Curon

Curon

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Years ago I had the chance to visit the now famous Resia lake in winter. It was interesting to see live one of the most bizarre places in Italy. The history behind this bell tower wants that the construction of a large dam in 1950 unified the first two previous lakes and submerged the ancient town of Curon Venosta which was rebuilt further upstream

In the summer season the scenery is certainly much more interesting than in winter but in winter the frozen surface of the lake allows you to go up to the bell tower on foot and take different angle shots

WORKFLOW EXPLANATION

For both images I did a few edits and the images was very fast to complete. I used single exposures here that I edited using luminosity masks, I used TTS Pro to enhance details, colours and contrast

I used a soft orton effect on the image and I used dodge and burn over the shadows areas to decrease the blacks. I lightened the highlighs in the sky using luminosity masks and decreased the brights in the foreground to decrease the whites

I also increased colours vibrance and decreased the luminosity of the whole frame using levels

I hope you will find this usefull. I love to ear this from you!

TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 15mm)

Two shots

ISO: 100 at f/13

Software: Photoshop CC2021

Plugin: TTS Pro


Crossroads

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As the first photo of 2021 I post a photo that I found from some of my old shots of the Dolomites, unfortunately in a period where is not easy to travel, my photographic resources are decreasing 🙂 but I always try to ensure new elements on all my social networks every week

This is small alpine lake, is one of my favorite mountain spots, if not one of the most photographed by me in the latests years, as in winter the surface of the lake freezes but without snow, a feature that I often look for in lakes in winter but it’s not easy to find anywhere. This is because the whole valley is crossed by icy currents but the altitude is not very high

About the shot I captured two series of exposures in focus stacking in order to have an image totally in focus, every series of exposure was done in bracketing mode, so I had the chance to digital blend every series before proceed with focus stacking

WORKFLOW EXPLANATION

I digital blended every exposure series before proceed to focus stack the shot to achieve a perfectly focused image. The next step was to add details and enhnace colours using TTS Pro dedicated effects

I fixed the highlights and shadows using  luminosity masks, I applied the same luminosity masks on curves to have a precise adjustment layer to enhance contrasts. I correct color cast on the sky and on the mountain, I pushed up some shadows on the forest and I slightly decreased the whole image luminosity

With hue/saturation tool I fixed more the colours and I created a small vignette using color efex pro filter

As always I hope you will find this usefull. I love to ear this from you!

TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 15mm)

Focus Stacking

ISO: 100 at f/13

Software: Photoshop CC2021

Plugin: TTS Pro


Mountain Roots

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In the splendid setting of the Alps I took advantage of every single shot and moment of light that I had available, it was a beutiful excursion and a very prolific day from a photographic point of view. I made this shot using a large root of a tree that protruded from the ground around the frozen lake with the mountain in the background to complete the scenery

Here too, as in my two previous photos, I shot with the focus stacking technique, then first capturing a series of shots for the foreground and then a new series of shots for the mountain in the background. The result is a shot completely in focus, you can find more information on this technique in my article dedicated to how to use focus stacking with exposure bracketing


WORKFLOW EXPLANATION

The processing was very similar to the latest of this series, I firstly blended the shots with respective focus, than I blended the two groups of images using focus stacking technique

With the use of TTS Pro I added details and contrast to the frame, than I increased warm lights with a warm filter applied to luminosity masks. I launched orton effect, than I fixed lights and contrasts using again luminosity masks around the main point of interests such as highlights and dark shadows

With the use of dodge and burn I lighten the root in order to give more appearance to the eye of the viewer, I also lightened the trees below the mountain and given more prominence to the sunlight reflections on the ice

I increased the colour vibrance and the autumn colour look using the specific effect you can find in my free panel

As final touch I darkened the the lawn area around the roots to give greater prominence to the central figure of the photo

I hope you will find this usefull! I’m happy to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14 mm)

Single Shot

ISO: 100 at f/14

Software: Photoshop CC2020

Plugin: TTS Pro


Infusion of Light

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Here we are still in my location of the last posts, this time with a vertical shot, in this photo I captured the icy foreground on this beautiful lake. I love the vertical angle precisely because of the perspectives that the light can give to the viewer

In my post Afterlight I told you about the light that was present in this location and the lighting that filtered through the mountains, in that circumstance I was able to capture a beautiful moment of light that hit the lake giving magnificent golden reflections

Here instead I tried to shoot a different scene more focused on perspectives and depth. I love this mountain scenery, the ice, the colors of the sky and those of the ice. I can’t wait to leave again for new winter destinations soon, I will update you on the subject as always


WORKFLOW EXPLANATION

For this image I used the focus stacking technique, I blended the exposure with foreground in focus than the other exposure series with the mountain both using TTS Pro with my filters, after this I blended the shots for focus stacking

I increased details using my panel, I increased the level of yellow tones to give more light at the sunset applying a warming filter to luminosity masks.

