A Night in the Village

A Night in the Village

Tags : 

 

Second image from Takayama village in Japan, I took this second picture a few minutes after that of my previous post going to photograph the bridge in his front view, the image so quiet in the village at sunset illuminated by these yellow lanterns was a very impressive element for me.

Even the contrast between the yellow lights and the blue twilight has greatly attracted my curiosity, I love the blue hour for these reasons. I captured this image with a very low light, so at ISO 100 the shutter speed was 30 seconds

 

WORKFLOW EXPLANATION

This is a single shot, so this time no blending was done for this picture. Anyway I always used luminosity masks  to fix the lights in the sky, over the lanterns and set the right contrast. I set the proportions and slightly straightened the photo, with the clone stamp I removed a spot at the top

With the glow tool  I made some lights adjustments on the bridge to increase the light and give more warm over the area under the lanters. I gave a soft orton effect and I added a warm filter to the foreground to give more the impression of  lighting coming from the lanterns. I raised up the shadows with luminosity masks and as a last touch I created a small vignette to increase the sense of darkness

I hope you will find this usefull. I like to ear this from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Single shot for 30′

ISO: 100 at f/10

Software: Photoshop CC2018

Plugin: TTS Pro

 


By the Way

Tags : 

 

Tokyo Skytree from the nearest bridge. In my previous photos I posted some images taken from the the top of this tower, since it is a fairly impressive structure is seen from the main points of the city and so I took advantage in the evening to do some shots  in the around areas. With a easy google maps research I found this bridge that had a great view in perspective of the Tokyo Skytree, exactly what I was looking for for this shot!

I started shooting at sunset so as to “freeze” the moment of the sunset sky and some elements like the trees, then I waited for it to get darker to start taking the light trails that I added to the final image. During this photo I realized another element to keep in mind when making the photos from the bridges… vibrations due to the passage of heavy vehicles, I noticed a strong vibration when someone of this passed, for safety I preferred redo some of my shots taken in those passages

 

WORKFLOW EXPLANATION

I selected a shot for the correct sky at dusk and others images to select light trails, I selected from this images 2 exposures that I used to add the light trails you see. Iresized the image, I re-adjusted the perspective, than I launched  my panel to add details and to fix the color cast. I fixed the colors adding some cold filters (one for the highlights and one for the shadows). After adding a soft contrast, I fixed the lights of the trails, using glow brush tool included in TTS PRO.

I made som adjustments at the colors, increasing the lights of red and yellows and decreasing the light of blue. With luminosity masks applied to lights 1 and to curves tool I darkened the light of the sky, I finally applied a soft sharpen to light trails and added a small vignette to better give the sense of dark mood

As always I hope you will find this usefull. I like to ear this from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Multiple shots

ISO: 100 at f/22

Software: Photoshop CC2018

Plugin: TTS Pro

 


The Eternal Sunset

Tags : 

 

 

For my opinion this is one of the most representative and fascinating sights of Rome, it captures all the essence of its daytime activity in the middle between everyday life and the timeless charm of the eternal city. This is perhaps my favorite spot in Rome, it is very representative of the city, beautiful and colorful at sunset. From this spot it’s possible to capture many elements including the dome of San Pietro and the river Tevere flowing down

I’m talking about the location of Sant’Angelo bridge, a photographic spot that contains at least other  3 spots inside, from here it is possible to shoot towards the dome of St. Peter as you see in this picture, go down on the banks of the Tevere to take the castle from below or with a little patience and many tourists in less do the front view of the castle 🙂

This photo dates back to last week where I decided to go here to do some test shots with some equipment I recently received, to test the products. The fact is that probably that was the windiest and coldest day of the year and on that bridge to photograph I literally froze 🙂

But finally we come to talk about the photo, for the first time I shot this part of Rome with a medium-distance lens my sigma 24-70 for the occasion mounted on my camera between the bars at the bottom of the bridge. Usually I took this picture with a wide angle, this is the first time that the first time I take a closer shot and I must say that I prefer to a wider view. The first floor on this part of the city is very fascinating for me

 

WORKFLOW EXPLANATION

I start as usually blendind the images using luminosity masks, obtained the base shot I used clon stamp tool to remove some dust spot and some other little unwanted element in the picture. Using TTS Fast Panel  I launched high details effect to increase all the details in the picture, removing the effect on the water flow in the foreground.

