Relighting

Relighting

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A shot on a mountain view in Passo Falzarego captured during a strongly overcasted day. The light that hit the top of the mountain seemed to turn on that mountainous stretch of lighter nature, giving great difference of colors and tones to the rest of the mountain, the cloudy sky of those days characterizes the surrounding environment of a truly very involving atmosphere

I captured this shot with my 70-200 by freehand, (thanks VR :)) I made 3 bracketing shots that I easily realigned in Photoshop when making my corrections


WORKFLOW EXPLANATION

I digital blend the shots using TTS Pro starting from the darker exposure I used the auto blend function with the brighter exposure. I corrected contrast, lights and colors than I applied details to the whole frame

I give a touch of orton effect as I usually do in my every mountainscape, because I really like this effect on the mountain scenery, with dodge and burn I fixed up the yellow light over the mountain and I lightened the dark part of the sky

Again with the use of luminosity masks I made some adjustments to the highlights and shadows, after adding a cooling filter I applied selective warm color to the mountain lightened by the sun

As final step I added a vignette and slightly reduced the exposure of the picture to increase the sense of dark atmosphere

I really hope you will find this usefull! I like to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 70-200 f/2,8 (used at 98 mm)

Single Shot

ISO: 100 at f/9

Software: Photoshop CC2020

Plugin: TTS Pro


Mountain Roots

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In the splendid setting of the Alps I took advantage of every single shot and moment of light that I had available, it was a beutiful excursion and a very prolific day from a photographic point of view. I made this shot using a large root of a tree that protruded from the ground around the frozen lake with the mountain in the background to complete the scenery

Here too, as in my two previous photos, I shot with the focus stacking technique, then first capturing a series of shots for the foreground and then a new series of shots for the mountain in the background. The result is a shot completely in focus, you can find more information on this technique in my article dedicated to how to use focus stacking with exposure bracketing


WORKFLOW EXPLANATION

The processing was very similar to the latest of this series, I firstly blended the shots with respective focus, than I blended the two groups of images using focus stacking technique

With the use of TTS Pro I added details and contrast to the frame, than I increased warm lights with a warm filter applied to luminosity masks. I launched orton effect, than I fixed lights and contrasts using again luminosity masks around the main point of interests such as highlights and dark shadows

With the use of dodge and burn I lighten the root in order to give more appearance to the eye of the viewer, I also lightened the trees below the mountain and given more prominence to the sunlight reflections on the ice

I increased the colour vibrance and the autumn colour look using the specific effect you can find in my free panel

As final touch I darkened the the lawn area around the roots to give greater prominence to the central figure of the photo

I hope you will find this usefull! I’m happy to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14 mm)

Single Shot

ISO: 100 at f/14

Software: Photoshop CC2020

Plugin: TTS Pro


The Hiding II

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Some scenarios of the beautiful autumn colors that I found during my last trip to the Dolomites. On a rainy morning I captured some low-cloud scenarios on trees with autumnal colors near the Fanes Watefalls

At the end of the path that leads to these beautiful waterfalls, a gorge opens up with a great view, in front of that day I couldn’t see much of the mountain behind the clouds but my intent was to portray the trees in their beautiful colors just behind a neutral white cloud

All this clearing was exactly on the other side of the gorge but right in front of me, not was so much far I took this picture with my 24-70 captured at 46mm to get a close-up image of the trees and create a hat-effect with clouds


WORKFLOW EXPLANATION

For this shot no digital blending was necessary, I just used a couple of shots and make some ajustments using brush with luminosity masks

The main area affected was the trees: first I increased the luminosity using the brighter exposure and a brush, than I added details and contrast using TTS Pro and launching two effects related to this

Always with the use of luminosity masks I decreased the light in the clouds and I decreased the luminosity in the whole frame. I increased the autumn colours decreasing the opacity to 10% and I increased all the vibrance by +15% in order to give more result to greens and reds of the trees

As final step I added a small vignette to create more visibility to the trees in the center of the frame

I hope you will find this usefull. I always love to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Sigma 24-70 f/2,8 (used at 46mm)

Three Shots (-1; 0; +1)

ISO: 100 at f/13

Software: Photoshop CC2020

Plugin: TTS Pro


The Hiding

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Today I post two shots of a details of some peaks during my hike in Passo Falzarego. That day I was surrounded by clouds, I took these two photos while I was uphill and the colors of the sunset that struck these two high peaks struck my attention

The colors in those days were fabulous, accentuated even more by the magic of the low clouds which, as I wrote in previous posts, contributed to creating a magnificent atmosphere throughout the valley


WORKFLOW EXPLANATION

For both exposures I made two handheld shots. For both shots I followed the same workflow in order to obtain 2 similar images. I proceeded for a digital blending than adding details using TTS Pro

I added some warm colours using luminosity masks applied to hightlighs and a warmer filter. After adding a small orton effect, I increased the yellow colours where the sun hit the mountain helping myself with a dodge and burn tool to empatize the lighting

