The Wall

The Wall

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View of the lake of Stua inside the park of dolomites near Belluno, this artificial lake is located next to a small dam that serves the path in Val Canazoi. The view on the lake is very interesting also because it is facilitated by a terrace that overlooks this view

It would have been interesting to come down on the frozen surface and take some pictures with interesting shots from below but the ice surface did not allow it, so i decided to took the the framing close up the mountain because I love that light that touches the trees under it

 

WORKFLOW EXPLANATION

I take some exposure bracketing but I decided to work on a single image, I fixed lights and contrasts using luminosity masks between the trees and the sky. With TTS Fast Panel I launched details and orton effect to increase details and give after a softener effect through the forest

With the use of dodge and burn I lightened some darker areas between the trees and on the snow peaks of the mountain. After a contrast fix I put a filter mix between warm and cool fixing fixing the effect decreasing the opacity between two

To use this filter I applied the warmer filter and the cooler filter to lights luminosity masks. Last touch was to fix some contrast and fix the highlights. I hope you will find all this usefull. I love to ear this from you

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Sigma 24-70mm f/2,8 (Shot at 46mm)

Single shot

ISO: 100 at f/13

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 

 

 


Venice Moving II

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Always from the famous Piazza San Marco, looking at the Grand Canal I take this long exposure from he gondolas dock located in the square

Compared to the previous shot I changed point of view, this is as I mentioned above in the main dock of San Marco, I love the stark contrast of the movements of the boats opposed to the static of the dock

Also here I used a ND64 filter applied to 5 exposures brackets to this shot, to have a  dark sky from the underexposed frame and I very smooth water from the overexposed one

 

WORKFLOW EXPLANATION

I used the most bright image as top layer and applying luminosity masks to have a nice view of long exposure on the sea and on the gondolas,  I lowered the exposure of the sky and part of the water using the darker image

Once this done I applied a warm filter to increase the yellow effect of the sunset decreasing the opacity around 20%. After a use of dodge and burn under the dark areas of the docks I fixed darks and brights using luminosity masks applied to curves

With TTS Fast Panel I fixed details and contrasts, also applying a slight orton effect to the image. I darkened the image and raised the vibrance of the colors excluding the effect from the blue of the gondolas that became too intense

As always I hope you will find this info usefull. I’m always happy to ear it from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 16mm)

Five Exposures ( -2; -1; 0 +1; +2)

ISO: 100 at f/16

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 


Siena Oculus

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I love Siena, I come here about once a year, it’s a small city that offers a lot to visit and where you can eat very well 🙂 there are also lots of photographt spots here

One of the most popular shots in Siena is this, certainly I have not invented anything but it must be said that it is an interesting pov. I’m talking about the view of the Mangia Tower taken from the main entrance of the public building, once you enter the atrium just look up to get the view of the architectural perspective

I shot on this location at various times of the day and this photo with this light and those clouds, was the condition that I liked the most. Taken handheld with 3 bracketed shots

 

WORKFLOW EXPLANATION

I used luminosity masks to blend images and lighten the darker parts of building, with TTS Fast Panel I launched Dodge and burn to lighten the lights coming to the windows and emphatize this effect, from the panel I also launch details and sharpen

The picture needed a small color fix, so I adjust the yellow colors and decrease the lights coming from the hole of the building and the sky as well

I added contrast using midtones and after this I decreased the noise visible on the black parts, as final step I launched a hard vignette to give more contrast and look at the central part of the frame.

I hope you will find this usefull! I’m always happy to hear it from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 15mm)

Single Exposure (20 seconds)

ISO: 100 at f/10

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 

 


Sunset Glow

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When I take this picture I was on the beaches in Cilento valley, where one evening I stopped  for this at sunset. This area as I said in some posts ago, is characterized by a great variety of natural scenarios, including the sea and the mountains. In this sunset photo I have just portrayed part of this variety including the colors of the beautiful landscapes that this part of Italy can offer

Also here as in the previous post I have taken a natural glow effect that was created with the lights of the sunset, with an intense yellow effect that also came on the rocks. It is a long exposure of 20 seconds made with ND64

 

WORKFLOW EXPLANATION

I blended two long exposures using luminosity masks, starting from the dark picture to brighten the foreground and the most black rocks.

