The First Sight

The First Sight

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When I am on places like mountains I always dedicate a portion of time to shooting details while I wait for the best moment to shoot my landscape, this is how I manage to capture pictures like this

After the climb way uphill to the tre cime I arrived in front of the place of the shot, after mounting the tripod I usually take this opportunity to look the surrounding with a tele zoom lens and try to capure something interesting with th changing lights of the dusk

It is in that stretch that I saw a glimmer of sunset light filtering into the sky and illuminate the mountain with beautiful colors with 3 different tones clouds and different lights on the same mountain For this reason I always consider very important to not fossilize using the same lenses but vary them when possible to make the most of the potential that the location has to offer. Even if now is summer you can read more about this topic in my post how to photograph the beauty of autumn colours 🙂

WORKFLOW EXPLANATION

This is a handheld shot, I didn’t take this using bracketing mode but a single shot, for this reason this time I don’t used any digital blending but just luminosity masks to lighten and darken the main areas of the image

I increased details using TTS Pro filters, with the same panel I made all the workflow adding warm colours to the shot, increasing contrast and adjust dark and white points. I fixed colour cast and I increased colour vibrance

I sharpened the final result adding a soft vigneting to give more prominence to the mountain

TECNHNICAL STUFF

Camera: Nikon D850

Nikon 70-200 f/2,8 (used @200mm)

Single Shot

ISO: 100 f/13

Software: Photoshop CC2021

Plugin: TTS Pro 2.0


Antorno

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The small but beautiful lake antorno is located on the road that leads from Misurina to the Tre Cime of Lavaredo, just before the toll road for the park of “Tre Cime”. It is a must for all those who go to the famous park in question but the small Antorno lake deserves a careful visit, especially on sunset

Although its best view is opposite to the sunset, the colors of the mountain that lights up as the sun goes down gives beautiful reflections into the water. I composed this photo with the help of this bush on the foreground and I used it to realize a focus stacking through the element of the frame.

WORKFLOW EXPLANATION

To begin with I stack the images into Photoshop the focused image in all the element of the frame, I used the other expoures to realize a digital blending and create a balanced image. With the use of I launched details filter to increase details on the main spot, than I correct colours and contrast

With the help of  luminosity masks applied to TTS Pro filters I warmened the sky and I increased the dark mood of the image, I also created a orton effect to mitigate the details effect and create a soft glow dreamy feel. Using dodge and burn I gived some last touches to the image, going to increase/decrease lights in the main area of interest

TECNHNICAL STUFF

Camera: Nikon D850

Nikon 14-24 f/2,8 (used @24mm)

Three Shots (-1; 0; +1)

ISO: 100 f/11

Software: Photoshop CC2021

Plugin: TTS Pro


Crossroads

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As the first photo of 2021 I post a photo that I found from some of my old shots of the Dolomites, unfortunately in a period where is not easy to travel, my photographic resources are decreasing 🙂 but I always try to ensure new elements on all my social networks every week

This is small alpine lake, is one of my favorite mountain spots, if not one of the most photographed by me in the latests years, as in winter the surface of the lake freezes but without snow, a feature that I often look for in lakes in winter but it’s not easy to find anywhere. This is because the whole valley is crossed by icy currents but the altitude is not very high

About the shot I captured two series of exposures in focus stacking in order to have an image totally in focus, every series of exposure was done in bracketing mode, so I had the chance to digital blend every series before proceed with focus stacking

WORKFLOW EXPLANATION

I digital blended every exposure series before proceed to focus stack the shot to achieve a perfectly focused image. The next step was to add details and enhnace colours using TTS Pro dedicated effects

I fixed the highlights and shadows using  luminosity masks, I applied the same luminosity masks on curves to have a precise adjustment layer to enhance contrasts. I correct color cast on the sky and on the mountain, I pushed up some shadows on the forest and I slightly decreased the whole image luminosity

With hue/saturation tool I fixed more the colours and I created a small vignette using color efex pro filter

As always I hope you will find this usefull. I love to ear this from you!

TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 15mm)

Focus Stacking

ISO: 100 at f/13

Software: Photoshop CC2021

Plugin: TTS Pro


Let it Snow

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I found this photo from the photo album of my last trip to the Dolomites, almost a year ago now … an incredible snowy landscape and a magnificent backdrop of the Friulian Dolomites

I remember spending most of the day in this location from late morning until almost evening since the sky offered the most disparate facets that day, starting from an overcast sky up to openings full of wonderful light like this one

I made this shot with a focus stacking on only two points, foreground and background, capturing a series of exposures for each type of photo to capture as much dynamic range as possible

WORKFLOW EXPLANATION

I started with a digital blending between the two series of shots, than I merged the images into Photoshop in order to obtain one image with all focused points

I made the major adjustments using  luminosity masks on highlights, shadows and contrasts. I applied high details filters using TTS Pro, I also launched orton effect and glow tool in order to increase the glowing atmosphere of the image

I fixed color cast and I pushed up the warmth of the whole image increasing vibrance and yellow tones. With dodge and burn I lightened some areas around the trees and on the mountains

I darkened a bit the whole frame and I created some lighting spot on the main areas of interest using brush, as final step I a fixed the lasts lights using levels to better balance the image

I really hope you will find this usefull. I’m always happy to ear this from you!

TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 15mm)

Focus Stacking

ISO: 100 at f/13

Software: Photoshop CC2021

Plugin: TTS Pro


Dreamland

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This image comes from a freehand single shot during my last excursion along the dolomites. It is beautiful to see how the light filters through the mountains, leaving behind you a glimpse of a blue sky veiled with rays of yellow lights

Although from a first glance the forest and the mountains may seem on the same level they are actually at two completely different depths and during my editing with Photoshop I tried to increase these visual differences by increasing the contrasts and adjusting the exposures in this sense

I tried to let the viewer focus his attention on the scenery at the bottom but without decreasing the importance of what constitutes the forest at the foot of the mountain


WORKFLOW EXPLANATION

As said at the beginning of this post this is a single shot, so for this photo I did not do digital blending but I only used the luminosity masks to correct lights, contrast and colors

I increased the light effect coming through the sky with dodge and burn and I launched orton effect as I usually do in every my lanscape. After a small push up of yellows tones, I decreased the blacks and the shadows in order to give more prominence to the mountain

With the use of clone stamp tool, I removed some bushes on the bottom of the picture that moves attention away and I manually create a vignette using the glow tool you can find insid my TTS Pro panel

I increased the colors increasing vibrance and a small decrease of expoure as last touch

I hope you will find this usefull! I’m happy to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 70-200 f/2,8 (used at 180 mm)

Single Shot

ISO: 320 at f/9

Software: Photoshop CC2020

Plugin: TTS Pro


On the Edge

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During this shot the sun was lowering in the sky and the colors of the sunset began, I captured the vertical scene to give the viewer a greater sense of movement between the waterfall and the mountain

This photo spot come next to the lake photographed in my last post, in fact I found this small artificial waterfall very close to the lake, probably the waterfall is used as energy source, the small costruction maybe is a energy cabin

I used a bridge that passed over it to benefit from a facilitated composition to portray both the flow of the waterfall and all the beautiful scenery that was behind it

I used a 3 stop ND filter since the light was not very strong I only tried to apply a filter that could give me more exposure without lengthening the exposure times too much


WORKFLOW EXPLANATION

I blended the shots using TTS Pro using auto blend darks function, than painting the darker areas with luminosity masks in order to recover the exposure in the darker areas using the brighter exposure

I made some adjustmesnts using clone stamp tool and I fixed perspective on the house, increased the sunset colors appliyng a warm filter to luminosity masks and increasing the highlights into the sun direction

After adding orton effect I applied dodge and burn with a warm brush over the water and on the rocks on the foreground. I lightened some other spot of the image using luminosity masks increasing darks and some highlights

As final touch I incresed the vibrance colors of the frame reducing the opacity to 60%

I hope you will find this usefull! I’m happy to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14 mm)

Single Shot

ISO: 100 at f/14

Software: Photoshop CC2020

Plugin: TTS Pro


Infusion of Light

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Here we are still in my location of the last posts, this time with a vertical shot, in this photo I captured the icy foreground on this beautiful lake. I love the vertical angle precisely because of the perspectives that the light can give to the viewer

In my post Afterlight I told you about the light that was present in this location and the lighting that filtered through the mountains, in that circumstance I was able to capture a beautiful moment of light that hit the lake giving magnificent golden reflections

Here instead I tried to shoot a different scene more focused on perspectives and depth. I love this mountain scenery, the ice, the colors of the sky and those of the ice. I can’t wait to leave again for new winter destinations soon, I will update you on the subject as always


WORKFLOW EXPLANATION

For this image I used the focus stacking technique, I blended the exposure with foreground in focus than the other exposure series with the mountain both using TTS Pro with my filters, after this I blended the shots for focus stacking

I increased details using my panel, I increased the level of yellow tones to give more light at the sunset applying a warming filter to luminosity masks.

