The Rocky House

The Rocky House

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I love Cilento, a mountainous area in southern Italy located in the province of Salerno that also offers beaches, waterfalls, rivers and characteristic villages. When I return to these areas I never miss the opportunity to take from this location, a house built on the rocks. I enjoyed this spot for many years now and every time I return to these places cannot miss the opportunity to take photos in that place

I made this shot at sunset with my 64 nd filter to capture all the water movements on the rocks, since there was still light high I did not use a value too high the shot is in fact of 30 seconds made with f9 in the direction of sunset

 

WORKFLOW EXPLANATION

I don’t make a digital blend for this, with the use of luminosity masks I simply fixed the lights and darks to make it more clear and have a image neutral. With  Dodge and burn I made some adjustments on the darker parts of the rocks and the brighter parts of the sky, after this with clone stamp tool I remove some spots and a small boat on the horizon that becomes too blurry. With my panel I launched high details, orton effect to make some glow effect and sharpen

With luminosity masks applied to a cold filter I add some blue colors at the sky. I fixed contrast saving the rocks located below avoiding that become too darks, to make this just remove from a midtone selection the darks selection. As final touch I increased a little more the highlights and created a small vignette to emphatize the sunset

As always I hope you will find this usefull, I’m happy to hear this from you 🙂

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 18mm)

Single Exposure

ISO: 100 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 


The Valley of Silan

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Here is another waterfall shot coming from the Veneto region, we are in the area around Bassano del Grappa where is this small waterfall in the valley Valrovina. Watching some pictures from the web, it seemed very interesting and so I decided to go to this small resort to take some photos

This spot is a well-maintained tourist trail that leads to this waterfall, the path continues to high following the course of the creek. There are several stones along the river where I set up with my tripod to shot at the waterfall

I wanted to bring in the frame as much as possible the view of the creek behind, which with the light of the trees was really very beautiful. I took the photo with an nd64 filter, taking some lighter exposures to try to light up some very dark rock areas

 

WORKFLOW EXPLANATION

This shot coming from a blend of 2 exposure, I blend the best take of the waterfall with another overexposed shot, to bring up all the lights around the rocks

Using Dodge and burn was very useless to recover some underexposed part and increse lighting. After a increase of details I launched orton effect to create a soft dreamy effect, I like so much the glow between the trees on the top of the picture

To complete this work I increased yellow colors. As final I fixed contrast using luminosity mask applied to midtones decreasing the darkest parts to avoid to make too under the darken part of the picture

I hope you will find this usefull. I always love to hear this from you

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 24mm)

Two exposure blend

ISO: 100 at f/14

Software: Photoshop CC2017

Extensions: TTS Fast Panel


The Old Mill

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This picture is always from the natural valley near the river Bussento, the valley around the river is wonderful and full of this great waterfall spot. This is probably the main area of the oasis, the an old mill who as long lost his wheel, where in its place now there’s a small waterfall

I created this image with my nd1000 filter for about 60 second time long exposure, I used 7-shot bracketing function to have a full range of exposure, I started working on the image with the longest exposure time going to recover lights lightly on the darker images

 

WORKFLOW EXPLANATION

By selecting the best exposures  I blended them using luminosity masks. saving the rocks from overexposure and the flow of the waterfallDodge and burn  has helped too much to finish this work.

Also in this picture I incresed the yellow colors of the leafs using my filter autumn colors. I also launched details using TTS Fast Panel. I used orton effect to create a soft dreamy look and I pushed up lights coming from the top part of the frame, as final touch I fixed some contrast and lights adding a small vignette

I hope you will like this and find usefull my info. I always love to ear this from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Seven Exposures (-3; -2; -1; 0; +1; +2; +3)

ISO: 100 at f/16

Software: Photoshop CC2017

Extensions: TTS Fast Panel


The White Diamond

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I take this photo during the days I spent in Copenhagen, this is the famous black diamond structure adjacent to the royal library. As I say in my previous post  that the building takes the name of black diamond for the color of the exterior windows that are made of black granite of Zimbawe, inside this structure is completely white

Contrary to the original black name, I called this image white diamond because it represents the exactly opposite view of my previous post

This is the main entrance view from the top stairs I really liked the lighting that passed through the large window with the view of the houses of Christianshavn, the district starting from the other side of the river

 

WORKFLOW EXPLANATION

I made a blend with the shots I take, first things was to fix the lighting: using luminosity masks applied to curves I decrease the lights coming from the window and increase the darks. Always using luminosity masks applied to curves, I select midtones 4 decreased by darks 3 to fix and increase contrast avoiding darks

With dodge and burn I reduce lights around the staircase and on the top window, with orton effect I increased the glow effect of light, setting it with an opacity of 20%. I applied details and sharpen to have more details and I increased colors on the floor.