Always using my panel and with the use of luminosity masks I applied contrast to the curves on midtones and darks to create a specific contrast per area. With orton effect I created a soft look of glow in the frame. Using a cold filter I increased the blue hour colors in the sky applying at the same time a warm filter to mediate the effect, I also used dodge and burn effect around the Tevere bridges and the lightings of the city, to decrease/increase luminosity selectively, in particular some points like the tree and other dark parts were very difficult to lighten even using darks luminosity masks

I always hope you will find this usefull. I’m happy to ear it from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Sigma 24-70mm f/2,8 (Shot at 70mm)

Five Shots (-2; -1; 0; +1 +2)

ISO: 100 at f/8

Software: Photoshop CC2018

 


Venice Moving III

Tags : 

The view from the Rialto bridge in Venice. Rialto Bridge is one of the most busiest and visited in the lagoon city, between gondolas and boats passing under it, even the bridge itself is always full of people practically at all hours of the day, but with a little patience a space to take pictures is always free 🙂

Compared with the other photos called  “Venice Moving” I changed the type of movement moving from a movement of gondolas due to the wave motion to a movement of passage in the canal under Rialto

I took this picture with a series of long exposures and a nd 3 stop ND filter. Among the various results I particularly liked this with movements clearly visible unlike other light trails

 

WORKFLOW EXPLANATION

This is a single exposure work, I make the first changes with the luminosity of the store lights, decreasing the effect. With a brush and using a new layer I replied the original color above the light trail of the boats to makethem more visible, then I changed the layer mode soft light to give a lighter effect

I fixed contrast using luminosity masks applied to lights, darks and midtones, using my panel I launched details and  dodge and burn to lighten the darker part of the image and softy lighten the buildings

I fixed the color cast and I add some warm/pink filter to give a different look at the image. As final step I applied a small vignette to the frame

As always I hope you will find this info usefull. I’m always happy to ear it from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Single exposure

ISO: 100 at f/16

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 


Postcard from Venice

Tags : 

 

The famous Ponte dei Sospiri in Venice gives this name because tradition has it that, at the time of the Serenissima, the prisoners, crossing it, sighed in front of the prospect of seeing for the last time the outside world

The bridge is one of the most popular destinations in the lagoon city and that small space that faces the bridge is photographed by thousands of tourists every day, making its way through the crowd is not easy practically at all hours of the day

I made this frame from some bracketing shots handheld, I then used the brightest shots to lighten the areas of shadows inside the canal

 

WORKFLOW EXPLANATION

As I mentioned above, I used the brightest shots to lighten the shadow areas of the channel, obviously helping me with the luminosity masks applied to the darks. Once this sets done, I corrected the color cast and I applied a warmer filter mixing it with a colder filter

I applied details, dodge and burn and orton effect using my panel. I fixed lights and darks using luminosity masks applied to curves layer, creating the right contrast between sky and buildings

As final step I launched a vignette slightly increasing the light in the central part of the frame

I hope you will find all this informations usefull. I love to ear it from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Three Exposures ( -1; 0 +1)

ISO: 100 at f/5

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 

 

 


The Way of Angels

Tags : 

Giuseppe Sapori - The Way of Angels

 

So here I am again to photograph my city and definitely one of my favorite spots, Castel Sant’Angelo and its magnificent bridge, this is a wonderful location wherever you decide to photograph it from the banks of the river or the main bridge like in this case. The only small detail is that Ponte Sant’Angelo is full of tourists from all around the world, that cross up and down for photograph the castle in in each pose, 365 days in the year! Take a picture here without people is very difficult, but it could be much easier during sunrises or as in my case with a very gloomy day and a good nd filter 🙂

The day I decide to go to shoot Castel Sant’Angelo from the bridge it was near sunset in the evening on a day where it threatened rain all day (an element not to be underestimated because there is less people around tourist attractions) I used a nd1000 (I needed the most imaginable stop) to erase the dozens of people who continually passing in front of my camera… on 10/15 shots I made about only 2 photos came without too many people, and together with, in addition that a good deal of the clone stamp I have so been able to use to compose my final image 🙂

 

WORKFLOW EXPLANATION

I selected 5 pictures of all my shots between some with less people in the bridge and others with cool sky colours, lights ecc, I blended the image togheder using luminosity masks and gradiend tool. I remove some remaining people ghost using clone stamp tool, then I launched dodge and burn to fix some lights and shadows in the bridge. I correct the color cast in the frame and removed the orange effect of it increasing yellows

With TTS Fast Panel I increased details and launched orton effect. I also increased contrast in the picture reducing a bit the exposure. The last step was to fix contrast and highlights using luminosity masks applied to curves adjustment layer and by creating a small vignetting to the image

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Different Exposures

ISO: 100 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Rome Urbs

Tags : 

Giuseppe Sapori - Rome Urbe

View of St. Peter Basilica by Sant’Angelo bridge. For me this is one of the top spots location in Rome to photograph. All of Castel Sant’Angelo area in general is one of my favorites of my city, the reflections which at sunset are located along the Tiber River, the last lights of the sky before sunset and the first lights of the city. I take 5 bracketed shots with tripod on the large handrail of the bridge during the blue hour

WORKFLOW EXPLANATION

I blended the exposures with luminosity masks, I used midtones mask to create some contrasts after the blend. I applied dodge and burn tool over the bridge to give more light on it and to darken more the sky. With the help of hue/saturation tool I decreased the yellows over the lights and make some color corrections in the image (increased blues).