Subsequently I added two types of orton effect: the first was the classic orton effect decreased to the opacity to 15% and the second was the orton effect dark, that emphatize the dark tones of the image… you can fin both filters inside my panel

I fixed the contrast and lights using luminosity masks, and helping myself with a brush in a new layer I lightened some dark areas of the picture and given more light to the highlights and clouds

As last touch I created a soft vignette to give more attention to the ice subject on the foreground

I hope you will find this informations usefull! I love to ear feedback from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14 mm)

Single Shot

ISO: 100 at f/14

Software: Photoshop CC2020

Plugin: TTS Pro



Ice Bushes II

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Another pov by the iced lake Calaita, I took advantage of a vertical photo along the vegetation on the lake. As I wrote in my previous post, this location is an alpine lake located in the valley of Lozen and it in winter is very often frozen without snow.

Compared to the previous photo this was taken at an earlier time of the day. Also this picture is made by using focus stacking technique to compose the photo by the mountain and the close-up bushes

I take all my shots bracketing in order to select have the correct dynamic range avaiable to blend the exposures

WORKFLOW EXPLANATION

I focus stacked the main shots and with the other bracketed images I made other focus stacking pictures, to have the exposures avaiables to digital blend all the images. At the end of this process I created my base shots, blended and focus stacked

After the details increase with the use of TTS PRO, I launched dodge and burn (to lighten the bushes and the trees ) and to darken the light over the mountain that was too high.

I increased yellow colors on the mountain and I decreased the same yellows on the bushes. With the luminosity masks applied to the highlighs I incresed the lights at the back of the mountain and I launched a orton effect to give more dreamy look at the image. Always using my panel I lauched details shadows filter to increase the details over the foreground without affecting other part of the frame

Last spots was to intervened on the colors, increasing the level of blue and violet in general and adding a soft vignette

I hope you will find this usefull. I’m happy to ear this from you!

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8

Five Exposures Focus Stacked (-2; -1; 0; +1; +2)

ISO: 100 at f/10

Software: Photoshop CC2019

Plugin: TTS Pro


Iced Bulwark

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I always liked to photograph the frozen lakes and when I find one I never stop circling around looking for some rift or some interesting spot to shot 🙂

This is exactly what happened in this lake, where in my previous post, I talked about this represents one of my favorite photography locations

The surface of the lake was covered with transparent ice and below it you could see the vegetation, in some parts it emerged from the ice

I made this photo lying on the ice with the technique of focus stacking with bracketing to capture the two different points of focus, in this way I got 5 shots of different exposure per point

WORKFLOW EXPLANATION

I selected 2 shos to focus stack than with luminosity masks : I launched curves tool to fix lights around foreground and sky

I launched luminosity mask contrast using TTS PRO, after a color fix I pushed up the blues and yellow colors increasing in this way the violet tones

The next step was to increase detais, especially over the mountain, than with dodge and burn I give more prominence to the cracks on the ice

I reduced the exposure of the image and as final step I increased the highlights to give more enery to the sky

I always hope you will find this usefull. Love to ear this from you!

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8

Three Exposures Focus Stacked (–1; 0; +1)

ISO: 100 at f/10

Software: Photoshop CC2019

Plugin: TTS PRO


Mirror Hole

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During my visit to Lake Braies, I took a short ride along the lakeside looking for some interesting spots until I found this hole in the ice on the left side of the path

What struck me most about this spot was not so much finding an interesting composition, but to see how the trees and the mountain reflected in the hole in front of me. On the right side, the mountain reflects itself on the thin layer of existing ice

I took a series of 7 exposures brackting since the area where I was shooting was quite dark I wanted to have the full dynamic range available to intervene later with the digital blending

I take my shots a distance using my 14-24 lens set to 20 to not get too close to the hole where all around the ice was very thin, it was a little risky 🙂

WORKFLOW EXPLANATION

I opened all my shots inside Photoshop and I blended the exposures using TTS PRO with the use of luminosity masks I set the highlights and shadows to fix the sky and lighten the trees that was too dark

I increased details in the whole frame mitigating the effect by inserting a slight orton effect, which as you know I love to insert in almost all my images at low opacity

With dodge and burn I increased the lights over the ice and the reflections around the hole, giving more energy to the reflections and to that glow of light that is near the ice

I increased the purple colors a bit using camera raw filters and I put less blues using hue/saturation hand tool

I hope you will find this usefull. I’m happy to ear this from you!

