Afterlight II

Afterlight II

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I took this photo earlier than my last posted last week.
In this photo I wanted instead to take a larger part of the frame by going to directly insert the reflection of the sun also inside the water

I absolutely love the winter scenery on mountain lakes, here conditions change continuously and every shot can give you totally different look

I closed the shutter to catch the spikes of the sun with the help of a series of shots taken later to eliminate the lens flare, some time ago I also wrote an article that I recommend you read on the topic: 5 useful tips to shoot into the sun direction

Putting the hand on the sun on the camera is a great way to have a shot without any lens flare, this allows you to have a clean shot very usefull to mask out all flares


WORKFLOW EXPLANATION

I digital blended the exposure using TTS Pro, the blend focused mainly on lightening the shadows using the overexposed shot

As I saied on top I used the shot without reflections to eliminate the lens flare on the water and around the rock on the right

I increased the detail by removing the effect on the water, then I added a slight orton effect as I do in practically all my images

Always using my panel, I fixed contrast using luminosity masks applied to curves, I increased the color vibrance and I pushed up sun warmth by applying luminosity masks to a warming filters

As last steps I added a small vignette and pushed up the shadows using luminosity masks

I hope you will find this informations usefull! I like and I’m avaiable to ear feedback from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Sigma 24-70 f/2,8 (used at 31 mm)

Single Shot

ISO: 100 at f/13

Software: Photoshop CC2020

Plugin: TTS Pro


Afterlight

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I have a beautiful remember of this afternoon when I went to this lake, the light was fantastic and the sun peeked through the clouds and the mountains

I have long been looking for a spot where I could take the beautiful reflections of the lake and I waited for the moment that the light filtered through the clouds, the colors of the lake that changed in the sunlight were beautiful and made the atmosphere warm and magical

The light intervals were really fast and I happened to lose some of them but I managed to capture this moment, the light coming from the left was much stronger than what is shown in the photo, I eliminated the lens flare using layer mask with the other expousure taken before


WORKFLOW EXPLANATION

Although I captured the scene in different moments of light the result of this photo is not a digital blending, I used the other shots to remove lens flare and light imperfections of the main shot but basically I worked on a single shot

I started with a variation of colors increasing the warm tones, then I raised the details by removing the effect on the reflections of the water

With orton effect I increase the sense of softness of the scene to mitigate the strongness of details throught the trees and on the mountains, I raised up the light using dodge an burn and fixed the contrast using curves applied to luminosity masks

I darkened the scene increasing the purple tones, as last step I increased sharpness on the mountain peaks and on the branches of the trees

I hope you will find this usefull. I like to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Sigma 24-70 f/2,8 (used at 31 mm)

Single Shot

ISO: 100 at f/13

Software: Photoshop CC2020

Plugin: TTS Pro


From Red to Green

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Here is my first photo published in 2020, for this image I resume the location of my last photo published, I am talking about the beautiful Dolomites and its incredibles scenery

These are the waterfalls of Fanes, imposing waterfalls that are located inside a gorge and can only be reached through a wide climb on the promontory which must be followed by an equally descent to see them from below

I photographed the waterfalls from the top of the promontory in front of me in order to portray as much as possible the flow of water from the source to the end

The same atmosphere of the low clouds can be seen in the upper part of the photo above the trees giving them a mysterious look


WORKFLOW EXPLANATION

I blended the shots using digital blending to create the image to work on, the final bled is not so much far from the original shot, I just take some point of the brighter exposure to give more lights around the rock and to increase the softness of the water

I increased the yellow colours applying a warmer filter to the highlights through luminosity masks, after this details was increased using TTS Pro details effects

I fixed contast and lights around the rocks, after this I pushed up some colours like the autumn colours and the end of the waterfall to better look the amazing blue colour of the water

I also created a small vignette to give more darkness of the area around the waterfall and concentrate the viewer’s eye on the waterfall

I hope you will find this usefull. I always love to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Sigma 24-70 f/2,8 (used at 30mm)

Three Shots (-1; 0; +1)

ISO: 100 at f/13

Software: Photoshop CC2020

Plugin: TTS Pro


Where Tomorrow Goes

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A blue hour at the beginning of darkness at Passo Falzarego, a beautiful atmosphere during the day and a night that turns out to be even more interesting an mysterious

I took this photo just before darkness shoting on one of the main peaks and working with a focus stacking between the backround mountain and the foreground shrub

My main intent in this photo was to convey a sense of darkness and mystery, I used focus stacking on a bracketing series which that I blended with luminosity masks in Photoshop