I fixed lights and contrast in the highlights and shadows, I added some lights using a white brush with the glow tool

The last touch was to add a small vignette to increase the darkness around the border

I always hope you will find this usefull. I’m happy to ear that from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 70-200 f/2,8 (used at 102mm)

Three Shots (-1; 0; +1)

ISO: 320 at f/7,1

Software: Photoshop CC2020

Plugin: TTS Pro


Losing Sight

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During the days I stay at the Dolomites, the splendid scenery of the mountain in autumn was constantly changing. Very intense days of cloudiness alternated with low clouds to rainy days, unfortunately not always all suitable for taking good photos

That afternoon I was literally surrounded by low clouds on the horizon and I took a lot of photos in this mountain scenery so particular and engaging. In this photo the clouds moving towards the forest below

It was a very beautiful atmosphere, rarely seen in the past at these levels as I said in my previous post. More photos will follow with similar scenarios of those days


WORKFLOW EXPLANATION

This image is a result of a digital blending with 2 exposures (of course I captured 3 but used just 2) that I blended using TTS Pro with auto blend darks function inside that instantly blend a darker exposure into a brighter exposure

After this I started edit the shot using luminosity masks correcting lighting in the sky and shadows, I also fixed contrast using midtones masks. I increased details that I partially muted with a orton effect.

I fixed up colours adding more vibrance and giving more yellow tones around the trees and the part of the mountain touched by sunlight

I made a small crop to cut off an empty space below and I made some small intervention with clone stamp tool to remove some rain drops

Last touch was to add a small vignette excluding the sky because it makes the clouds too dark

I hope you will find this usefull. I’m happy to listen it from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 70-200 f/2,8 (used at 102mm)

Three Shots (-1; 0; +1)

ISO: 320 at f/7,1

Software: Photoshop CC2020

Plugin: TTS Pro


The Wood of the Giant

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I recently spent a few days on the Dolomites to take a different tour than I did last time. To tell the truth, every time I try to do a different tour because the alternatives of beautiful natural places to visit here are really very much

Among my stops there was certainly a decent excursion to Passo Falzarego where I could admire a beautiful autumn scenery, in fact the whole area had a splendid view of red trees with low clouds, the one you see in the picture is a portion of what he surrounded me, in the next posts I will have the opportunity to show you the fullness of the autumnal scenery of the area

I also love the beautiful atmosphere that creates low clouds, on this day the colors and the atmosphere of the sky have really created a show that I have rarely seen. It must be said that I also had to face quite difficult days from a meteorological point of view, some days the clouds were so low that visibility was practically zeroed and rain don’t spared me, so a good mood but with moderation 🙂


WORKFLOW EXPLANATION

I captured 3 exposure in bracketing to make this shot, I make a blend manually using luminosity masks and my panel TTS Pro. I increased the yellows applying a warm filter to the highlights and shadows and I lighten up the light source using the glow tool

After this I increased details selectively and I applied a orton effect to create a dark dreamy look atmosphere to the mountain than, with the use of dodge and burn I increased the light source and the lights rays through the trees

I set the contrast and highlights and I increased the highlights, after a soft shadow recovery the last touch was to set the vibrance to give more show to the colors of autumn

I hope you will find this usefull. Love to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 70-200 f/2,8 (used at 105mm)

Three Shots (-1; 0; +1)

ISO: 320 at f/9

Software: Photoshop CC2020

Plugin: TTS Pro


Walking through the Ancient

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I love Seoul because it is a very variegate city, inside we can find tall skyscrapers and modern buildings but there is a part linked to tradition and traditional life

I’ts the case of this place, this is the beautiful Hanok Village, where you can find the traditional korean house. It is fascinating to walk along its narrow streets among the low houses and the so characteristic and traditional roofs. The Hanok Village offers one of the most interesting view of Seoul, with this street view that leads to the modern buildings

It seems a museum itinerary but the streets are full of real houses, it is considerated a residential zone and some people leave here. I arrived here quite early and found various signs on the spot asking for silence until at least 9 am, to allow the residents to rest

That’s right! in fact I read a few days before about this village that its streets are full of tourists during the day, which is why going there very early in the morning remains the only solution to shooting

Furthermore near the village there are several shops that rent the hanbok, the famous and traditional Korean dress, so it’s not difficult to find someone like you who decided to wake up early to get some shots immersed in the tradition 🙂


WORKFLOW EXPLANATION

Taking this shot did not require any particular technicalities, I reach the top of the village to benefit from the perspective, a girl who dressed in the traditional hanbok dress that was taking selfies just passed she approached a door I started taking some pictures

I take a single shot for this image so this time i didn’t used any digital blending but I used the same luminosity masks to correct the highlights in the sky and recover the shadows

