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Orvieto is a very pretty town in central Italy, with an excellent historical and artistic heritage. Its splendid cathedral is the most visited spot in the city very similar to the most famous cathedral of Siena

This wonderful cathedral is not the only spot you can visit here, you will find also the the St. Patrick water well, another great spot in Orvieto. i visited both during my day here so i don’t rule out future photos at the water well too 🙂


To make this shot I used the vertorama technique using a series of horizontal shots. Usually I don’t apply this technique so much and I prefer direcly shooting vertically but on this occasion it was necessary to include the whole cathedral in the scene.

I selected all the images an created the output images, I managed lights and shadows using luminosity masks than I added contrast and details using TTS Pro. I removed all the ghost in the frame and I clean the scene from unwanted elements

I decreased the luminosity of the scene using color lookup filters applied selectively on the shadows and highlights, than I also launched a soft orton effect to create this glimpse glow effect

Using dodge and burn I lightened some part of the scene including cathedral, as final step I created a soft vignette to darken the foreground area


Camera: Nikon D850

Nikon 14-24 f/2,8 (used @14mm)

Single Shots

ISO: 100 

Software: Photoshop CC2021

Plugin: TTS Pro

Easy and Beautiful Glow on Highlights Using Photoshop

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In this tutorial we will see how to create a beautiful glow effects on highlights using Photoshop, this help to create a different eye catching look and great atmosphere mood at out landscapes

1. To begin with start going to Select>Color Range

2. In the Color Range window select Highlights and adjust Fuzziness and Range to refine the selection, than press ok

3. Now that you have the highlights selected you will see the marching ants. Press Ctrl+J (PC) or Cmd+J (Mac) to duplicate the highlights in a separate layer.

4. Now right click on the new layer and select Convert to Smart Object

5. Navigate to Adjustments>Curves and create a curve to brighten the highlights

6. Now it’s time to add blur, so go to Filters>Blur>Gaussian Blur and adjust the radius to make glow

7. Now it’s possible to reduce the opacity of the layer that contains the higlights selection in order to softner the effect, or add a layer mask to remove selectively from the selection all the areas where we don’t want to apply the effect

8. As final touch is possible to give more details to the highlights going to Filters>Sharpen>Unsharp Mask and set the sharp you would like, than press ok

Enjoy the video:

The Power of Blue Hour Photography

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Some time ago I wrote an article on how to shoot during the golden hour, this is usually the best time of the day to shoot sunsets with the best and most powerfull conditions for photography. However golden hour does not always provide stunning results, it may happen that the weather is not good, or with a flat sky. In all these cases blue hour is a very good alternative

But blue hour is more than that, it depends on what are you looking for but in most cases can be to prefer to golden hour. So we see in this article the power of blue hour photography and when exploit it

1. Enhance Mood

The aspect that I prefer about blue hour is the mood of the images, the blue hour manages to give a unique atmospheres that no other time of day can give. In all these cases especially with the help of dramatic clouds it is a unique way to deepening the mood of images

2. Long Exposure

With coming dusk the exposure time lengthen, taking advantage of this conditions is the key point of blue hour, long exposure can completely transform the scene. For example in landscapes to benefit from the movements of clouds or water, in cityscapes with light trails

3. Combine Blue Hour with Golden Hour

Another aspect I love about blue hour is the chance to mix it with golden hour. In every sunset there is always a moment where the golden hour gives way to blue hour. The mood contains the power of blue hour and the warm as golden colours on the horizon

4. Light Trails

Light trails are one of the strongest composition of long exposure photography, especially the cityscape are particularly suitable for this kind of photos. Usually light trails are made during the blue hour, for this reasons it gives the chance of mixing the colors of blue hour and the yellows of city lights, two complementary and attractive colors for the viewer

5. Reflections

Blue hour is a great chance to capture reflections on the water, no matter if in the city or shooting landscape, the result is sure. During blue hour, reflections are amazing and taking advantage of this time of the day is the right time to deal with it

6. Look for Unique Light

Sometimes when the light is falling down a beautiful light can emerge, it’s a totally random and unexpected look that often occurs on very cloudy days but can completely transform your shots. This is the case of my photo taken in Amalfi when a coming storm contrasted with the last colors of the sunset creates a stunning and a unique light

7. Digital Blend

I’ve spoken about the chance to combine golden hour with blue hour while shooting, but we can do this also using Photoshop. In the image you see I have digital blended two different images with different lights, the warm colors of the golden hour and the cold one that characterizes blue hour, in a time that runs between about 30 minutes

8. Emphatize Blue Colours

It can be useful to increase the blue tones of the blue hour in our images, this to make images that are not in enough blue mood in order to increase the dark/blue atmosphere of our photo

We can proceed with the increase of the blue through the use of camera raw blue tones slider or through the use of Photoshop filters. Using TTS Pro Panel there are functions to increase the blue hour such as the golden hour through the application of selective filters that take advantage of luminosity masks

Last Autumn Flashes

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A image series of autumn colors captured in the countryside of northern Italy in Friuli some time ago. As I wrote in my guide how to photograph the beauty of autumn colours in the search for the right autumnal atmosphere it is important to take advantage by fog and clouds

Luckily I came across scenarios characterized by important fogs and low clouds that helped me to increase the autumn atmosphere of my shots. this series of images comes from all different places but obviously all within the same geographical region

The common line of these shots is that all these images are not the result of a planning or scouting for a location; they are all captured while I was driving my car and along the way I found these view, I pulled up the car on the side of the road and started shooting


These images are the result of all single shots, therefore no digital blending has been done here, however I have always used luminosity masks to correct exposure, contrast, shadows, highlights, etc…

In all my images I applied a strong orton effect to increase the autumn mood of the shots and I also increased this using the glow tool along the most darker areas

I increased details selectively, I increased colours and fixed the color cast in all the images using TTS Pro. I made some crops to make some images more interesting to the viewer and increased the vignetting on all the images

I really hope you will find this usefull. I’m always happy to ear this from you!


Camera: Nikon D-800

Nikon 14-24 f/2,8 (different angles)


ISO: 100 at various f/values

Software: Photoshop CC2020

Plugin: TTS Pro

Venice Moving III

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The view from the Rialto bridge in Venice. Rialto Bridge is one of the most busiest and visited in the lagoon city, between gondolas and boats passing under it, even the bridge itself is always full of people practically at all hours of the day, but with a little patience a space to take pictures is always free 🙂

Compared with the other photos called  “Venice Moving” I changed the type of movement moving from a movement of gondolas due to the wave motion to a movement of passage in the canal under Rialto

I took this picture with a series of long exposures and a nd 3 stop ND filter. Among the various results I particularly liked this with movements clearly visible unlike other light trails



This is a single exposure work, I make the first changes with the luminosity of the store lights, decreasing the effect. With a brush and using a new layer I replied the original color above the light trail of the boats to makethem more visible, then I changed the layer mode soft light to give a lighter effect

I fixed contrast using luminosity masks applied to lights, darks and midtones, using my panel I launched details and  dodge and burn to lighten the darker part of the image and softy lighten the buildings

I fixed the color cast and I add some warm/pink filter to give a different look at the image. As final step I applied a small vignette to the frame

As always I hope you will find this info usefull. I’m always happy to ear it from you!



Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Single exposure

ISO: 100 at f/16

Software: Photoshop CC2017

Extensions: TTS Fast Panel


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Hi, my name is Giuseppe Sapori, a professional photographer and author of this website, created by yours truly to show my work and share with you the techniques I use. My expertise is in the field of Landscape Photography... (Read More)

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