Coastal Beauty

Coastal Beauty

Tags : 

I shot for three consecutive days in this location in search of the best clouds and the most interesting colors, at the end I preferred for this image in focus stacking with this rock in the foreground using two different focuses between foreground and the mountain. I used a nd filter with -6 stops to make this, I love the submerged part of the rock blurred by the long exposure of the water

This area is one of my favorite locations to photograph the sea. I’m talking about Cilento area in the south of Italy. I love the rocky beaches with the mountain in the background typical of this area. The sunsets here are always very special and full of beautiful colors, every year I try to spend a few days here taking these colorful seascapes

WORKFLOW EXPLANATION

I captured this with 5 brackedet shots that I merged using TTS Pro with digital blending creating 2 different shots that I blended with focus stacking. With luminosity masks I fixed the highlights in the sky and I lightened the darker parts of the rocks

After increasing the color vibrances, I used dodge and burn to fix some darker areas around the rocks and darkened the general luminosity of the picture using a vignette

I increased the contrast applying luminosity masks to curves adjustment layer, after a general layer fixes a gived a soft orton effect to create a soft glow effect

I hope you will find this usefull! I love to ear that from you!

TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14mm)

Five Expoures (-2; -1; 0; +1; +2)

ISO: 100 at f/16

Software: Photoshop CC2020

Plugin: TTS Pro


Bamboo

Tags : 

I love photographing forests, and the light that filters through them trees. Bamboo forests are even more fascinating given the size of the stems that once surround them

After visiting the famous Arashiyama bamboo forest two years ago in Japan, I no longer had the opportunity to admire this kind of forests until I found this one

In the city center of Rome there is a very well preserved botanical garden, the structure depends on the Department of Environmental Biology of the University of Rome “La Sapienza” and and hosts over 3000 different plant species. Inside the botanic garden there is too a small but very beautiful and particular bamboo forest

All the shots you see therefore come from this location. I really like the perspective of shooting towards the sky since as mentioned above the bamboo tends to wrap you up, therefore the idea was to convey a feeling of openness towards the sky and towards the light

WORKFLOW EXPLANATION

I captured all the shots without brackets, every image is a single shot edited without the use of digital blending this time. For every image I made the same editing passages:

I increase highlights using luminosity masks, after I increased details using TTS Pro filters and with the same panel I launched orton effect and dodge and burn with I fixed all the lights over the bamboo

After increasing a color vibrance and fix the green colors similar to all the images the last touch was to increase the dark mood of the picture putting a dark vignette that gives more attention to the sky lights

I hope you will find this usefull! I love to ear that from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14mm)

Single Shot

ISO: 200 at f/5,6

Software: Photoshop CC2020

Plugin: TTS Pro


On the Edge

Tags : 

During this shot the sun was lowering in the sky and the colors of the sunset began, I captured the vertical scene to give the viewer a greater sense of movement between the waterfall and the mountain

This photo spot come next to the lake photographed in my last post, in fact I found this small artificial waterfall very close to the lake, probably the waterfall is used as energy source, the small costruction maybe is a energy cabin

I used a bridge that passed over it to benefit from a facilitated composition to portray both the flow of the waterfall and all the beautiful scenery that was behind it

I used a 3 stop ND filter since the light was not very strong I only tried to apply a filter that could give me more exposure without lengthening the exposure times too much


WORKFLOW EXPLANATION

I blended the shots using TTS Pro using auto blend darks function, than painting the darker areas with luminosity masks in order to recover the exposure in the darker areas using the brighter exposure

I made some adjustmesnts using clone stamp tool and I fixed perspective on the house, increased the sunset colors appliyng a warm filter to luminosity masks and increasing the highlights into the sun direction

After adding orton effect I applied dodge and burn with a warm brush over the water and on the rocks on the foreground. I lightened some other spot of the image using luminosity masks increasing darks and some highlights

As final touch I incresed the vibrance colors of the frame reducing the opacity to 60%

I hope you will find this usefull! I’m happy to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14 mm)

Single Shot

ISO: 100 at f/14

Software: Photoshop CC2020

Plugin: TTS Pro


King of Snow

Tags : 

 

Also this year I decide to spend a some days on the Italian Alps, these places are always beautiful and I really appreciate them also in winter, here we have Lake Carezza or rather the Latemar massif considering that the lake below is completely submerged in the snow

After the recent heavy rains in the autumn that caused extensive damage in many regions of northern Italy, this area has suffered too, on the road that leads to the lake I found hundreds of trees felled and collapsed due to bad weather and even the long lake Carezza not it was accessible

Despite this condition from the road it was possible the same to admire the lake Carezza and the Latemar massif due to the absence of trees that usually cover the view from the street. To have a greater width and depth of the scene I decided to photograph the lake through a photomerge, so I photographed the lake according to 3 sections, taking care not to exclude any element between one photo and the other, with bracketing mode to 3 shots

 

WORKFLOW EXPLANATION

I’m not a great fan of Photomerge because it increases the work in Photoshop, but I must admit that it is of great help when you want to give a greater photographic composition, to do this work I captured three bracketing images per horizontal group, respectively the mountain, the central body of the photo and the foreground

