Conjunctions II

Conjunctions II

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From the beautiful beaches of Cilento, I come back with a photo from a different perspective of my favorite beach of this area. To take this picture I used the distortion of my wide angle to create a more impactful effect in the foreground

To take advantage of the distortion it is always good to consider the corners of the image to avoid falling lines on the horizon. I love vertical photos but the management of distortions when you want to highlight a subject in the foreground may not always be easy

In my tutorial 7 composition guidelines for better landscape photography I insered Mind the Corners, to remember the presence of spots or other distracting elements in the picture that could focus away the viewer’s attention, the falling lines are one of them so always check it when you use lens distortion for you shots


WORKFLOW EXPLANATION

I captured 5 exposure bracketing series that I blended using TTS PRO.I used an additional shot to capture the sea with a long exposure that I used to make the water more soft

With the complete blend, I straighten up the horizon and removed some water spots on the lens. With the use of luminosity masks, I decreased the highlights and I increased the shadows in order to make better visibles the stones around the beach

I increased contrast and I added some blue colors to the image using a cold filter. I added a very soft orton effect and I used dodge and burn to increase the lights over the rocks and decrease the luminosity of the sea

Always using my panel I used the glow tool to make other adjustments and creating a manual vignette over the image

I hope you will find this usefull. I’m always happy to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14mm)

Five Exposures (-2; -1; 0; +1; +2)

ISO: 100 at f/11

Software: Photoshop CC2019

Plugin: TTS Pro


The Rockside

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Another shot I made in Cilento,  this is the the same beach of my latest post. At sunset the light behind that house on the lake was slowly falling, I made this shot through a 3-stop ND filter to capture as much as possible of the movement of the sea

The light coming from behind the house was a stark contrast to the rocks on the beach, in particular the one I placed first on of the frame

I shot for a long exposure series using bracketing, in order to blend all the images together, shooting in bracketing mode is what I always prefer to do when there is a strong contrast like this between direct light and rocks


WORKFLOW EXPLANATION

For this shot 5 shots bracketing was necessary, I blended the best 3 shots using luminosity masks and TTS PRO

I removed some water spot on the lens using clone stamp tool, I fixed horizon line and perspective than I started add more details and contrast to the image

I slightly increased the yellow tone of the sky using a yellow filter applied to luminosity masks

After a dodge and burn job around the rocks and on the house I lauched my effect orton effect dark that you can find in my panel

I darkened the scene reducing by 0,15 the general exposure, I increased a little bit the highlights, than as final step, I created a vignette to increase contrast and give more attention to the main subjects

I always hope you will find this usefull. I love to ear that from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 16mm)

Five Exposures (-2; -1; 0; +1; +2)

ISO: 100 at f/11

Software: Photoshop CC2019

Plugin: TTS Pro


Conjunctions

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I took this photo in a beach located in the Gulf of Cilento, I love this area of Italy and very often I spend a few days here in the summer. The Cilento area is located in the southern part of Campania and is a UNESCO heritage area that offers not only beautiful beaches but also small mountains, archaeologic areas and natural parks

Although we are along the coast, the proximity of the hills to the sea, makes that in the evening, the sky around the mountains, is often clouded; creating interesting photographic spots not so common on the coasts

I make this shot in the final hours of sunset, to capture the movement of the water I used a 3-stop ND filter to avoid exposures that were too long for each series of shots


WORKFLOW EXPLANATION

I captured 5 exposure bracketing for this that I blended using my panel TTS PRO, to the blended image I added contrast and details

I fixed lights over the rocks and over the horizon using luminosity masks, than I enhanced colours using a cold filter applied to highlights and a bit less to the shadows

I boosted the colours of the sunset creating a mask for yellow, red and magenta to give more warm to the sky after this I applied a soft orton effect and a soft dodge and burn to the rocks and to the water

As final step I created a soft vignette to give more energy to the central scene

I hope you will find this usefull. I’m always happy to ear this from you!


TECNHNICAL STUFF

Camera: Nikon D-800

Nikon 14-24 f/2,8 (used at 14mm)

Five Exposures (-2; -1; 0; +1; +2)

ISO: 100 at f/11

Software: Photoshop CC2019

Plugin: TTS Pro


Sunset Glow

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When I take this picture I was on the beaches in Cilento valley, where one evening I stopped  for this at sunset. This area as I said in some posts ago, is characterized by a great variety of natural scenarios, including the sea and the mountains. In this sunset photo I have just portrayed part of this variety including the colors of the beautiful landscapes that this part of Italy can offer

Also here as in the previous post I have taken a natural glow effect that was created with the lights of the sunset, with an intense yellow effect that also came on the rocks. It is a long exposure of 20 seconds made with ND64

 

WORKFLOW EXPLANATION

I blended two long exposures using luminosity masks, starting from the dark picture to brighten the foreground and the most black rocks.

I  used Dodge and burn  to made some adjustments on the rocks and on the water, using my panel I increased details and sharpen.