I increased some details and sharpness in the whole frame using TTS Fast Panel, also applied a little Orton Effect. As final I adjust the highlighs and contrast again using luminosity masks applied to curves. It was a fast and easy edit in this photo, I hope that you find this useful, and you and what would you have done? Write it, I always love to hear from it from you

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 24mm)

Five Exposures (-2; -1; 0; +1; +2)

ISO: 100 at f/11

Software: Photoshop CC2017

Extensions: TTS Fast Panel


The Rock

Tags : 

Giuseppe Sapori - The Rocks

During my stay in Ischia I could not visit the characteristic Castello Aragonese. , Is a rising fort on a small island of volcanic origin slightly detached from Ischia and connected  through the bridge you see on the right. The whole island of Castello Aragonese can be visited and is also very interesting, if you want to get to the top, there’s also a lift that allows you to save you skip 60 meters high.

I went to the castle a few minutes before sunset , I did not have much of a hurry because my intention was to photograph it during the blue hour… so it was, I came across this little corner of the beach that run along the bridge leading to the castle, I take on the place some shots between the different moments of the sunset.

I started working with luminosity masks to blend the exposures, sky was manually blended from another series of exposures I take before. After the blend of the images with luminance masks I started increasing colors (more yellows) to create a cool mix between golden hour and blue hour. I put a little Orton Effect to the image to create a gleam effect to the lights behind Castello Aragonese, some detail increase and contrast adjustments using my action pack and that’s it.

 

TECHNICAL STUFF 

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Five Shots (-2; -1; 0; +1; +2)

ISO: 100 at f/9

Software: Photoshop CC2015

 


Stairway to the Sky

Tags : 

Giuseppe Sapori - Steps on the Clouds

The Metropol Parasol in Seville, as I write some time ago on my facebook page this gigantic wooden structure was one of the key points of my visit in the beautiful Spanish city of Seville. The Metropol Parasol stands at the center of a large square near the city center where it’s possible to go upstairs with an elevator and then walk on the wooden frame to admire the beautiful panorama of the city.

That day I was particularly lucky because during the dusk the sky becomes cloudy, the right conditions to take my shots, between clouds and filtered light of sunset.
I take this picture from 5 exposures, I had wait a bit ‘on the steps to wait for the passage of people/tourist on the bridge of Metropol Parasol… despite the time was still a lot, however I realized my series of exposures without much trouble 🙂 I worked the images almost completely with the use of Luminance Masks and Camera Raw.

 

TECHNICAL STUFF 

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Five Exposures (-2; -1; 0; +1; +2)

ISO: 200 at f/10

Software: Photoshop CC2015


Misty Trails

Tags : 

Giuseppe Sapori - Misty trails

As you easily guess we are in Venice 🙂 There are many years that I was missing from this amazing and beautiful city, that always leaves me literally speechless. I went back to Venice with this picture in mind, a light trail of the passage of boats under the Accademia Bridge. The Accademia Bridge although it isn’t a historic bridge (is newly built entirely of wood) is a necessary step to connect across the south of Venice, Sestriere Dorsoduro, with the district of San Marco. From the Accademia Bridge you can admire one of the best views of Venice, the “Canal Grande” with all its wonderful sights and in the horizon the Basilica of Santa Maria della Salute. That day there was a lot of fog in the city and although the dome at the bottom is a bit hidden by a foggy effect, in my opinion, this gives an interesting landscape of Venice out of the ordinary.

To realize this image, I started taking photos just before the blue hour to finish to make the last shots in the dark late, I made 12 shots (some discarted) with various exposures that helped me to take various boat light trails. Then I started from a clean light and color shot and then, gradually, I added the other exposures as layers in Photoshop to add trails on the water.

 

TECHNICAL STUFF (for base shot)

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

ISO: 100 at f/10

12 Exposures

Software: Photoshop CC2015


Site Founder

Hi, my name is Giuseppe Sapori, a professional photographer and author of this website, created by yours truly to show my work and share with you the techniques I use. My expertise is in the field of Landscape Photography... (Read More)

Instagram Feed

Newsletter Signup

Discount Coupon Codes