I  used Dodge and burn  to made some adjustments on the rocks and on the water, using my panel I increased details and sharpen.

For the adjustments of colors I applied a warming filter to the lights masks and a cold filter to the darks playing with the opacity to create a mix between the two effects

As the final step I added contrast and fixed lights and darks

I will by proud if you will find this information usefull! I’m always happy to hear this from you

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Single Exposure (20 seconds)

ISO: 100 at f/10

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 


The Rocky House

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I love Cilento, a mountainous area in southern Italy located in the province of Salerno that also offers beaches, waterfalls, rivers and characteristic villages. When I return to these areas I never miss the opportunity to take from this location, a house built on the rocks. I enjoyed this spot for many years now and every time I return to these places cannot miss the opportunity to take photos in that place

I made this shot at sunset with my 64 nd filter to capture all the water movements on the rocks, since there was still light high I did not use a value too high the shot is in fact of 30 seconds made with f9 in the direction of sunset

 

WORKFLOW EXPLANATION

I don’t make a digital blend for this, with the use of luminosity masks I simply fixed the lights and darks to make it more clear and have a image neutral. With  Dodge and burn I made some adjustments on the darker parts of the rocks and the brighter parts of the sky, after this with clone stamp tool I remove some spots and a small boat on the horizon that becomes too blurry. With my panel I launched high details, orton effect to make some glow effect and sharpen

With luminosity masks applied to a cold filter I add some blue colors at the sky. I fixed contrast saving the rocks located below avoiding that become too darks, to make this just remove from a midtone selection the darks selection. As final touch I increased a little more the highlights and created a small vignette to emphatize the sunset

As always I hope you will find this usefull, I’m happy to hear this from you 🙂

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 18mm)

Single Exposure

ISO: 100 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 


Sea guardian

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I’ve always loved photographing lighthouses. Wherever they are, always are a great photographic spot. When I decided to go to Santander this was one of my selected location in the area and I absolutely did not disappoint my expectations, the Cabo Mayor lighthouse is one of the most beautiful and suggestive I have ever seen. Located at the end of a large city park, the scenery that you can admire from here is the true idea of the power of the sea

To take the shot of Cabo Mayor lighthouse used  my nd64 filter, i also did the tests with nd1000 but the light was too poor to get the best results. Using the nd64 (-6 stops) filter I could keep exposure time under 30 seconds and use bracketing shots to allow easier digital blending of images. Another thing why I avoided too long exposure times given by a nd1000 is the presence of strong wind that made me not at all quiet at an exposure time of over 1 minute

 

WORKFLOW EXPLANATION

I blended the images using luminosity masks, I increased warm colors in the highlights using a photo filter applied to apply image mask. As a first step with blended image I fixed the landscape perspectives with the transform tool. Stepped up contrasts using curve tool and added details and sharpen using TTS Fast Panel. I also launched with the panel orton effect to give a more dreamy look and with dodge and burn I darkened and lightened some parts around the fields and on the rocks. As final I added a vignetting to darken the edges of the photo

I hope you will find this usefull. I always love to ear that from you 🙂

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Three Exposures

ISO: 100 at f/14

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Trevi

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Giuseppe Sapori - Trevi

 

The famous Trevi fountain with a vertical shot, I took this photo on a Saturday afternoon while I was around the city. The Trevi fountain is one of the most visited places in the city of Rome, even during the day just approaching this fountain is very difficult, the entire fountain is surrounded by thousands of tourists every day that make photos and selfie at all

It is a beautiful fountain, which catches you when you are in front of it, I recommend it to everyone to see it but to enjoy the full visit it is better to go here early in the morning or at night

 

WORKFLOW EXPLANATION

Image obtained by a bracketed shot taken handheld, I blended the images using luminosity masks and I applied details and orton effect using TTS Fast Panel