Subsequently I added two types of orton effect: the first was the classic orton effect decreased to the opacity to 15% and the second was the orton effect dark, that emphatize the dark tones of the image… you can fin both filters inside my panel

I fixed the contrast and lights using luminosity masks, and helping myself with a brush in a new layer I lightened some dark areas of the picture and given more light to the highlights and clouds

As last touch I created a soft vignette to give more attention to the ice subject on the foreground

I hope you will find this informations usefull! I love to ear feedback from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14 mm)

Single Shot

ISO: 100 at f/14

Software: Photoshop CC2020

Plugin: TTS Pro



From Red to Green

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Here is my first photo published in 2020, for this image I resume the location of my last photo published, I am talking about the beautiful Dolomites and its incredibles scenery

These are the waterfalls of Fanes, imposing waterfalls that are located inside a gorge and can only be reached through a wide climb on the promontory which must be followed by an equally descent to see them from below

I photographed the waterfalls from the top of the promontory in front of me in order to portray as much as possible the flow of water from the source to the end

The same atmosphere of the low clouds can be seen in the upper part of the photo above the trees giving them a mysterious look


WORKFLOW EXPLANATION

I blended the shots using digital blending to create the image to work on, the final bled is not so much far from the original shot, I just take some point of the brighter exposure to give more lights around the rock and to increase the softness of the water

I increased the yellow colours applying a warmer filter to the highlights through luminosity masks, after this details was increased using TTS Pro details effects

I fixed contast and lights around the rocks, after this I pushed up some colours like the autumn colours and the end of the waterfall to better look the amazing blue colour of the water

I also created a small vignette to give more darkness of the area around the waterfall and concentrate the viewer’s eye on the waterfall

I hope you will find this usefull. I always love to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Sigma 24-70 f/2,8 (used at 30mm)

Three Shots (-1; 0; +1)

ISO: 100 at f/13

Software: Photoshop CC2020

Plugin: TTS Pro


The Hiding

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Today I post two shots of a details of some peaks during my hike in Passo Falzarego. That day I was surrounded by clouds, I took these two photos while I was uphill and the colors of the sunset that struck these two high peaks struck my attention

The colors in those days were fabulous, accentuated even more by the magic of the low clouds which, as I wrote in previous posts, contributed to creating a magnificent atmosphere throughout the valley


WORKFLOW EXPLANATION

For both exposures I made two handheld shots. For both shots I followed the same workflow in order to obtain 2 similar images. I proceeded for a digital blending than adding details using TTS Pro

I added some warm colours using luminosity masks applied to hightlighs and a warmer filter. After adding a small orton effect, I increased the yellow colours where the sun hit the mountain helping myself with a dodge and burn tool to empatize the lighting

I fixed lights and contrast in the highlights and shadows, I added some lights using a white brush with the glow tool

The last touch was to add a small vignette to increase the darkness around the border

I always hope you will find this usefull. I’m happy to ear that from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 70-200 f/2,8 (used at 102mm)

Three Shots (-1; 0; +1)

ISO: 320 at f/7,1

Software: Photoshop CC2020

Plugin: TTS Pro


Losing Sight

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During the days I stay at the Dolomites, the splendid scenery of the mountain in autumn was constantly changing. Very intense days of cloudiness alternated with low clouds to rainy days, unfortunately not always all suitable for taking good photos

That afternoon I was literally surrounded by low clouds on the horizon and I took a lot of photos in this mountain scenery so particular and engaging. In this photo the clouds moving towards the forest below

It was a very beautiful atmosphere, rarely seen in the past at these levels as I said in my previous post. More photos will follow with similar scenarios of those days


WORKFLOW EXPLANATION

This image is a result of a digital blending with 2 exposures (of course I captured 3 but used just 2) that I blended using TTS Pro with auto blend darks function inside that instantly blend a darker exposure into a brighter exposure

After this I started edit the shot using luminosity masks correcting lighting in the sky and shadows, I also fixed contrast using midtones masks. I increased details that I partially muted with a orton effect.

I fixed up colours adding more vibrance and giving more yellow tones around the trees and the part of the mountain touched by sunlight

I made a small crop to cut off an empty space below and I made some small intervention with clone stamp tool to remove some rain drops

Last touch was to add a small vignette excluding the sky because it makes the clouds too dark

I hope you will find this usefull. I’m happy to listen it from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 70-200 f/2,8 (used at 102mm)

Three Shots (-1; 0; +1)

ISO: 320 at f/7,1

Software: Photoshop CC2020

Plugin: TTS Pro


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Hi, my name is Giuseppe Sapori, a professional photographer and author of this website, created by yours truly to show my work and share with you the techniques I use. My expertise is in the field of Landscape Photography... (Read More)

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