 10%

I also decreased a bit the whole exposure of the shot, to create more atmosphere in this view

I really hope you will find this usefull! I like to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14 mm)

Single Shot

ISO: 100 at f/14

Software: Photoshop CC2020

Plugin: TTS Pro


Afterlight II

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I took this photo earlier than my last posted last week.
In this photo I wanted instead to take a larger part of the frame by going to directly insert the reflection of the sun also inside the water

I absolutely love the winter scenery on mountain lakes, here conditions change continuously and every shot can give you totally different look

I closed the shutter to catch the spikes of the sun with the help of a series of shots taken later to eliminate the lens flare, some time ago I also wrote an article that I recommend you read on the topic: 5 useful tips to shoot into the sun direction

Putting the hand on the sun on the camera is a great way to have a shot without any lens flare, this allows you to have a clean shot very usefull to mask out all flares


WORKFLOW EXPLANATION

I digital blended the exposure using TTS Pro, the blend focused mainly on lightening the shadows using the overexposed shot

As I saied on top I used the shot without reflections to eliminate the lens flare on the water and around the rock on the right

I increased the detail by removing the effect on the water, then I added a slight orton effect as I do in practically all my images

Always using my panel, I fixed contrast using luminosity masks applied to curves, I increased the color vibrance and I pushed up sun warmth by applying luminosity masks to a warming filters

As last steps I added a small vignette and pushed up the shadows using luminosity masks

I hope you will find this informations usefull! I like and I’m avaiable to ear feedback from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Sigma 24-70 f/2,8 (used at 31 mm)

Single Shot

ISO: 100 at f/13

Software: Photoshop CC2020

Plugin: TTS Pro


Afterlight

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I have a beautiful remember of this afternoon when I went to this lake, the light was fantastic and the sun peeked through the clouds and the mountains

I have long been looking for a spot where I could take the beautiful reflections of the lake and I waited for the moment that the light filtered through the clouds, the colors of the lake that changed in the sunlight were beautiful and made the atmosphere warm and magical

The light intervals were really fast and I happened to lose some of them but I managed to capture this moment, the light coming from the left was much stronger than what is shown in the photo, I eliminated the lens flare using layer mask with the other expousure taken before


WORKFLOW EXPLANATION

Although I captured the scene in different moments of light the result of this photo is not a digital blending, I used the other shots to remove lens flare and light imperfections of the main shot but basically I worked on a single shot

I started with a variation of colors increasing the warm tones, then I raised the details by removing the effect on the reflections of the water

With orton effect I increase the sense of softness of the scene to mitigate the strongness of details throught the trees and on the mountains, I raised up the light using dodge an burn and fixed the contrast using curves applied to luminosity masks

I darkened the scene increasing the purple tones, as last step I increased sharpness on the mountain peaks and on the branches of the trees

I hope you will find this usefull. I like to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Sigma 24-70 f/2,8 (used at 31 mm)

Single Shot

ISO: 100 at f/13

Software: Photoshop CC2020

Plugin: TTS Pro


The Sky in the Lake

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During my last trip in Carinthia I visited many of the famous lakes that distinguish this area in Austria. Mostly these are large swimming lakes, with very interesting views of the mountains, but what you see in the picture was what fascinated me most

I’m talking about the famous Faaker lake, on my arrival I was impressed by the incredible silence that was heard in the clearing, only the noise that I heard was the ducks bathing in the distance, I walked on the shore for a few time until I found this point of view with these moorings for boats

I started taking some test shots until over time the sky brought out the beautiful colors of the golden hour, coloring not only the clouds behind the mountains but the whole body of water of the lake where the sky was perfectly reflected

I tried both compositions both vertical and horizontal but the vertical one was the one that gave greater depth to the photo and greater movement also thanks to the leaf that was at the bottom



WORKFLOW EXPLANATION

I blended my exposures using digital blending, after this I edited colors to give more emphasis to yellows and golden hour colours. I increased details and contrast in order to let the image result less flat

I added orton effect to create a dreamy look and make the image more pop, after some adjustments using luminosity masks on the exposure and highlights I used dodge an burn on the poles and on the leaf in order to give more result and make them less dark

I added a soft vignette to darked the lower part of the picture and give more sense of depth on the whole picture

I always hope you will find this usefull. I like to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Sigma 14-24 f/2,8 (used at 22 mm)

Three Shots (-1; 0; +1)

ISO: 100 at f/13

Software: Photoshop CC2020

Plugin: TTS Pro


My 2019

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Here we are my final post of the year, my annual photo composition. Also this year I created a personal photo manipulation obtained with all top elements of this year. In this photo composition every thing, object and person you see has its own meaning, its importance, its memory for me, a moment that I want to remember and keep with special affection in this 2019

This is a personal representation of my 2019, here we have places visited, travels, personal goals and all that was dear to me.  This image has meaning for myself but I like to think that this image is beautiful even for you who look at it

I really hope you will appreciate the work, I always love to ear this from you! I want take the opportunity to thank you all for the support on my page and socials during this year, I want to wish you happy 2020 to all!