I increased contrast more than 1 time but nevertheless the look of the image was still flat, so I used the color lookup effects to launch some filters (3 in totals) reducing the opacity between 10 and 25%, this gave to the picture a more fade filtered look but also more aggressive contrasts, for more information about this method I wrote a tutorial some time ago on Camerapixo site

I hope you will find this usefull. I always love ear it from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8(Shot at 14mm)

Three Exposures

ISO: 200 at f/8

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 

 


Trevi

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Giuseppe Sapori - Trevi

 

The famous Trevi fountain with a vertical shot, I took this photo on a Saturday afternoon while I was around the city. The Trevi fountain is one of the most visited places in the city of Rome, even during the day just approaching this fountain is very difficult, the entire fountain is surrounded by thousands of tourists every day that make photos and selfie at all

It is a beautiful fountain, which catches you when you are in front of it, I recommend it to everyone to see it but to enjoy the full visit it is better to go here early in the morning or at night

 

WORKFLOW EXPLANATION

Image obtained by a bracketed shot taken handheld, I blended the images using luminosity masks and I applied details and orton effect using TTS Fast Panel

I increased contrast using midtones and darks, I decreased the yellow color cast on the fountain using hue/saturation, With dodge and burn I made some adjustments on the fountain and on the water, as final touch I applied a little vignette to emphatize the central point

I hope you will find this informations usefull, if you have any tips or question about it write to me. I’m always happy to hear it on you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Three Exposures (-1; 0; +1)

ISO: 100 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel


The Golden Bay

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Giuseppe Sapori - The Golden Bay

This is a beach located on the north of Malta, one of the most beautiful beaches on the island. It is a sandy beach with a blue sea but has two cliffs on its sides

It is on one of these cliffs that I went to take this photo, I made several shots since the sun was high when it dropped under the cliff, I caught all the moments using my nd filter, the idea was to merge the multiple exposures between solar reflections and sea

 

WORKFLOW EXPLANATION

I divided the exposures between the series sun on top and sun behind the cliff, I merged the two series separately using luminosity masks. Then I blended this two layers using a gradient between sky and sea

I made some lights adjustments using curves applied to luminosity masks, then I launched high details and sharpen using my panel. The step later was to correct some color cast and increasing yellows

Using dodge and burn I fix some luminosity around the rocks and the sea, after some other light and contrast correction I increased color vividness using LAB Color

As usual I hope you will find this usefull. Your feedback is my pleasure!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 16mm)

Five Exposures (-2; -1; 0; +1 +2)

ISO: 100 at f/22

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Nature Embrace 2

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Giuseppe Sapori - Nature Embrace 2

I found this shot between my shots of my trip near Bolzano and Dolomites and Lake Carezza  was a pleasant surprise that I met along my way. I remember well that in that day my destination was not even lake Carezza but the Sass Pordoi, which is several kilometers further from this lake

Unfortunately that day I found the cable car to go inexplicably closed, with any explaination on the website, so I went back and I stopped here to take some shots. It was almost a fortune to have found the closed cable car, I would not have discovered this magical place

 

WORKFLOW EXPLANATION

I blended all exposures with the luminosity masks, then I made some color correction on the green and the yellow. I used dodge and burn to lighten the darker parts of the trees and increase highlights on the mountain. I stepped up lights and darks in the foreground area then I increased contrast

With TTS Fast Panel I launched high details and sharpen over the picture, I also used the panel to launch LAB Color that give to the mountains a touch of gold. After applied a orton effect to darken a bit and create a glow effect the last touch was to darken a little more the frame

 

TECNHNICAL STUFF

Camera: Nikon D-90

Lens: Nikon 14-24mm f/2,8 (Shot at 15mm)

