Curon

Curon

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Years ago I had the chance to visit the now famous Resia lake in winter. It was interesting to see live one of the most bizarre places in Italy. The history behind this bell tower wants that the construction of a large dam in 1950 unified the first two previous lakes and submerged the ancient town of Curon Venosta which was rebuilt further upstream

In the summer season the scenery is certainly much more interesting than in winter but in winter the frozen surface of the lake allows you to go up to the bell tower on foot and take different angle shots

WORKFLOW EXPLANATION

For both images I did a few edits and the images was very fast to complete. I used single exposures here that I edited using luminosity masks, I used TTS Pro to enhance details, colours and contrast

I used a soft orton effect on the image and I used dodge and burn over the shadows areas to decrease the blacks. I lightened the highlighs in the sky using luminosity masks and decreased the brights in the foreground to decrease the whites

I also increased colours vibrance and decreased the luminosity of the whole frame using levels

I hope you will find this usefull. I love to ear this from you!

TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 15mm)

Two shots

ISO: 100 at f/13

Software: Photoshop CC2021

Plugin: TTS Pro


Crossroads

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As the first photo of 2021 I post a photo that I found from some of my old shots of the Dolomites, unfortunately in a period where is not easy to travel, my photographic resources are decreasing 🙂 but I always try to ensure new elements on all my social networks every week

This is small alpine lake, is one of my favorite mountain spots, if not one of the most photographed by me in the latests years, as in winter the surface of the lake freezes but without snow, a feature that I often look for in lakes in winter but it’s not easy to find anywhere. This is because the whole valley is crossed by icy currents but the altitude is not very high

About the shot I captured two series of exposures in focus stacking in order to have an image totally in focus, every series of exposure was done in bracketing mode, so I had the chance to digital blend every series before proceed with focus stacking

WORKFLOW EXPLANATION

I digital blended every exposure series before proceed to focus stack the shot to achieve a perfectly focused image. The next step was to add details and enhnace colours using TTS Pro dedicated effects

I fixed the highlights and shadows using  luminosity masks, I applied the same luminosity masks on curves to have a precise adjustment layer to enhance contrasts. I correct color cast on the sky and on the mountain, I pushed up some shadows on the forest and I slightly decreased the whole image luminosity

With hue/saturation tool I fixed more the colours and I created a small vignette using color efex pro filter

As always I hope you will find this usefull. I love to ear this from you!

TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 15mm)

Focus Stacking

ISO: 100 at f/13

Software: Photoshop CC2021

Plugin: TTS Pro


Let it Snow

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I found this photo from the photo album of my last trip to the Dolomites, almost a year ago now … an incredible snowy landscape and a magnificent backdrop of the Friulian Dolomites

I remember spending most of the day in this location from late morning until almost evening since the sky offered the most disparate facets that day, starting from an overcast sky up to openings full of wonderful light like this one

I made this shot with a focus stacking on only two points, foreground and background, capturing a series of exposures for each type of photo to capture as much dynamic range as possible

WORKFLOW EXPLANATION

I started with a digital blending between the two series of shots, than I merged the images into Photoshop in order to obtain one image with all focused points

I made the major adjustments using  luminosity masks on highlights, shadows and contrasts. I applied high details filters using TTS Pro, I also launched orton effect and glow tool in order to increase the glowing atmosphere of the image

I fixed color cast and I pushed up the warmth of the whole image increasing vibrance and yellow tones. With dodge and burn I lightened some areas around the trees and on the mountains

I darkened a bit the whole frame and I created some lighting spot on the main areas of interest using brush, as final step I a fixed the lasts lights using levels to better balance the image

I really hope you will find this usefull. I’m always happy to ear this from you!

TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 15mm)

Focus Stacking

ISO: 100 at f/13

Software: Photoshop CC2021

Plugin: TTS Pro


Mountain Roots

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In the splendid setting of the Alps I took advantage of every single shot and moment of light that I had available, it was a beutiful excursion and a very prolific day from a photographic point of view. I made this shot using a large root of a tree that protruded from the ground around the frozen lake with the mountain in the background to complete the scenery

Here too, as in my two previous photos, I shot with the focus stacking technique, then first capturing a series of shots for the foreground and then a new series of shots for the mountain in the background. The result is a shot completely in focus, you can find more information on this technique in my article dedicated to how to use focus stacking with exposure bracketing


WORKFLOW EXPLANATION

The processing was very similar to the latest of this series, I firstly blended the shots with respective focus, than I blended the two groups of images using focus stacking technique

With the use of TTS Pro I added details and contrast to the frame, than I increased warm lights with a warm filter applied to luminosity masks. I launched orton effect, than I fixed lights and contrasts using again luminosity masks around the main point of interests such as highlights and dark shadows

