Venice Moving II

Venice Moving II

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Always from the famous Piazza San Marco, looking at the Grand Canal I take this long exposure from he gondolas dock located in the square

Compared to the previous shot I changed point of view, this is as I mentioned above in the main dock of San Marco, I love the stark contrast of the movements of the boats opposed to the static of the dock

Also here I used a ND64 filter applied to 5 exposures brackets to this shot, to have a  dark sky from the underexposed frame and I very smooth water from the overexposed one

 

WORKFLOW EXPLANATION

I used the most bright image as top layer and applying luminosity masks to have a nice view of long exposure on the sea and on the gondolas,  I lowered the exposure of the sky and part of the water using the darker image

Once this done I applied a warm filter to increase the yellow effect of the sunset decreasing the opacity around 20%. After a use of dodge and burn under the dark areas of the docks I fixed darks and brights using luminosity masks applied to curves

With TTS Fast Panel I fixed details and contrasts, also applying a slight orton effect to the image. I darkened the image and raised the vibrance of the colors excluding the effect from the blue of the gondolas that became too intense

As always I hope you will find this info usefull. I’m always happy to ear it from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 16mm)

Five Exposures ( -2; -1; 0 +1; +2)

ISO: 100 at f/16

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 


The Valley of Silan

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Here is another waterfall shot coming from the Veneto region, we are in the area around Bassano del Grappa where is this small waterfall in the valley Valrovina. Watching some pictures from the web, it seemed very interesting and so I decided to go to this small resort to take some photos

This spot is a well-maintained tourist trail that leads to this waterfall, the path continues to high following the course of the creek. There are several stones along the river where I set up with my tripod to shot at the waterfall

I wanted to bring in the frame as much as possible the view of the creek behind, which with the light of the trees was really very beautiful. I took the photo with an nd64 filter, taking some lighter exposures to try to light up some very dark rock areas

 

WORKFLOW EXPLANATION

This shot coming from a blend of 2 exposure, I blend the best take of the waterfall with another overexposed shot, to bring up all the lights around the rocks

Using Dodge and burn was very useless to recover some underexposed part and increse lighting. After a increase of details I launched orton effect to create a soft dreamy effect, I like so much the glow between the trees on the top of the picture

To complete this work I increased yellow colors. As final I fixed contrast using luminosity mask applied to midtones decreasing the darkest parts to avoid to make too under the darken part of the picture

I hope you will find this usefull. I always love to hear this from you

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 24mm)

Two exposure blend

ISO: 100 at f/14

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Follow the Leaf

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Giusppe Sapori - Follow the leaf

This is from Revine Lago, a place not far from Treviso, is a small norther italy town overlooking this lake. The whole area around the lake is not very easy to walk and it was not easy to find a place to shoot, the entire lake tour was in fact filled with bumps or crowded boats that did not make life easy

Fortunately I found this little glimpse but I needed a subject for my composition, so I take this big leaf near the water and I put it in front of me. The wind that was present that day, among other things, moved the leaf away from me so I was all time adjusting it with a branch to not to let it go 🙂

 

WORKFLOW EXPLANATION

I take several exposures but when I start editing I decided to use only one, the wind it was moving the leaf and the tree so it has been really difficult to blend the exposures. I decided to use luminosity masks applied to one single exposure to reduce lights in the sky and add contrast in the foreground

With TTS Fast Panel I launched high details, sharpen and dodge and burn with I pushed up light in the leaf and fixed luminosity in the mountain. I applied a yellow photo filter to enchance yellows and better mix the blue hour, I made some color adjustment to reduce a too strong blue  in the sky using luminosity masks applied to hue/saturation

As usual I hope you will find this usefull. Your feedback is always welcome!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 17mm)

Five Exposures (-2; -1; 0; +1; +2)

ISO: 50 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Frostbite Touch 3

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Giuseppe Sapori - Frostbite Touch 3

This is a old find from my pictures from the lake Calaita in Trentino, I  left behind this photo, which deserved to be processed. I really appreciated the beauty of this lake during winter with its frosts, definitely come back next winter in this beautiful place to take new pictures here

 

WORKFLOW EXPLANATION

The workflow of this shot is similar of the previous posts. I blended the shots with luminosity masks. I correct the color cast and then with my panel  I launched high details and sharpen to increase details in the picture, I used dodge and burn to increase the light around the main rocks, the nearest fields and the trees.