I discarded the darker ones and I worked exclusively on the middle shot and the brightest shot of the bracketing series, so I created two photomerges which I then used for digital blending. With the full image avaiable I started working on it to intensify the colors, here I used the Color efex pro plugin to boost up of the golden hour tones

Then I increased the contrast and details with the help of my TTS PRO panel. I used the dodge and burn applied to the luminosity masks darks to lighten the trees under the latemar massif and to darken and then bring out the details of the mountain, with the colors I intensified the yellow levels and slightly lowered the blue ones

I intensified the highlights and applied a slight orton effect to increase the photo’s glow level, as a final step I again adjusted the contrast of the photo and the brightness through the layers adjustment layers

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8

Three Exposures (-1; 0; +1;)

ISO: 50 at f/10

Software: Photoshop CC2019

Plugin: TTS Pro, Color Efex Pro


Milky Way Door

Tags : 

 

I took this photo at the dawn of the moon, the light source that starts from the left is just the light of the moon that began to peek out of the mountains. I made this frame by two shots, I moved to photograph the rock first at the top to take all the milky way and then gradually down to include more foreground

Initially I did some tests shooting here with a subject in the picture and then other tests with a light source inside that little door that is in the ruins, I discarded all these shots because the image as a whole with all these elements was not look good, especially even if the light coming from the door would have made the most striking photo at the same time made it so much artifacts, so I avoided

 

WORKFLOW EXPLANATION

I followed the same editing line of the previous picture, I started opening the images on camera raw to make the first edits and save the images before apply the Photoshop photomerge in one, once obtained one single frame by this two exposures I applied the free trasform tool to adjust the empty areas and adapt to the frame

So I started edit the image by using camera raw to raise up the milky way than back in photoshop I applied the result only to the sky. Using TTS PRO  I made the main adjustments regarding, color, lights and contrast. I applied the luminosity mask contrast to better control the contrast over the point of lights darks and midtones of the picture

I increased the lights of the foreground applying a curves tool to the darks luminosity masks and I launched dodge and burn with I adjusted with a brush the colors over the milky way and the lights over the darkest areas of the foreground

I also made some adjustment to the colors, I don’t like so much the coolest tone of the night sky coming from this picture, in particular the sky was too much blue saturated, so in this case I stepped up the yellow tones of the light pollution and I decreased the saturation of the blue colors

In TTS PRO in the third page of finishing there are many functions to save and finishing your work, here I applied a small vignette reducing the opacity to 30% and I saved the images by height to simply create a web format image without loosing quality

I hope you will find this usefull. I’m happy to hear that from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Two Exposures

ISO: 3200 at f/2,8

Software: Photoshop CC2018

Plugin: TTS Pro

 


Coast to Coast

Tags : 

With this post I connect last week image, Nightlight to show you another picture from the beautiful Amalfi coast, in particular this was taken the following day on the road that leads  Amalfi to Atrani town. The colors and the landscape that you can admire in this spot is very interesting and I never lose the opportunity to take this picture every time I’m here, the most attentive of you will in fact know that I took the same picture in the past 🙂

Even here the road certainly does not give easy moments to take pictures, being a very tight road you must always pay attention to cars moving on the road (especially buses).  Is a very nice place but not really quiet to stand in the middle of the road with the tripod. Fortunately, the road is always very busy and cars are often in traffic, this not allows to the cars to go faster

In this Amalfi spot I captured several long exposures, I wanted to have the effect of movement of the sky and the sea, I did some test shots before without filter to set the values and to save the leaves in the lower left corner, the strong wind of this spot moved them all the time and I wanted to make sure I could intervene later

 

WORKFLOW EXPLANATION

I blended the long exposure with the normal exposure to save the leafs on the left. The wind moved the leaves and in the long exposure them results blurry, with this method I have limited the damages, not easy to edit because on the back there was the smooth sea but I managed something. Anyway I used luminosity masks to fix the lights and darks, I reduce the strong highlights on the back of the mountain and I pushed up the darkness of the foreground rocks

I incrased contrasts and I used dodge and burn to darken the middle rock and to lighten the sea breaking on the coast. With TTS Fast Panel I launched high details and orton effect to smooth the effect and to create a soft dreamy look. To begin edit the colors I started fixing color cast reducing the opacity on the result, than I increased the yellow colors using this techniques, reducing again the highlights in the sky. Latest passages was to darken a bit the whole frame and add a small purple look using camera raw

I always hope you will find this usefull. I love to ear this from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 24mm)

Long Exposure for 30′

ISO: 100 at f/13

Software: Photoshop CC2018

Plugin: TTS Fast Panel

 

 

 


Tuscany Dream

Tags : 

Hello everyone, waiting for the next trip at the end of this month I propose for my week photo another of  my past photos, in this case one of my favorite destinations. In particular we are talking about the Val d’Orcia, a splendid place, a UNESCO world heritage that I always visit with great pleasure

Every time I go to Tuscany and Val d’Orcia a passage in the notorious chapel of Vitaleta is a must. Among the times that I went, this take was surely the one with the better conditions and colorfull sky . I remember that I had gone for a walk around the neighborhood of San Quirico d’Orcia looking for the Vitaleta chapel until I could see with the corner of my eye this little church in the middle of the valley. I found it I told to myself!