I increased details and pushed up colours using TTS Pro, with dodge and burn tool I dodged some house tiles touched by the light to increase the clarity effect

I corrected the wide angle effect that was created on the houses creating a slight distortion, to do this I used the free transform tool dragging it on side

I hope you will find this usefull. I like to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14mm)

Single Shot

ISO: 100 at f/9

Software: Photoshop CC2019

Plugin: TTS Pro


Conjunctions

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I took this photo in a beach located in the Gulf of Cilento, I love this area of Italy and very often I spend a few days here in the summer. The Cilento area is located in the southern part of Campania and is a UNESCO heritage area that offers not only beautiful beaches but also small mountains, archaeologic areas and natural parks

Although we are along the coast, the proximity of the hills to the sea, makes that in the evening, the sky around the mountains, is often clouded; creating interesting photographic spots not so common on the coasts

I make this shot in the final hours of sunset, to capture the movement of the water I used a 3-stop ND filter to avoid exposures that were too long for each series of shots


WORKFLOW EXPLANATION

I captured 5 exposure bracketing for this that I blended using my panel TTS PRO, to the blended image I added contrast and details

I fixed lights over the rocks and over the horizon using luminosity masks, than I enhanced colours using a cold filter applied to highlights and a bit less to the shadows

I boosted the colours of the sunset creating a mask for yellow, red and magenta to give more warm to the sky after this I applied a soft orton effect and a soft dodge and burn to the rocks and to the water

As final step I created a soft vignette to give more energy to the central scene

I hope you will find this usefull. I’m always happy to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14mm)

Five Exposures (-2; -1; 0; +1; +2)

ISO: 100 at f/11

Software: Photoshop CC2019

Plugin: TTS Pro


Ray of Light

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We are in the beautiful island of Capri in the Gulf of Naples. It is considered one of the most beautiful Italian islands and is also the most famous italian island for its beauty

Particularly famous are its faraglioni and the blue grotto for which it is famous all over the world, the island is made up of continuous caves and steep cliffs that make it a very interesting spot for taking great seasapes

What personally I love of Capri is to look the sea from the cliffs and benefit from the beautiful colors and the silence of the sea, from here you can see the merging of the sky to the sea

I took this photo in one of the numerous panoramic points of the island, I love the way in which on the island of Capri sun and clouds often alternate and the continuous creation of different illuminations in the sky



WORKFLOW EXPLANATION

I edited this shot using luminosity masks and my panel TTS Pro with whom I increased details and contrast in the image

With the help of color efex pro I launched skylight filter to create a soft warming effect into the sky. I added a orton effectto increase the softness of the horizon and the mountains from the viewer’s eye

I decreased the highlights and I created a vignette to emphatize the light coming through the clouds

I hope you will find this usefull. I love to ear this from you!



TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14mm)

Single Shot

ISO: 100 at f/9

Software: Photoshop CC2019

Plugin: TTS Pro, Color Efex Pro


Sensō-ji

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During my stay in Tokyo I could not miss the most famous temple in the city, I am talking about the Sensō-ji temple. That is a Buddhist temple complex located in the Asakusa district of Tokyo. It is the oldest temple in the city, and one of the most important. I take this photo to the  imposing five-storey pagoda that you can find near the temple

The entrance to the temple is marked by the famous “door of thunder”. It houses a huge paper lantern, painted red with black characters. In the nearbyes there’s a busy shopping street, that leads to the main entrance of the Sensō-ji temple

The Sensō-ji is a popular tourist destinations.  In the shopping street you can find a high number of stores specializing in the sale of traditional Japanese items have emerged in its surroundings, as well as restaurants offering traditional Japanese food (ramen, sushi, tempura, etc.). Many of these shops are run by the heirs of former owners, who started their business thanks to the economic income secured by the great flow of pilgrims to the temple

I really enjoyed the visit to Sensō-ji and among good food, photos and shops the visit to this traditional Tokyo place is very pleasant 🙂

Here you are some shots taken in the temple area:

 

 

WORKFLOW EXPLANATION

The main picture of pagoda is a result of a digital blending made from 3 exposures brackets. I used my panel to stack the images and to blend them using luminosity masks blending funcions inside TTS PRO

I increased details and I launched dodge and burn applied to luminosity masks to avoid to affect the unwanted part of the picture, in particular I lightened the darker areas near the door. I also applied a warmer filter to the highlights and shadows to emphatyze the yellow lights and I added some glow effect to the sky

After a fix on the sky colours I added a soft contrast using midtones. As final touch I added a small vignette to increase emphatyze the center of the image

As always I hope you will find this usefull. I like to ear this from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 15mm)

Three Exposures

ISO: 100 at f/9

Software: Photoshop CC2018

Plugin: TTS Pro

 


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Hi, my name is Giuseppe Sapori, a professional photographer and author of this website, created by yours truly to show my work and share with you the techniques I use. My expertise is in the field of Landscape Photography... (Read More)

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