WORKFLOW EXPLANATION

I blended the shot using TTS Pro to achieve a final shot with both background and foreground in focus, after this I increased the blue colours and decreased the exposure to intensify the dark mood

I increased details and I applied a orton effect, , after this I fixed contrast over the frame. I added a soft blue filter and with dodge and burn tool I made some painting over the shrub and over the mountain

I fixed the lights and darkness using luminosity masks and I increased sharpen over the mountain, as last touch I increased the vignette giving more light to the center of the image

I always hope you will find this usefull. I’m happy to ear that from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 70-200 f/2,8 (used at 102mm)

Three Shots (-1; 0; +1)

ISO: 320 at f/7,1

Software: Photoshop CC2020

Plugin: TTS Pro


The Hiding

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Today I post two shots of a details of some peaks during my hike in Passo Falzarego. That day I was surrounded by clouds, I took these two photos while I was uphill and the colors of the sunset that struck these two high peaks struck my attention

The colors in those days were fabulous, accentuated even more by the magic of the low clouds which, as I wrote in previous posts, contributed to creating a magnificent atmosphere throughout the valley


WORKFLOW EXPLANATION

For both exposures I made two handheld shots. For both shots I followed the same workflow in order to obtain 2 similar images. I proceeded for a digital blending than adding details using TTS Pro

I added some warm colours using luminosity masks applied to hightlighs and a warmer filter. After adding a small orton effect, I increased the yellow colours where the sun hit the mountain helping myself with a dodge and burn tool to empatize the lighting

I fixed lights and contrast in the highlights and shadows, I added some lights using a white brush with the glow tool

The last touch was to add a small vignette to increase the darkness around the border

I always hope you will find this usefull. I’m happy to ear that from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 70-200 f/2,8 (used at 102mm)

Three Shots (-1; 0; +1)

ISO: 320 at f/7,1

Software: Photoshop CC2020

Plugin: TTS Pro


Losing Sight

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During the days I stay at the Dolomites, the splendid scenery of the mountain in autumn was constantly changing. Very intense days of cloudiness alternated with low clouds to rainy days, unfortunately not always all suitable for taking good photos

That afternoon I was literally surrounded by low clouds on the horizon and I took a lot of photos in this mountain scenery so particular and engaging. In this photo the clouds moving towards the forest below

It was a very beautiful atmosphere, rarely seen in the past at these levels as I said in my previous post. More photos will follow with similar scenarios of those days


WORKFLOW EXPLANATION

This image is a result of a digital blending with 2 exposures (of course I captured 3 but used just 2) that I blended using TTS Pro with auto blend darks function inside that instantly blend a darker exposure into a brighter exposure

After this I started edit the shot using luminosity masks correcting lighting in the sky and shadows, I also fixed contrast using midtones masks. I increased details that I partially muted with a orton effect.

I fixed up colours adding more vibrance and giving more yellow tones around the trees and the part of the mountain touched by sunlight

I made a small crop to cut off an empty space below and I made some small intervention with clone stamp tool to remove some rain drops

Last touch was to add a small vignette excluding the sky because it makes the clouds too dark

I hope you will find this usefull. I’m happy to listen it from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 70-200 f/2,8 (used at 102mm)

Three Shots (-1; 0; +1)

ISO: 320 at f/7,1

Software: Photoshop CC2020

Plugin: TTS Pro


The Wood of the Giant

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I recently spent a few days on the Dolomites to take a different tour than I did last time. To tell the truth, every time I try to do a different tour because the alternatives of beautiful natural places to visit here are really very much

Among my stops there was certainly a decent excursion to Passo Falzarego where I could admire a beautiful autumn scenery, in fact the whole area had a splendid view of red trees with low clouds, the one you see in the picture is a portion of what he surrounded me, in the next posts I will have the opportunity to show you the fullness of the autumnal scenery of the area

I also love the beautiful atmosphere that creates low clouds, on this day the colors and the atmosphere of the sky have really created a show that I have rarely seen. It must be said that I also had to face quite difficult days from a meteorological point of view, some days the clouds were so low that visibility was practically zeroed and rain don’t spared me, so a good mood but with moderation 🙂


WORKFLOW EXPLANATION

I captured 3 exposure in bracketing to make this shot, I make a blend manually using luminosity masks and my panel TTS Pro. I increased the yellows applying a warm filter to the highlights and shadows and I lighten up the light source using the glow tool

After this I increased details selectively and I applied a orton effect to create a dark dreamy look atmosphere to the mountain than, with the use of dodge and burn I increased the light source and the lights rays through the trees