The Hiding

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Today I post two shots of a details of some peaks during my hike in Passo Falzarego. That day I was surrounded by clouds, I took these two photos while I was uphill and the colors of the sunset that struck these two high peaks struck my attention

The colors in those days were fabulous, accentuated even more by the magic of the low clouds which, as I wrote in previous posts, contributed to creating a magnificent atmosphere throughout the valley


WORKFLOW EXPLANATION

For both exposures I made two handheld shots. For both shots I followed the same workflow in order to obtain 2 similar images. I proceeded for a digital blending than adding details using TTS Pro

I added some warm colours using luminosity masks applied to hightlighs and a warmer filter. After adding a small orton effect, I increased the yellow colours where the sun hit the mountain helping myself with a dodge and burn tool to empatize the lighting

I fixed lights and contrast in the highlights and shadows, I added some lights using a white brush with the glow tool

The last touch was to add a small vignette to increase the darkness around the border

I always hope you will find this usefull. I’m happy to ear that from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 70-200 f/2,8 (used at 102mm)

Three Shots (-1; 0; +1)

ISO: 320 at f/7,1

Software: Photoshop CC2020

Plugin: TTS Pro


The Golden Touch

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I took this photo at sunset in a traditional Seoul village, where you get a taste of the ancient korean times while escaping from the bustling city life of modern times. The traditional garden created its peaceful ambiance outside the pavillions

At sunset a splendid light passed through all the pavillions inside the park, so I used the sun’s rays to capture the sunlight and its rays at sunset. All the interior in the garden had a beautiful oriental atmosphere of tranquility, it seemed very far from the city but it is inside it

Inside the houses are arranged to help guests understand the daily lives of the past, and the clean, traditional houses, as well as their antique items provide a great photo op. To protect these fragile heritages, only one of the hanok houses is open to the public


WORKFLOW EXPLANATION

I captured 5 bracketed shots in order to extend the dynamic range as much I can, later I blended my shots using my panel. I increased details and highlights selectively using luminosity masks, than always using TTS Pro I set the contrast over the frame

I launched dodge and burn to give more light around the leafs and I increased the yellow colours using a warm filter applied to highlights and shadows

I increased the warmyth using color efex pro filters, after this I created a orton effect to give more soft look on the sunlight

I hope you will find this usefull. I like to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 22mm)

Five Shots (-2; -1; 0; +1;+2)

ISO: 100 at f/8

Software: Photoshop CC2020

Plugin: TTS Pro, Color Efex Pro


Walking through the Ancient

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I love Seoul because it is a very variegate city, inside we can find tall skyscrapers and modern buildings but there is a part linked to tradition and traditional life

I’ts the case of this place, this is the beautiful Hanok Village, where you can find the traditional korean house. It is fascinating to walk along its narrow streets among the low houses and the so characteristic and traditional roofs. The Hanok Village offers one of the most interesting view of Seoul, with this street view that leads to the modern buildings

It seems a museum itinerary but the streets are full of real houses, it is considerated a residential zone and some people leave here. I arrived here quite early and found various signs on the spot asking for silence until at least 9 am, to allow the residents to rest

That’s right! in fact I read a few days before about this village that its streets are full of tourists during the day, which is why going there very early in the morning remains the only solution to shooting

Furthermore near the village there are several shops that rent the hanbok, the famous and traditional Korean dress, so it’s not difficult to find someone like you who decided to wake up early to get some shots immersed in the tradition 🙂


WORKFLOW EXPLANATION

Taking this shot did not require any particular technicalities, I reach the top of the village to benefit from the perspective, a girl who dressed in the traditional hanbok dress that was taking selfies just passed she approached a door I started taking some pictures

I take a single shot for this image so this time i didn’t used any digital blending but I used the same luminosity masks to correct the highlights in the sky and recover the shadows

I increased details and pushed up colours using TTS Pro, with dodge and burn tool I dodged some house tiles touched by the light to increase the clarity effect

I corrected the wide angle effect that was created on the houses creating a slight distortion, to do this I used the free transform tool dragging it on side

I hope you will find this usefull. I like to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14mm)

Single Shot

ISO: 100 at f/9

Software: Photoshop CC2019

Plugin: TTS Pro


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Hi, my name is Giuseppe Sapori, a professional photographer and author of this website, created by yours truly to show my work and share with you the techniques I use. My expertise is in the field of Landscape Photography... (Read More)

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