A Different Sigh

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A Different Sigh

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Anyone who has been to Venice knows this bridge it is one of the most famous bridges in the city and one of the most photographed locations in Venice

In all the times I’ve been to Venice I photographed this bridge many times far and wide but today I propose a shot from a slightly different spot from the usual

Taking advantage of the framing in this photograph helps to create a different perspective than usual, initially I tried to do the focus stacking between the two perspectives but after a few attempts I preferred to keep the foreground blurred to give more prominence to the bridge at the bottom

WORKFLOW EXPLANATION

I captured the shots in order to create a focus stacking image between the framing and the bridge, but as mentioned above, I come back to my steps thus preferring a blurred framing to a photo in focus at every point.

I have already used a similar technique in this post with good results. So I edited only one image using to fix the sky highlights and to recover some shadows

I used the glow tool to lighten the bridge applying to the layer a gaussian blur filter, I also used the orton effect to create a soft look on the main subject. To increase the yellow tone look I applied a warm filter to  luminosity masks using highlights

I increased details and as final step I added with Color Efex Pro filter “darken lighten center” to better focus the viewer’s eye to the bridge

I always hope you will find this usefull! I love to ear that from you!

TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 19mm)

Three Shots (-1; 0; +1)

ISO: 100 at f/9

Software: Photoshop CC2020

Plugin: TTS Pro, Color Efex Pro

Venice Moving III

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The view from the Rialto bridge in Venice. Rialto Bridge is one of the most busiest and visited in the lagoon city, between gondolas and boats passing under it, even the bridge itself is always full of people practically at all hours of the day, but with a little patience a space to take pictures is always free šŸ™‚

Compared with the other photos calledĀ  “Venice Moving” I changed the type of movement moving from a movement of gondolas due to the wave motion to a movement of passage in the canal under Rialto

I took this picture with a series of long exposures and a nd 3 stop ND filter. Among the various results I particularly liked this with movements clearly visible unlike other light trails

 

WORKFLOW EXPLANATION

This is a single exposure work, I make the first changes with the luminosity of the store lights, decreasing the effect. With a brush and using a new layerĀ I replied the original color above the light trail of the boats to makethem more visible, then I changed the layer mode soft light to give a lighter effect

I fixed contrast using luminosity masks applied to lights, darks and midtones, using my panel I launched details andĀ Ā dodge and burnĀ to lighten the darker part of the image and softy lighten the buildings

I fixed the color cast and I add some warm/pink filter to give a different look at the image. As final step I applied a small vignette to the frame

As always I hope you will find this info usefull. I’m always happy to ear it from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Single exposure

ISO: 100 at f/16

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 

Postcard from Venice

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The famous Ponte dei Sospiri in VeniceĀ gives this name because tradition has it that, at the time of the Serenissima, the prisoners, crossing it, sighed in front of the prospect of seeing for the last time the outside world

The bridge is one of the most popular destinations in the lagoon city and that small space that faces the bridge is photographed by thousands of tourists every day, making its way through the crowd is not easy practically at all hours of the day

I made this frame from some bracketing shots handheld, I then used the brightest shots to lighten the areas of shadows inside the canal

 

WORKFLOW EXPLANATION

As I mentioned above, I used the brightest shots to lighten the shadow areas of the channel, obviously helping me with the luminosity masks applied to the darks. Once this sets done, I corrected the color cast and I applied a warmer filter mixing it with a colder filter

I applied details, dodge and burnĀ and orton effect using my panel. I fixed lights and darks using luminosity masks applied to curves layer, creating the right contrast between sky and buildings

As final step I launched a vignetteĀ slightly increasing the light in the central part of the frame

I hope you will find all this informations usefull. I love to ear it from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Three Exposures ( -1; 0 +1)

ISO: 100 at f/5

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 

 

 

Venice Moving II

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Always from the famous Piazza San Marco, looking at the Grand Canal I take this long exposure from he gondolas dock located in the square

Compared to the previous shot I changed point of view, this is as I mentioned above in the main dock of San Marco, I love the stark contrast of the movements of the boats opposed to the static of the dock

Also here I used a ND64 filter applied to 5 exposures brackets to this shot, to have a Ā dark sky from the underexposed frame and I very smooth water from the overexposed one

 

WORKFLOW EXPLANATION

I used the most bright image as top layer and applying luminosity masks to have a nice view of long exposure on the sea and on the gondolas,Ā  I lowered the exposure of the sky and part of the water using the darker image

Once this done I applied a warm filter to increase the yellow effect of the sunset decreasing the opacity around 20%. After a use ofĀ dodge and burnĀ under the dark areas of the docks I fixed darks and brights using luminosity masks applied to curves

With TTS Fast Panel I fixed details and contrasts,Ā also applying a slight orton effect to the image.Ā I darkened the image and raised the vibrance of the colors excluding the effect from the blue of the gondolas that became too intense

As always I hope you will find this info usefull. I’m always happy to ear it from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 16mm)

Five Exposures ( -2; -1; 0 +1; +2)

ISO: 100 at f/16

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 

Venice Moving

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Finally my first post of the year! This 2018 I start with a photo of Venice that I took some time ago, a city that Ā I literally love and where I’m often the lucky to come back.Ā This photo was taken from the famous Piazza San Marco, looking at the Grand Canal in the direction of the Giudecca Island, which is right in front of it

Here there is a beautiful view on canal and one of the different mooring points of the famous Venetian gondolas,Ā the long exposure from this point is not perhaps the most original thing ever but personally I had never taken it, I can even check on this šŸ™‚

I used a ND64 filter applied to 5 exposures brackets to this shot, to have a Ā dark sky from the underexposed frame and I very smooth water from the overexposed one. When I shot it was late afternoon, just before sunset, fortunately in Venice despite the thousands of tourists every day this is a picture that you can do without too much difficulty

 

WORKFLOW EXPLANATION

I take this picture from 5 exposure brackets, I used them to digital blend the images obtaining the starting frame to the edits. The whole area around the poles was full of chromatic aberrations, which I had to manually remove with so much patience

I used dodge and burn to recover dark areas under the gondolas, I used luminosity masks to darken the sky and recover the shadows. Using my panel I launched high details and orton effect to slightly decrease the effect giving at the same time a soft dreamy look

I increased the yellow colors of the sky adding Skylight filter of Color efex pro, I added contrasts removing the dark areas from the selection to avoid too much darks around the gondolas, as final step I addded a vignette removing the effects near the gondolas

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 16mm)

Five Exposures ( -2; -1; 0 +1; +2)

ISO: 100 at f/16

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 

Ponte dei Sospiri

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This bridge is the most characteristic of Venice, located near Piazza San Marco, it connect the Doge’s Palace to the new prisons, it was once used as a transition from the inquisitorial room prison.

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Venice high tide beginnings

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The phenomenon of high water in Venice is common in winter and autumn. This photo shows a principe of raising of the water level. Obviously I could shoot this photo with confidence as the water level still rather low. I processed this picture with Photomatix from 3 exposures. I used Photoshop with layer masks to emphasize the colors and details stand out in some areas of the photo.

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Hi, my name is Giuseppe Sapori, a professional photographer and author of this website, created by yours truly to show my work and share with you the techniques I use. My expertise is in the field of Landscape Photography... (Read More)

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