So I started to look to follow the road until I was in a barred country path where it was impossible to proceed with the car. Leaving the car there I continued on foot for about 15 minutes of walking. I always love to come here, it’s nice to admire the Tuscany hills in this place and find a place so characteristic to take pictures

 

WORKFLOW EXPLANATION

I blended the images using luminosity masks, I fixed color cast using auto adjust and decreasing the opacity to create a mix between the warm original color and the blue of the fix. I Increased vibrance in the sky to create more colors. I added contrast applied to luminosity masks to better use it on the foreground and the sky

With TTS Fast Panel I increased details reducing the effect on the sky. With dodge and burn I darkened the foreground and lightened the front part of the trees. I also used orton effect to create a soft look on the sky. As final touch I brighten the view of the chapel and the stones on the foreground adding a soft vignette to the frame

I hope you will find this information usefull. I love to ear this from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Three Shots (-1; 0; +1)

ISO: 100 at f/7,1

Software: Photoshop CC2018

 


Trevi

Tags : 

Giuseppe Sapori - Trevi

 

The famous Trevi fountain with a vertical shot, I took this photo on a Saturday afternoon while I was around the city. The Trevi fountain is one of the most visited places in the city of Rome, even during the day just approaching this fountain is very difficult, the entire fountain is surrounded by thousands of tourists every day that make photos and selfie at all

It is a beautiful fountain, which catches you when you are in front of it, I recommend it to everyone to see it but to enjoy the full visit it is better to go here early in the morning or at night

 

WORKFLOW EXPLANATION

Image obtained by a bracketed shot taken handheld, I blended the images using luminosity masks and I applied details and orton effect using TTS Fast Panel

I increased contrast using midtones and darks, I decreased the yellow color cast on the fountain using hue/saturation, With dodge and burn I made some adjustments on the fountain and on the water, as final touch I applied a little vignette to emphatize the central point

I hope you will find this informations usefull, if you have any tips or question about it write to me. I’m always happy to hear it on you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Three Exposures (-1; 0; +1)

ISO: 100 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel


The Look-Out

Tags : 

Giuseppe Sapori - The Look-Out

 

The Truglia Tower is the symbol of Sperlonga, a small village in the central Italy with about 3000 habitants. The town of Sperlonga is very pretty and is included in the list of the most beautiful villages in Italy

I went around the tower truglia at the end of the day, unfortunately the sunlight was very much on right and I could not put it in the frame with the tower

To ensure the passage of pedestrians on the walkway I had to put the stand in an absurd position but in any case I managed to do everything 🙂

I make shots unitl the blue hour to see how the lights changed but practically I just worked the first shots, in this case the first lights was better

 

WORKFLOW EXPLANATION

I blended all the exposures with luminosity masks and I applied contrasts in the various part of the picture. I increased details and shadow light I also pushed up yellow lights in the highlights using a warming filter

Using dodge and burn I made some lights adjustments and using tonal contrast filter in Color efex pro I added a more detailed look to the closest wall and foreground

As final touch I fixed the warm lights on the tower and a more uniform look to the colors. I hope you will find this informations usefull, if you have any tips or question about it write to me. I’m always happy to hear it on you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Five Exposures (-2; -1; 0; +1; +2)

ISO: 100 at f/10

Software: Photoshop CC2017

Plugin: Color Efex Pro

Extensions: TTS Fast Panel


Frostbite Touch 3

Tags : 

Giuseppe Sapori - Frostbite Touch 3

This is a old find from my pictures from the lake Calaita in Trentino, I  left behind this photo, which deserved to be processed. I really appreciated the beauty of this lake during winter with its frosts, definitely come back next winter in this beautiful place to take new pictures here

 

WORKFLOW EXPLANATION

The workflow of this shot is similar of the previous posts. I blended the shots with luminosity masks. I correct the color cast and then with my panel  I launched high details and sharpen to increase details in the picture, I used dodge and burn to increase the light around the main rocks, the nearest fields and the trees.

With luminosity masks I decreased highlighs and increased darks to make uniform light in the frame. After this I used orton effect to create a glow contrasted effect, I also increased contrast using darks 2 applied to curves adjustment layer.

With the help of hue/saturation I decreased blue on the top of the picture.  I increasesed vibrance using LAB color technique and darkened border of the frame using a vignette tool. I hope you will find this information usefull, for every tips or question write to me. I always love to hear you 🙂

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Seven Exposures (-2; -1; 0; +1; +2)

ISO: 100 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Site Founder

Hi, my name is Giuseppe Sapori, a professional photographer and author of this website, created by yours truly to show my work and share with you the techniques I use. My expertise is in the field of Landscape Photography... (Read More)

Newsletter Signup