I set the contrast and highlights and I increased the highlights, after a soft shadow recovery the last touch was to set the vibrance to give more show to the colors of autumn

I hope you will find this usefull. Love to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 70-200 f/2,8 (used at 105mm)

Three Shots (-1; 0; +1)

ISO: 320 at f/9

Software: Photoshop CC2020

Plugin: TTS Pro


Lines of the Night

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In the previous post I show you one of Busan spots that really impressed me and it is the main center activity of the city, but it is not the only one. Busan has also another very interesting city heart near the harbour

This is a view from the Busan Tower a a 120-metre-high tower at Yongdusan Park. I like very much the view from this tower because it benefit from a great view over the sea and from the proximity of other buildings

When I take this shot I come before the dusk and go upstairs still with sunlight, I cecked my favourite view and waited the right mix between golden and blue hour (i really love this kind of lights mix), usually during this time the citylights starts and at the same time the sky offers beautiful colours

I took this photo through the glass of the Busan Tower windows, using a suction cup to attach to the glass to avoid internal reflections, I captured some bracketed shots that I used to blend the final frame especially for what concerns the highlights


WORKFLOW EXPLANATION

I blended two shots for this image, I worked mainly on a shot and I used a underexposed exposure to decrease the highlights using digital blending with TTS Pro, after this I straighten the horizon and fixed color cast

I still decreased the highlights using color range funcion and applying the selection to luminosity masks. I removed some dust spots over the window using clone stamp tool, after I increased details and colours vividness

Using hue/saturation I decreased the blues on the left part of the sky that was originally too much strong. I set contrast and shadows as fnal touch

I really hope you will find this usefull. Love to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14mm)

Three Shots (-1; 0; +1)

ISO: 100 at f/16

Software: Photoshop CC2019

Plugin: TTS Pro


Conjunctions

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I took this photo in a beach located in the Gulf of Cilento, I love this area of Italy and very often I spend a few days here in the summer. The Cilento area is located in the southern part of Campania and is a UNESCO heritage area that offers not only beautiful beaches but also small mountains, archaeologic areas and natural parks

Although we are along the coast, the proximity of the hills to the sea, makes that in the evening, the sky around the mountains, is often clouded; creating interesting photographic spots not so common on the coasts

I make this shot in the final hours of sunset, to capture the movement of the water I used a 3-stop ND filter to avoid exposures that were too long for each series of shots


WORKFLOW EXPLANATION

I captured 5 exposure bracketing for this that I blended using my panel TTS PRO, to the blended image I added contrast and details

I fixed lights over the rocks and over the horizon using luminosity masks, than I enhanced colours using a cold filter applied to highlights and a bit less to the shadows

I boosted the colours of the sunset creating a mask for yellow, red and magenta to give more warm to the sky after this I applied a soft orton effect and a soft dodge and burn to the rocks and to the water

As final step I created a soft vignette to give more energy to the central scene

I hope you will find this usefull. I’m always happy to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14mm)

Five Exposures (-2; -1; 0; +1; +2)

ISO: 100 at f/11

Software: Photoshop CC2019

Plugin: TTS Pro


Pool With a View

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This magical place is near the regional park of Alps in Belluno, skirting the lake of Mis you arrive in this series of natural pools feed by a waterfall with the alps in the background

The crystalline water and the white rock at certain times of the day it reaches its most complete amazing yellow colours when sun goes behind the mountains and all take a great looking yellow like golden hour

To take this photo I decided to create a vertical photomerge of two shots so as to include as much as possible of the scenery

The waterfall that feeds the pools is on the back, so I could not include it in the same shot but I promise you that it will be the subject of my next posts 😀



WORKFLOW EXPLANATION

I captured two series of shots to photomerge, for each series I take 3 bracketed shots that I blended using auto blend darks function of TTS PRO 

After a lights fix using curves applied to luminosity masks, I increased details and controlled contrast. With a warm filter, I generate more yellows tones and I decreased the luminosity of the mountain with dodge and burn

I applied a soft orton effect details using my panel, a orton effect that create the typical effect but avoiding to loose sharpness. I create a light painting in the picture using the brush on the main viewer’s eye points

I decrease the luminosity a bit and I generate a soft vignette as final steps

I hope you will find this informations usefull. I’m always happy to ear this from you!



TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14mm)

Three Exposures (-1; 0; +1)

ISO: 100 at f/7,1

Software: Photoshop CC2019

Plugin: TTS Pro


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Hi, my name is Giuseppe Sapori, a professional photographer and author of this website, created by yours truly to show my work and share with you the techniques I use. My expertise is in the field of Landscape Photography... (Read More)

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