From Red to Green

From Red to Green

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Here is my first photo published in 2020, for this image I resume the location of my last photo published, I am talking about the beautiful Dolomites and its incredibles scenery

These are the waterfalls of Fanes, imposing waterfalls that are located inside a gorge and can only be reached through a wide climb on the promontory which must be followed by an equally descent to see them from below

I photographed the waterfalls from the top of the promontory in front of me in order to portray as much as possible the flow of water from the source to the end

The same atmosphere of the low clouds can be seen in the upper part of the photo above the trees giving them a mysterious look


WORKFLOW EXPLANATION

I blended the shots using digital blending to create the image to work on, the final bled is not so much far from the original shot, I just take some point of the brighter exposure to give more lights around the rock and to increase the softness of the water

I increased the yellow colours applying a warmer filter to the highlights through luminosity masks, after this details was increased using TTS Pro details effects

I fixed contast and lights around the rocks, after this I pushed up some colours like the autumn colours and the end of the waterfall to better look the amazing blue colour of the water

I also created a small vignette to give more darkness of the area around the waterfall and concentrate the viewer’s eye on the waterfall

I hope you will find this usefull. I always love to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Sigma 24-70 f/2,8 (used at 30mm)

Three Shots (-1; 0; +1)

ISO: 100 at f/13

Software: Photoshop CC2020

Plugin: TTS Pro


The Hiding

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Today I post two shots of a details of some peaks during my hike in Passo Falzarego. That day I was surrounded by clouds, I took these two photos while I was uphill and the colors of the sunset that struck these two high peaks struck my attention

The colors in those days were fabulous, accentuated even more by the magic of the low clouds which, as I wrote in previous posts, contributed to creating a magnificent atmosphere throughout the valley


WORKFLOW EXPLANATION

For both exposures I made two handheld shots. For both shots I followed the same workflow in order to obtain 2 similar images. I proceeded for a digital blending than adding details using TTS Pro

I added some warm colours using luminosity masks applied to hightlighs and a warmer filter. After adding a small orton effect, I increased the yellow colours where the sun hit the mountain helping myself with a dodge and burn tool to empatize the lighting

I fixed lights and contrast in the highlights and shadows, I added some lights using a white brush with the glow tool

The last touch was to add a small vignette to increase the darkness around the border

I always hope you will find this usefull. I’m happy to ear that from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 70-200 f/2,8 (used at 102mm)

Three Shots (-1; 0; +1)

ISO: 320 at f/7,1

Software: Photoshop CC2020

Plugin: TTS Pro


Losing Sight

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During the days I stay at the Dolomites, the splendid scenery of the mountain in autumn was constantly changing. Very intense days of cloudiness alternated with low clouds to rainy days, unfortunately not always all suitable for taking good photos

That afternoon I was literally surrounded by low clouds on the horizon and I took a lot of photos in this mountain scenery so particular and engaging. In this photo the clouds moving towards the forest below

It was a very beautiful atmosphere, rarely seen in the past at these levels as I said in my previous post. More photos will follow with similar scenarios of those days


WORKFLOW EXPLANATION

This image is a result of a digital blending with 2 exposures (of course I captured 3 but used just 2) that I blended using TTS Pro with auto blend darks function inside that instantly blend a darker exposure into a brighter exposure

After this I started edit the shot using luminosity masks correcting lighting in the sky and shadows, I also fixed contrast using midtones masks. I increased details that I partially muted with a orton effect.

I fixed up colours adding more vibrance and giving more yellow tones around the trees and the part of the mountain touched by sunlight

I made a small crop to cut off an empty space below and I made some small intervention with clone stamp tool to remove some rain drops

Last touch was to add a small vignette excluding the sky because it makes the clouds too dark

I hope you will find this usefull. I’m happy to listen it from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 70-200 f/2,8 (used at 102mm)

Three Shots (-1; 0; +1)

ISO: 320 at f/7,1

Software: Photoshop CC2020

Plugin: TTS Pro


The Wood of the Giant

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I recently spent a few days on the Dolomites to take a different tour than I did last time. To tell the truth, every time I try to do a different tour because the alternatives of beautiful natural places to visit here are really very much

Among my stops there was certainly a decent excursion to Passo Falzarego where I could admire a beautiful autumn scenery, in fact the whole area had a splendid view of red trees with low clouds, the one you see in the picture is a portion of what he surrounded me, in the next posts I will have the opportunity to show you the fullness of the autumnal scenery of the area