With the use of dodge and burn I lighten the root in order to give more appearance to the eye of the viewer, I also lightened the trees below the mountain and given more prominence to the sunlight reflections on the ice

I increased the colour vibrance and the autumn colour look using the specific effect you can find in my free panel

As final touch I darkened the the lawn area around the roots to give greater prominence to the central figure of the photo

I hope you will find this usefull! I’m happy to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14 mm)

Single Shot

ISO: 100 at f/14

Software: Photoshop CC2020

Plugin: TTS Pro


The Crystal Veins

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I know, there are many photos that I am posting every week of this place and its surroundings but the situations I found with light, ice, colours and great points of view was very very interesting

Compared to last week’s shot I shot a few tens of meters but as you can see for yourself the main subject remains the same. Here too I benefited from large and interesting colors in the sky not quite the classical golden hour time, a sign that in the mountains there are many hours during the day where you can shoot with great colours during the day

Also here as for the previous shot I used the focus stacking technique with multi exposure, so I captured a bracketing series with a focus on the foreground and a bracketing series with the focus on the mountain subject in order to blend the “two series of shots” togheder


WORKFLOW EXPLANATION

To use the focus stacking technique I digital blended the shots with foreground using TTS Pro than I repeated the same process for the shots with mountain focused, after this I merged the two series togheder using focus stacking function on Photoshop

I fixed the highlights using luminosity masks, than I regulated contrast and colours. With dodge and burn I regulated all the lighting around the mountain, the forest below it but also in the reflections of the lake and on the rock

With my glow tool and the use of a brush with warm colors I emphasized the colors on the rocks of the sun and on the ice around them

After this I increased details and sharpness removing the effect in the unwanted areas using a simple layer mask and a black brush

Also for this shot I applied two different kinds of orton effect: the first is the classic orton effect decreased to the opacity to 15% and the second is the orton effect dark, that emphatize the dark tones of the image this time reduced in the opacity by 10%

I also decreased a bit the whole exposure of the shot, to create more atmosphere in this view

I really hope you will find this usefull! I like to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14 mm)

Single Shot

ISO: 100 at f/14

Software: Photoshop CC2020

Plugin: TTS Pro


Infusion of Light

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Here we are still in my location of the last posts, this time with a vertical shot, in this photo I captured the icy foreground on this beautiful lake. I love the vertical angle precisely because of the perspectives that the light can give to the viewer

In my post Afterlight I told you about the light that was present in this location and the lighting that filtered through the mountains, in that circumstance I was able to capture a beautiful moment of light that hit the lake giving magnificent golden reflections

Here instead I tried to shoot a different scene more focused on perspectives and depth. I love this mountain scenery, the ice, the colors of the sky and those of the ice. I can’t wait to leave again for new winter destinations soon, I will update you on the subject as always


WORKFLOW EXPLANATION

For this image I used the focus stacking technique, I blended the exposure with foreground in focus than the other exposure series with the mountain both using TTS Pro with my filters, after this I blended the shots for focus stacking

I increased details using my panel, I increased the level of yellow tones to give more light at the sunset applying a warming filter to luminosity masks.

Subsequently I added two types of orton effect: the first was the classic orton effect decreased to the opacity to 15% and the second was the orton effect dark, that emphatize the dark tones of the image… you can fin both filters inside my panel

I fixed the contrast and lights using luminosity masks, and helping myself with a brush in a new layer I lightened some dark areas of the picture and given more light to the highlights and clouds

As last touch I created a soft vignette to give more attention to the ice subject on the foreground

I hope you will find this informations usefull! I love to ear feedback from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14 mm)

Single Shot

ISO: 100 at f/14

Software: Photoshop CC2020

Plugin: TTS Pro



Afterlight II

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I took this photo earlier than my last posted last week.
In this photo I wanted instead to take a larger part of the frame by going to directly insert the reflection of the sun also inside the water

I absolutely love the winter scenery on mountain lakes, here conditions change continuously and every shot can give you totally different look

I closed the shutter to catch the spikes of the sun with the help of a series of shots taken later to eliminate the lens flare, some time ago I also wrote an article that I recommend you read on the topic: 5 useful tips to shoot into the sun direction

Putting the hand on the sun on the camera is a great way to have a shot without any lens flare, this allows you to have a clean shot very usefull to mask out all flares


WORKFLOW EXPLANATION

I digital blended the exposure using TTS Pro, the blend focused mainly on lightening the shadows using the overexposed shot

As I saied on top I used the shot without reflections to eliminate the lens flare on the water and around the rock on the right

I increased the detail by removing the effect on the water, then I added a slight orton effect as I do in practically all my images

Always using my panel, I fixed contrast using luminosity masks applied to curves, I increased the color vibrance and I pushed up sun warmth by applying luminosity masks to a warming filters

As last steps I added a small vignette and pushed up the shadows using luminosity masks