With luminosity masks I decreased highlighs and increased darks to make uniform light in the frame. After this I used orton effect to create a glow contrasted effect, I also increased contrast using darks 2 applied to curves adjustment layer.

With the help of hue/saturation I decreased blue on the top of the picture.  I increasesed vibrance using LAB color technique and darkened border of the frame using a vignette tool. I hope you will find this information usefull, for every tips or question write to me. I always love to hear you 🙂

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Seven Exposures (-2; -1; 0; +1; +2)

ISO: 100 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Light Hunters

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Giuseppe Sapori - Light Hunters

The Tre Cime of Lavaredo in the last light of the day, I made this photo at the end of the day spent in the Tre Cime park, returning from Locatelli refuge.

My intentions was to create a picture of the Tre Cime it was very dark in the twilight setting. I take this from a long exposure with my ND3 filter, this  helped to give me a final image that was with low higlights

 

WORKFLOW EXPLANATION

I used a overexposed picture to lighten some parts of the rocks the feet of Tre Cime with luminosity masks, apart from that, this picture was worked only with a single shot. I launched TTS Fast Panel to increse details and sharpen with its filters, always with the panel I launched orton effect to create a smart glow effect.

With dodge and burn I lightened some part of the rocks in the foreground and I created some lights effect near the mountains. With the help of luminosity masks, I increased contrast and I fixed highlighs and darks. As final touch with color efex pro I launched darken lighten center filter to create a vignette effect accentuating the Tre Cime

As usual I hope you will find this usefull. Your feedback is always welcome!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Single Exposure

ISO: 100 at f/10

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Ascension

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giuseppe-sapori-ascension

Here we are in the new year with views of the Tre Cime di Lavaredo. This picture is part of the images that I made last October during my trip on the place. I took this picture in the late afternoon after a long time under the Tre Cime waiting the best light. I realize this final image after different series of exposures including one where I put a finger in front of the lens to remove the lens flare that reverberated in the image 🙂

I was with a D90 rent by a friend and I made five bracketed exposures using before a bkt series (-1, 0, +1) and then a (-2, 0, +2) because the menu of  D90 will not take us longer than three bracketed exposures. However I was in the past a possessor of Nikon D90 and I not remember about it, D90 has proven a great camera, it has done a great job 🙂

 

WORKFLOW EXPLANATION

I started as usual with the digital blending of the images using the luminosity masks, starting from the over exposed  that I gradually darkened on the foreground and the sky, I repeated the same thing for the other series of exposures made by placing the finger in front the sun to avoid lens flare. So I created two final images taken with a digital blending, one with the sun and one with my finger placed in front of it. I used this last to remove all reflections from the main picture having an image from the sunlight clean without reflections

I flatten all levels and started editing the picture mainly using camera raw, I lowered  the exposure, highlights and lights. With my panel I launched the luminosity masks and applied contrast using midtones 3 applied to curves and soft light. I launched the dodge and burn with whom I dodge some points of the Tre Cime di Lavaredo as areas illuminated by the sun in the foreground.

I launched the effects high details and sharpen to increase detail and sharpness. As a finishing touch I still got up the contrasts using the levels adjustment layer and created a small vignetting to enhance the viewer’s vision depth. I hope you find this information useful, if you have any tips, questions or advices leave a comment I am always proud to hear you

 

TECNHNICAL STUFF

Camera: Nikon D-90

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Six Exposures (-1; 0; +1) (-2; 0; +2)

ISO: 100 at f/10

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Counterparts

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giuseppe-sapori-counterparts

Sunset at Tre Cime of Lavaredo, I took this photo on the way back from the refuge Locatelli, in a lucky day of October where there was a beautiful and warm weather. This side view is just one of hundreds of pictures I took during sunset and is the result of a vertical stitch between the foreground and the Tre Cime peaks. Since my D-800 was broken and I was with a d90, and thankfully :), I tried to expand the visual field and give more depth to the image, I take 3 bracketed shots for the Tre Cime and 3 for the foreground

WORKFLOW EXPLANATION

This time instead of stitching the images before the digital blending I did it as first thing of the mountains and then of the foreground, only later did I sticth, this is because by doing the stitching before the images alignment was bad. The digital blending of the images was done with luminosity masks launched from my panel that i suggest to download it even if you didn’t

Starting frome the blended image, I applied and worked dodge and burn the mountains and foreground. I intensified the sunset colors using the brush method that you can find in this guide, and launched orton effect to add a glow effect to the photo.