I also love the beautiful atmosphere that creates low clouds, on this day the colors and the atmosphere of the sky have really created a show that I have rarely seen. It must be said that I also had to face quite difficult days from a meteorological point of view, some days the clouds were so low that visibility was practically zeroed and rain don’t spared me, so a good mood but with moderation ūüôā


WORKFLOW EXPLANATION

I captured 3 exposure in bracketing to make this shot, I make a blend manually using luminosity masks and my panel TTS Pro. I increased the yellows applying a warm filter to the highlights and shadows and I lighten up the light source using the glow tool

After this I increased details selectively and I applied a orton effect to create a dark dreamy look atmosphere to the mountain than, with the use of dodge and burn I increased the light source and the lights rays through the trees

I set the contrast and highlights and I increased the highlights, after a soft shadow recovery the last touch was to set the vibrance to give more show to the colors of autumn

I hope you will find this usefull. Love to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 70-200 f/2,8 (used at 105mm)

Three Shots (-1; 0; +1)

ISO: 320 at f/9

Software: Photoshop CC2020

Plugin: TTS Pro


Evening Alps

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evening alps

View of Dolomites from the main way long Tre Cime,  one on the left the Rifugio Auronzo, it is the first refuge you meet after leaving your car for the Tre Cime park. I took this photo on the way back from the other refuge more far away, the Refuge Locatelli. The sun was almost down completely down and I was about to exit, but I took the opportunity to take one last photo of the magnificent scenery of the area

WORKFLOW EXPLANATION

Given the poor light, I took single exposures without bracketing, I edited in Photoshop this single long exposure with adobe camera raw first and later using luminosity masks, to bring back some exposure in the sky and lighten the rocks in the foreground. With TTS Fast Panel I launched, high details, sharpen and dodge and burn with I lightened the rocks in the foreground and darkened the edges of the mountais

With orton effect I create a soft dreamy glow effect, then using a warm photo filter I increased yellows in the sky. I fixed contrast and light again using luminosity masks at as final touch I added a darken lighten center effect from color efex pro filter. As always I hope you can find this usefull, I always happy to ear it from your

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Single Exposure

ISO: 200 at f/5,6

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Frostbite Touch 2

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Giuseppe Sapori - Frostbite Touch2

This picture is always from the lake Calaita in Trentino som minutes before the picture of my previous post. This lake is an amazing place, and I hope to come back here soon during sping, in order to photograph it with other colors and to admire the transparency of its waters

 

WORKFLOW EXPLANATION

The workflow of this shot is very close from my previous post, except for the focus stacking, that I not applied it having taken this picture from a different height I was not close to the rocks and the fire was the same between the two low points and high image. I blended the shots with luminosity masks. I correct the color cast and then with my panel  I launched high details and sharpen to increase details in the frame, I used dodge and burn to increase the light around the stones and darken the images around them

With luminosity masks I decreased highlighs and I fixed light around the mountain, always with fast panelI launched orton effect to create a soft glow effect. With the help of hue/saturation I decreased blue on the top of the picture applied to a gradient to remove the effect in the lower part of the picture, as the final touch I increasesed vibrance using LAB color technique.¬†I hope you will find this information usefull,¬†if you have any tips, write to me. I always love to hear you ūüôā

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Seven Exposures (-2; -1; 0; +1; +2)

ISO: 100 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Ascension

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giuseppe-sapori-ascension

Here we are in the new year with views of the Tre Cime di Lavaredo. This picture is part of the images that I made last October during my trip on the place. I took this picture in the late afternoon after a long time under the Tre¬†Cime waiting the best light. I realize this final image after different series of exposures¬†including one where I put a finger in front of the lens to remove the lens flare that reverberated in the image ūüôā

I was with a D90 rent by a friend and I made five bracketed exposures using¬†before a bkt series (-1, 0, +1) and then a (-2, 0, +2)¬†because the menu of ¬†D90 will not take us longer than three bracketed exposures. However I was in the past a possessor of Nikon D90 and I¬†not remember¬†about it, D90¬†has proven a great camera, it¬†has done a great job ūüôā

 

WORKFLOW EXPLANATION

I started as usual with the digital blending of the images using the luminosity masks, starting from the over exposed  that I gradually darkened on the foreground and the sky, I repeated the same thing for the other series of exposures made by placing the finger in front the sun to avoid lens flare. So I created two final images taken with a digital blending, one with the sun and one with my finger placed in front of it. I used this last to remove all reflections from the main picture having an image from the sunlight clean without reflections

I flatten all levels and started editing the picture mainly using camera raw, I lowered  the exposure, highlights and lights. With my panel I launched the luminosity masks and applied contrast using midtones 3 applied to curves and soft light. I launched the dodge and burn with whom I dodge some points of the Tre Cime di Lavaredo as areas illuminated by the sun in the foreground.