Five Exposures (-2; 0; +2)

ISO: 100 at f/11

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Follow the Leaf

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Giusppe Sapori - Follow the leaf

This is from Revine Lago, a place not far from Treviso, is a small norther italy town overlooking this lake. The whole area around the lake is not very easy to walk and it was not easy to find a place to shoot, the entire lake tour was in fact filled with bumps or crowded boats that did not make life easy

Fortunately I found this little glimpse but I needed a subject for my composition, so I take this big leaf near the water and I put it in front of me. The wind that was present that day, among other things, moved the leaf away from me so I was all time adjusting it with a branch to not to let it go 🙂

 

WORKFLOW EXPLANATION

I take several exposures but when I start editing I decided to use only one, the wind it was moving the leaf and the tree so it has been really difficult to blend the exposures. I decided to use luminosity masks applied to one single exposure to reduce lights in the sky and add contrast in the foreground

With TTS Fast Panel I launched high details, sharpen and dodge and burn with I pushed up light in the leaf and fixed luminosity in the mountain. I applied a yellow photo filter to enchance yellows and better mix the blue hour, I made some color adjustment to reduce a too strong blue  in the sky using luminosity masks applied to hue/saturation

As usual I hope you will find this usefull. Your feedback is always welcome!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 17mm)

Five Exposures (-2; -1; 0; +1; +2)

ISO: 50 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Frostbite Touch 2

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Giuseppe Sapori - Frostbite Touch2

This picture is always from the lake Calaita in Trentino som minutes before the picture of my previous post. This lake is an amazing place, and I hope to come back here soon during sping, in order to photograph it with other colors and to admire the transparency of its waters

 

WORKFLOW EXPLANATION

The workflow of this shot is very close from my previous post, except for the focus stacking, that I not applied it having taken this picture from a different height I was not close to the rocks and the fire was the same between the two low points and high image. I blended the shots with luminosity masks. I correct the color cast and then with my panel  I launched high details and sharpen to increase details in the frame, I used dodge and burn to increase the light around the stones and darken the images around them

With luminosity masks I decreased highlighs and I fixed light around the mountain, always with fast panelI launched orton effect to create a soft glow effect. With the help of hue/saturation I decreased blue on the top of the picture applied to a gradient to remove the effect in the lower part of the picture, as the final touch I increasesed vibrance using LAB color technique. I hope you will find this information usefull, if you have any tips, write to me. I always love to hear you 🙂

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Seven Exposures (-2; -1; 0; +1; +2)

ISO: 100 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Frostbite Touch

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Giuseppe Sapori - Frostbite Touch

I took this picture at the lake Calaita in Trentino a few kilometers from Fiera di Primiero, lake Calaita is a small alpine lake is located in the upper Vanoi valley and is a spectacular balcony on the Pale of San Martino. The day that photograph this lake was not very cold, but the wind is channeled between the mountains was something of incredibly icy, I am not surprised that the lake was frozen, at the end of my shooting session though I was I covered much I had to spend a few minutes in the car to warm myself back  😀

I made several shots at sunset, using  focus stacking technique between the rocks and the mountain, I took with a very wide dynamic range since there was a strong contrast between the foreground and highlights

 

WORKFLOW EXPLANATION

I blended the exposures of lake Calaita with focus stacking to focus all the rocks and mountain in the frame, then I blended again the results images with luminosity masks. I correct the color cast then with TTS Fast Panel and I launched details and sharpen to increase them, finally I launched dodge and burn to increase the light around the stones and darken the images around them

With luminosity masks I decreased highlighs and I fixed light around the mountain, always with my panel I launched orton effect to increase the glow in the picture. With the help of hue/saturation I decreased some blue too much up, as the final touch I launched levels adjustment layer to fix the exposure in the frame. I hope you will find this information usefull, if you have any tips, write it as well. I always love to hear you 🙂

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Seven Exposures (-1; 0; +1)

ISO: 100 at f/8

Software: Photoshop CC2017

Extensions: TTS Fast Panel


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Hi, my name is Giuseppe Sapori, a professional photographer and author of this website, created by yours truly to show my work and share with you the techniques I use. My expertise is in the field of Landscape Photography... (Read More)

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