With the help of luminosity masks i added some contrast applying curves to darks 3 masks and changing the blending mode to soft light. Final interventions was adding more details, with high details filter into TTS Fast Panel, a small vignette effect and a bit more contrast using levels

 

TECNHNICAL STUFF

Camera: Nikon D-90

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Four Exposures (-1; 0; +1)

ISO: 100 at f/10

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Arsié Mirror

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Giuseppe Sapori - Arsié Mirror

During my weekend in northern Italy, I often do some little excursion outside the city to go to take some photos in beautiful places offering the region of Veneto. The last time I decided to make this short trip to the Lake of Corlo (commonly called Lake Arsié). It is an artificial lake that is located near Belluno city. After a little tour scoutingI started taking photos near this small quay, where the stairs seemed to go down into the clouds so strong was the reflection of water.

I took this picture a few hours before sunset, because in my opinion the best light was right at that moment, in fact, though the high reflections of the clouds and the mountains to the side in the lake Arsié was absolutely spectacular. I took several photos in this location and went back on this quayside when the sunset started and I did not find the same light, because the sun will hide on the sides of the hills. Speaking about photoshop in this picture of Lake Arsié I try to maintain the natural look of the place, I have only exalted more contrasts and highlights, I also stepped details and given a dreamy effect using any of my actions for Orton Effect

 

TECHNICAL STUFF 

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 16mm)

Five Shots (-1; 0; +1)

ISO: 100 at f/9

Software: Photoshop CC2015


Under the bridge

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Giuseppe Sapori - Under the bridge

I am back from my long weekend spent in Veneto in the north of Italy. Saturday I spent the afternoon in the beautiful town of Bassano del Grappa, a place that I already knew and that last year I photographed under the stars over Christmas. The little city of Bassano del Grappa is one of my favorites in Veneto and this year, before taking a tour of the beautiful Christmas markets, I made osome shots to the famous Alpine Bridge (Ponte degli Alpini).

When I come to the bridge I found some work in progress from the non-visible part of this picture so I decided to give it an alternative shot on the river banks. It was enough delve a little bit at the bottom and climb over the fence to get somewhere in this picturesque small rocks bank that looks at the bridge, everything else did the sky and the city of Bassano 🙂

I applied the Focus Stacking  in the whole picture, putting at first to fire the rocks in the foreground, then the more distant and finally the horizon of the bell tower. If you want more information on the focus stacking I recommend you go there to read this article  on 500px ISO written by Max Foster. I applied some variation to thist utorials for every focused image I did 3 expoures Bracketing, in various moments of the evening, In this way I had the availability of more overexposed and underexposed picture for contrast, exposure and details editing.

 

TECHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

ISO: 100 at f/8

Three Shots (-1; 0; +1;) focus stacked

Software: Photoshop CC2015


Canova Master

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Giuseppe Sapori - Canova Master

We are the temple of the Canova to Possagno in the province of Treviso, in northern Italy. This beautiful temple is a work created by renowned architect where Canova was original, in fact, the  church of this village was in need of urgent renovation and the Canova is lent at his own expense to fund the work. When I arrived in the large square in front of the temple, I was struck of so much greatness and at the same time the sense of peace in the whole area surrounding the temple, in fact this is located on top of a hill in the center of Possagno. Between columns temple it is possible to admire a beautiful panorama of the whole area.

 

TECHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

ISO: 100 at f/3,5

3 Shots (-1; 0; +1)

Software: Photoshop CC


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Hi, my name is Giuseppe Sapori, a professional photographer and author of this website, created by yours truly to show my work and share with you the techniques I use. My expertise is in the field of Landscape Photography... (Read More)

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