I launched the effects high details and sharpen to increase detail and sharpness. As a finishing touch I still got up the contrasts using the levels adjustment layer¬†and created a small vignetting to enhance the viewer’s vision depth. I hope you find this information useful, if you have any tips, questions or advices¬†leave a comment I am always proud to hear you

 

TECNHNICAL STUFF

Camera: Nikon D-90

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Six Exposures (-1; 0; +1) (-2; 0; +2)

ISO: 100 at f/10

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Cross of the Alps

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giuseppe-sapori-cross-of-the-alps

I took this picture on the way back from Locatelli Refuge, ¬†the sun was setting and the colors began to be warmer.¬†I found this little chapel with the sunset behind and mountains to the side, a truly beautiful scene to photograph.The chapel ¬†is the Cappella degli Alpini and is easily findable on google map complete with street view ūüôā ¬†The photo is the result of a digital blending of 3 bracketed shots that will show as usual as I worked below

 

WORKFLOW EXPLANATION

I started with the three shots working them with uminosity masks, starting from the image clearer and gradually darkening the sky. I used the dodge and burn tool to lighten some part of the foreground and the mountain and I made some color correction to adjust sunset colours

After give more details and sharpen to the frame using TTS Fast Panel, I added some contrast using curves applied to midtone masks. With hue/saturation I lovered some blues on the top of the sky and as the last touch I added some little more contrast manually. For save the image for web I used this guide

 

TECNHNICAL STUFF

Camera: Nikon D-90

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Four Exposures (-1; 0; +1)

ISO: 100 at f/7.1

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Counterparts

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giuseppe-sapori-counterparts

Sunset at Tre Cime of Lavaredo, I took this photo on the way back from the refuge Locatelli, in a lucky day of October where there was a beautiful and warm weather. This side view is just one of hundreds of pictures I took during sunset and is the result of a vertical stitch between the foreground and the Tre Cime peaks. Since my D-800 was broken and I was with a d90, and thankfully :), I tried to expand the visual field and give more depth to the image, I take 3 bracketed shots for the Tre Cime and 3 for the foreground

WORKFLOW EXPLANATION

This time instead of stitching the images before the digital blending I did it as first thing of the mountains and then of the foreground, only later did I sticth, this is because by doing the stitching before the images alignment was bad. The digital blending of the images was done with luminosity masks launched from my panel that i suggest to download it¬†even if you didn’t

Starting frome the blended image, I applied and worked dodge and burn the mountains and foreground. I intensified the sunset colors using the brush method that you can find in this guide, and launched orton effect to add a glow effect to the photo.

With the help of luminosity masks i added some contrast applying curves to darks 3 masks and changing the blending mode to soft light. Final interventions was adding more details, with high details filter into TTS Fast Panel, a small vignette effect and a bit more contrast using levels

 

TECNHNICAL STUFF

Camera: Nikon D-90

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Four Exposures (-1; 0; +1)

ISO: 100 at f/10

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Crystal Mirror

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giuseppe-sapori-crystal-mirror

Lake Landro with its typical reflections of the mount cristallo, this location is truly exceptional. I didn’t know this lake before, I saw this place passing by car and I stopped and go out to take some shots of this place, it’s a beautiful place perfect for photography.¬†The lake was slightly dry but I tried to position myself in front of the main reflection, I take 3 exposures trying to emphasize the foreground and its reflections. Unfortunately in this trip I did not have my Nikon D800 cause the broke of¬†diaphragms level, I shoot this picture and the the other of the following post with a Nikon D90 with fortunately has been quite good ūüôā

WORKFLOW EXPLANATION

The picture had a so natural and beautiful light that it no need many edits, I only make Photoshop edits to brighten highlighs and enhance the contrast. I started merging the exposures with luminosity masks, made some color corrections and add contrast using midtones. With the help of lights masks I increased highlighs and with darks lightened the main part of the mountains.

I added some adjustments with dodge and burn, added orton effect and details using TTS Fast Panel. As final intervention I added more contrast and a small vigneting to emphatize the central part of the frame and darken the borders.

TECNHNICAL STUFF

Camera: Nikon D-90

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Five Exposures (-1; 0; +1)

ISO: 100 at f/10

Software: Photoshop CC2017

Extensions: TTS Fast Panel


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Hi, my name is Giuseppe Sapori, a professional photographer and author of this website, created by yours truly to show my work and share with you the techniques I use. My expertise is in the field of Landscape Photography... (Read More)

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