For the adjustments of colors I applied a warming filter to the lights masks and a cold filter to the darks playing with the opacity to create a mix between the two effects

As the final step I added contrast and fixed lights and darks

I will by proud if you will find this information usefull! I’m always happy to hear this from you

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Single Exposure (20 seconds)

ISO: 100 at f/10

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 


Morning Glow

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I captured this beach in the morning twilight, the photo is a long exposure of 20 seconds I did using a filter nd64 (6 stops). Cilento area has beautiful landscapes made up of mountains but also many beaches

When I take thi shot I was impressed and Ireally liked this beach, the view of the sea that was lost in the morning glow of the clouds on the horizon

 

WORKFLOW EXPLANATION

This is a sinlge exposure so I don’t blend images but I made a ETTR, so the final picture was a bit overexposed but I used luminosity masks to decrease lights in the highlights and in the foreground to reach the effect I want from this

I  used Dodge and burn  to made some adjustments on the rocks and on the water, using my panel, I increased details and sharpen and by using a blue filter I increased the blue and purpe colors in the picture to give more cold look. With orton effect I increased the glow effect in the frame trying to give a dreamy look at the picture

Last edits was to increase contrast to give a more dark look on the rocks, emphatizing lights using again dodge and burn, the latest touch was adding a small vignette to the borders

I really hope you will like this and you will find this information usefull. I’m happy to hear this from you 🙂

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Single Exposure (20 seconds)

ISO: 100 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 

 


The Rocky House

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I love Cilento, a mountainous area in southern Italy located in the province of Salerno that also offers beaches, waterfalls, rivers and characteristic villages. When I return to these areas I never miss the opportunity to take from this location, a house built on the rocks. I enjoyed this spot for many years now and every time I return to these places cannot miss the opportunity to take photos in that place

I made this shot at sunset with my 64 nd filter to capture all the water movements on the rocks, since there was still light high I did not use a value too high the shot is in fact of 30 seconds made with f9 in the direction of sunset

 

WORKFLOW EXPLANATION

I don’t make a digital blend for this, with the use of luminosity masks I simply fixed the lights and darks to make it more clear and have a image neutral. With  Dodge and burn I made some adjustments on the darker parts of the rocks and the brighter parts of the sky, after this with clone stamp tool I remove some spots and a small boat on the horizon that becomes too blurry. With my panel I launched high details, orton effect to make some glow effect and sharpen

With luminosity masks applied to a cold filter I add some blue colors at the sky. I fixed contrast saving the rocks located below avoiding that become too darks, to make this just remove from a midtone selection the darks selection. As final touch I increased a little more the highlights and created a small vignette to emphatize the sunset

As always I hope you will find this usefull, I’m happy to hear this from you 🙂

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 18mm)

Single Exposure

ISO: 100 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 


The Flow

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I took this photo in the natural oasis near the river Bussento, all the valley around the river is a dense bush downhill. I struggled not a little downhill to reach this location where a series of small waterfalls are explained in the river, the way is very impervious but the downhill, and especially the uphill 🙂 surely worth it!

I created this image with my nd1000 filter for about 60 second time long exposure, I used 7-shot bracketing function to have a full range of exposure, underexposed shots were very useful to save the leaves moved by the wind

 

WORKFLOW EXPLANATION

I take the two best exposures and I blended them using luminosity masks. With dodge and burn I recover some underexposed spot in the frame and I fixed lights around the water flow. I incresed the yellow colors of the leafs using my filter autumn colors, you can find it inside TTS Fast Panel free downloadable here

With a warm filter I added more yellows to the highlights and more glow adding a slight orton effect. I increased the highlights coming to the top using luminosity masks applied to lights and always using lm, I increased darks subtracting lights to avoid to overexpose the other lights in the frame

I really hope you will find this usefull. I always love to hear that from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8(Shot at 14mm)

Seven Exposures (-3; -2; -1; 0; +1; +2; +3)

ISO: 100 at f/16

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 

 


Coloured Fantasy

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Giuseppe Sapori - Coloured Fantasy

Cilento is a beautiful place in the south of Salerno, every year, during the summer holidays, I decided to spend a few days around here to visit some my parents, and to take some pictures. The view of the mountains to the sea is the feature of this place, this is  Read more...among one of the most famous Cilento’s location to take panoramas landscape. To make this picture, I went in a place not far from the house of my parents called Villammare. Before entering the village there is a small street where you can admire the landscape in all its splendor and a little later, the stairs that lead down to the beach, where at a certain hour of sunset is no longer anyone,  only some fishermans. This was taken from the steps taking all exposures by hand (there was no room on the stairs to keep the tripod) 😀

 

TECHNICAL STUFF

Lens: Nikon 14-24mm f/2.8 (Shot at 14mm)

ISO: 100 at f/5

Three Exposures (-1; 0; +1)

Software: Photoshop CC


HDR Before/After – The Beginnings

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As I wrote in my previous post The Beginnings The house on the rocks of Villammare for me represents a starting point for the HDR, but this time than the first time i photographed this place, the technique used was different, so I tried the three exposures taken at sunset through the method of 32-bit HDR. The street running through the house on the rocks is a simple road that leads from the main one this place so it is not very busy with people in cars, I still had to wait about ten minutes that the sun is filtering through the clouds to get the ‘effect achieved.

TECHNICAL STUFF

Lens: Nikon 14-24mm f/2.8 (Shot at 14mm)

ISO: 100 at f/7,1

3 Shots (+2; 0; -2)

Software: Lightroom, Photoshop


Way to blue

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During my week in Cilento I discovered this place randomly, I was in the car and I was returning to my house when I stopped and

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Hi, my name is Giuseppe Sapori, a professional photographer and author of this website, created by yours truly to show my work and share with you the techniques I use. My expertise is in the field of Landscape Photography... (Read More)

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