I increased contrast using midtones and darks, I decreased the yellow color cast on the fountain using hue/saturation, With dodge and burn I made some adjustments on the fountain and on the water, as final touch I applied a little vignette to emphatize the central point

I hope you will find this informations usefull, if you have any tips or question about it write to me. I’m always happy to hear it on you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Three Exposures (-1; 0; +1)

ISO: 100 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Night from Day

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Giuseppe Sapori - Night from day

Probably soon, I will return to this beautiful place, while I look at the old shots made the last time I went to Campo Imperatore to photograph the milky way I found this untreated photo

That afternoon I made some shots at the beautiful rocky lake and then moved to the point where the milky way was better visible at night, this is just one of the shots I did at the time of the first darks of night, at the time discarded but today revalued

The reflections of clouds and stars on the water of the lake create a magical atmosphere throughout the picture. At that time I probably had discarded it because the sky was too cloudy and the milky street was almost on the opposite side but having found a shot with this particular light was almost a surprise 🙂

 

WORKFLOW EXPLANATION

I had only a shot, indeed two! The second is another picture with more foreground and less sky, I blended the two images to have a more complete frame with sky and foreground

I worked this picture only using luminosity masks applied to curves and other effect launched from my panel, high details, sharpen and dodge and burn as well. I also edited the colors warming the sky and pushing up some highlighs, I increased contrast and darkness to give a dark mood to the picture

As the final touch I reduce noise, at some points in the photo there was visible. I hope you will find this usefull, I’m always happy to ear it from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Single Exposure

ISO: 3200 at f/2,8

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Thirst for Light

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Giuseppe Sapori - thirst for light

This is Porta Latina, a road that leads to the most famous circus maximus to the ancient roman walls, on the left  the little chapel of St. Giovanni in Oleo, one inside which is painted the torture of St. Giovanni

Near the church there is a park and the whole area is surrounded by a beautiful green. I took this photo in the full sunset, taking advantage of the direction of the sun and a small column beside the chapel that “split in two” the direction of the rays

WORKFLOW EXPLANATION

For the first thing I remove all the lens flare using other shots I take with my finger in front of the camera of the sun direction. Using a large dynamic range of shots with luminosity masks I managed sunrays close to underexposed shot. I added orton effect and with dodge an burn I made the main adjustments in the dark areas

With TTS Fast Panel I launched details and sharpening, I also increased foreground details using darks masks applied to high pass filters to make it better visible. As the final touch I fixed some contrasts in the midtones and in the brights using curves always applied to luminosity masks

I hope you will find this usefull, I’m always happy to ear feedback from you

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Five Exposures (-2;-1; 0; +1; +2)

ISO: 100 at f/10

Software: Photoshop CC2017

Extensions: TTS Fast Panel


The Holy Way

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Giuseppe Sapori - The Holy Way

For someone, it may sound strange, but when I photograph my city it means I’ve been short supply of photos to work 😀
I’m actually waiting for the next trip to make some new shots, in the meantime I go to Rome that always offers great locations to be photographed, one of this in my opinion is precisely the “Via Sacra“, located between the Coliseum square and the Imperial Forums was in Antiquity is the most important street of ancient Rome

I take this shot after the closing of the “roman forum” to get fewer tourist on the road, the summer sunset time allows you to reconcile a beautiful location with a less busy street than usual with the sunset in front of you

WORKFLOW EXPLANATION

I take several shots during the sunset, I make a blend using luminosity masks. After this, I photomerged the resulting frame with another shot with more foreground to englarge the view of the viewer

I launched dodge and burn to increse light on the rocks in the foreground and to darken some part of the sky. After applied details and sharpen using my panel, I launched orton effect to increase glows and darks

I used a warm filter in the sky and a LAB Color in the whole frame. As the final touch I increase contrasts applied to luminosity masks and a vignette to emphasize the central light

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Five Exposures (-2;-1; 0; +1; +2)

ISO: 100 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel


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Hi, my name is Giuseppe Sapori, a professional photographer and author of this website, created by yours truly to show my work and share with you the techniques I use. My expertise is in the field of Landscape Photography... (Read More)

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