I hope you will find this informations usefull! I like and I’m avaiable to ear feedback from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Sigma 24-70 f/2,8 (used at 31 mm)

Single Shot

ISO: 100 at f/13

Software: Photoshop CC2020

Plugin: TTS Pro


Afterlight

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I have a beautiful remember of this afternoon when I went to this lake, the light was fantastic and the sun peeked through the clouds and the mountains

I have long been looking for a spot where I could take the beautiful reflections of the lake and I waited for the moment that the light filtered through the clouds, the colors of the lake that changed in the sunlight were beautiful and made the atmosphere warm and magical

The light intervals were really fast and I happened to lose some of them but I managed to capture this moment, the light coming from the left was much stronger than what is shown in the photo, I eliminated the lens flare using layer mask with the other expousure taken before


WORKFLOW EXPLANATION

Although I captured the scene in different moments of light the result of this photo is not a digital blending, I used the other shots to remove lens flare and light imperfections of the main shot but basically I worked on a single shot

I started with a variation of colors increasing the warm tones, then I raised the details by removing the effect on the reflections of the water

With orton effect I increase the sense of softness of the scene to mitigate the strongness of details throught the trees and on the mountains, I raised up the light using dodge an burn and fixed the contrast using curves applied to luminosity masks

I darkened the scene increasing the purple tones, as last step I increased sharpness on the mountain peaks and on the branches of the trees

I hope you will find this usefull. I like to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Sigma 24-70 f/2,8 (used at 31 mm)

Single Shot

ISO: 100 at f/13

Software: Photoshop CC2020

Plugin: TTS Pro


The Sky in the Lake

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During my last trip in Carinthia I visited many of the famous lakes that distinguish this area in Austria. Mostly these are large swimming lakes, with very interesting views of the mountains, but what you see in the picture was what fascinated me most

I’m talking about the famous Faaker lake, on my arrival I was impressed by the incredible silence that was heard in the clearing, only the noise that I heard was the ducks bathing in the distance, I walked on the shore for a few time until I found this point of view with these moorings for boats

I started taking some test shots until over time the sky brought out the beautiful colors of the golden hour, coloring not only the clouds behind the mountains but the whole body of water of the lake where the sky was perfectly reflected

I tried both compositions both vertical and horizontal but the vertical one was the one that gave greater depth to the photo and greater movement also thanks to the leaf that was at the bottom



WORKFLOW EXPLANATION

I blended my exposures using digital blending, after this I edited colors to give more emphasis to yellows and golden hour colours. I increased details and contrast in order to let the image result less flat

I added orton effect to create a dreamy look and make the image more pop, after some adjustments using luminosity masks on the exposure and highlights I used dodge an burn on the poles and on the leaf in order to give more result and make them less dark

I added a soft vignette to darked the lower part of the picture and give more sense of depth on the whole picture

I always hope you will find this usefull. I like to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Sigma 14-24 f/2,8 (used at 22 mm)

Three Shots (-1; 0; +1)

ISO: 100 at f/13

Software: Photoshop CC2020

Plugin: TTS Pro


Waiting for the Night

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Here is a new autumnal image from my series of photos taken in Friuli. During my tour I also included a series of local lakes that had caught my attention over my research of some spot to photograph

It often happened that I had to deal with the rain during those days but the autumn atmosphere and the mist that rose on the horizon made special any corner of nature that caught my attention

I’ts for the same reason that towards evening, I stopped on the banks of a lake to take this picture where I tried to portray the dark but at the same time colorful armosphere that could be admired in those places

At that moment there was a pretty strong rain, luckily I always carry an umbrella with me that allowed me to cover the camera and to take the shots without wetting the lens, the image is realized with a 3 shots brackets

WORKFLOW EXPLANATION

I combined the shots using digital blending between the darkest photo and the central shot, I used the most exposed shot to lighten some areas of the photo (such as puddles) using a brush applied to luminosity masks

Using TTS PRO, I launched autumn colours to increase the red look of the autumn foliage, than I increased the blue colours applying a cold filters to the shadows.

I adjusted the contrast and brightness then started using dodge and burn over the puddles, around the tree and on the mist to stand them more to the viewer’s eye

After this I created a strong orton effect to increase the dark mood and to give a more dreamy look to the frame

I gave to the highlights a greater warmth filter in order to create a warm tone that highlights the colors of autumn, at the same time I launched color lookup filter using “Midnight” (opacity 10) to restore the same level of brightness and leave the colors of the sky unaltered

I hope you will find this usefull. I’m happy to ear this from you!

TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14mm)

Single Shot

ISO: 100 at f/9

Software: Photoshop CC2019

Plugin: TTS Pro


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Hi, my name is Giuseppe Sapori, a professional photographer and author of this website, created by yours truly to show my work and share with you the techniques I use. My expertise is in the field of Landscape Photography... (Read More)

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