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8

Three Exposures Focus Stacked (-3 ; -2; –1; 0; +1; +2; +3)

ISO: 50 at f/9

Software: Photoshop CC2019

Plugin: TTS Pro



Bubble Crack

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Visiting Lake Braies is always beautiful, since I’ve been here other times, on my last visit I wanted to see it in winter. Usually in winter the frozen lakes lose part of their fascination, especially due to the absence of reflections, but in my opinion they gain on the colors and the pov where it is possible to take some pictures and Braies is one of the best on this

I found a very interesting point under the famous pier overlooking the mountain, under the snow could not settle and so remained only the ice, here the view towards the mountain in the background was perfect and the ice with all its variations did the rest

Photo aside this pov was definitely very uncomfortable, I had to shoot quickly because the place was very slippery and my tripod keep slipping away 🙂

I captured the images with two different focus points for focus stacking in order to obtain a unique focused picture of lake Braies 

 

WORKFLOW EXPLANATION

As I mentioned above, I captured all my bracketing exposures first focusing on the ice below and then focusing to the mountain.  Once at the computer I uploaded all the photos between them and started this process to have 3 final images focused near and to infinite

At this point I started using my TTS PRO panel, to make a digital blending between images using auto blend functions. I started removing some people in the scene with clone stamp tool, than I raised the detail levels and adjusted the contrast with the luminosity masks

I used the dodge and burn to give more impact to the bubbles below, then adjusted the colors by increasing the purple and applying a colder filter to the frame. With the glow tool I adjusted the light intensity of the sky and lightened some points of the photo.

Finally I launched a slight orton effect and created a vignette effect to emphasize the central scene

As always I hope you will find this usefull. I love to ear this from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8

Three Exposures Focus Stacked (-1; 0; +1;)

ISO: 50 at f/6,3

Software: Photoshop CC2019

Plugin: TTS Pro


Resia

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I always wanted to go to visit this place, so I took advantage of my last trip to Trentino to reach it. The lake Resia is one of the most fascinating places in the Alp, the bell tower is all that remains of the ancient city of Curon Venosta that was submerged by water after the construction of a dam

Although in summer it is nice to see the bell tower emerging from the water  but in winter it is nice to be able to reach this ancient bell tower on foot

 

WORKFLOW EXPLANATION

For this image I used a single shot so I did not use the luminosity masks to make a digital blending but to fix the light shadows and contrasts in the image. I fixed the color cast giving a slight imprint of yellow to light

After incrased details using  TTS Fast Panel I added contrast in the fram using luminosity masks applied to midtones curves. As final step I fixed the last lights using levels adjustment layer

I hope you will find this informations usefull. I’m always happy to ear it from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Sigma 24-70mm f/2,8 (Shot at 38mm)

Single Shot

ISO: 125 at f/13

Software: Photoshop CC2018

Extensions: TTS Fast Panel

 


Frostbite Touch 3

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Giuseppe Sapori - Frostbite Touch 3

This is a old find from my pictures from the lake Calaita in Trentino, I  left behind this photo, which deserved to be processed. I really appreciated the beauty of this lake during winter with its frosts, definitely come back next winter in this beautiful place to take new pictures here

 

WORKFLOW EXPLANATION

The workflow of this shot is similar of the previous posts. I blended the shots with luminosity masks. I correct the color cast and then with my panel  I launched high details and sharpen to increase details in the picture, I used dodge and burn to increase the light around the main rocks, the nearest fields and the trees.

With luminosity masks I decreased highlighs and increased darks to make uniform light in the frame. After this I used orton effect to create a glow contrasted effect, I also increased contrast using darks 2 applied to curves adjustment layer.

With the help of hue/saturation I decreased blue on the top of the picture.  I increasesed vibrance using LAB color technique and darkened border of the frame using a vignette tool. I hope you will find this information usefull, for every tips or question write to me. I always love to hear you 🙂

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Seven Exposures (-2; -1; 0; +1; +2)

ISO: 100 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel


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Hi, my name is Giuseppe Sapori, a professional photographer and author of this website, created by yours truly to show my work and share with you the techniques I use. My expertise is in the field of Landscape Photography... (Read More)

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