Sunset Glow

Sunset Glow

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When I take this picture I was on the beaches in Cilento valley, where one evening I stopped  for this at sunset. This area as I said in some posts ago, is characterized by a great variety of natural scenarios, including the sea and the mountains. In this sunset photo I have just portrayed part of this variety including the colors of the beautiful landscapes that this part of Italy can offer

Also here as in the previous post I have taken a natural glow effect that was created with the lights of the sunset, with an intense yellow effect that also came on the rocks. It is a long exposure of 20 seconds made with ND64

 

WORKFLOW EXPLANATION

I blended two long exposures using luminosity masks, starting from the dark picture to brighten the foreground and the most black rocks.

I  used Dodge and burn  to made some adjustments on the rocks and on the water, using my panel I increased details and sharpen.

For the adjustments of colors I applied a warming filter to the lights masks and a cold filter to the darks playing with the opacity to create a mix between the two effects

As the final step I added contrast and fixed lights and darks

I will by proud if you will find this information usefull! I’m always happy to hear this from you

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Single Exposure (20 seconds)

ISO: 100 at f/10

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 


The Rocky House

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I love Cilento, a mountainous area in southern Italy located in the province of Salerno that also offers beaches, waterfalls, rivers and characteristic villages. When I return to these areas I never miss the opportunity to take from this location, a house built on the rocks. I enjoyed this spot for many years now and every time I return to these places cannot miss the opportunity to take photos in that place

I made this shot at sunset with my 64 nd filter to capture all the water movements on the rocks, since there was still light high I did not use a value too high the shot is in fact of 30 seconds made with f9 in the direction of sunset

 

WORKFLOW EXPLANATION

I don’t make a digital blend for this, with the use of luminosity masks I simply fixed the lights and darks to make it more clear and have a image neutral. With  Dodge and burn I made some adjustments on the darker parts of the rocks and the brighter parts of the sky, after this with clone stamp tool I remove some spots and a small boat on the horizon that becomes too blurry. With my panel I launched high details, orton effect to make some glow effect and sharpen

With luminosity masks applied to a cold filter I add some blue colors at the sky. I fixed contrast saving the rocks located below avoiding that become too darks, to make this just remove from a midtone selection the darks selection. As final touch I increased a little more the highlights and created a small vignette to emphatize the sunset

As always I hope you will find this usefull, I’m happy to hear this from you 🙂

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 18mm)

Single Exposure

ISO: 100 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 


By the Sea

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I take this shot on the seafront of Palinuro, this small beach looked out over the sunset and did not miss the opportunity to shot in the  sun direction. Taking shots in  direction of the sun provides a very important point of energy to the whole picture. I used my nd64 filter to capture water movements in bracketing mode to have various lower exposures for blending sunlight and sky

 

WORKFLOW EXPLANATION

With the exposure taken I make a blend using luminosity masks, I save all the water part and I recover the exposure on the sky and the sun. With dodge and burn I recover some overexposed parts of the water and darkened some glows around the mountain. Using TTS Fast Panel I launched details and sharpen and with orton effect I increased the glow effect in the photo

I used a warmer filter to increase the sunset lighting, I also fixed colors using hue saturation and increasing/decreasing the luminance and saturation of them, the color correction component affects very much of this kind of pictures especially on colors and water illumination. As final touch I added a small vignette to the frame to increse the dark look of the picture

I hope you will find this usefull. I always happy to ear it from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8(Shot at 14mm)

Five Exposures (-2; -1; 0; +1; +2)

ISO: 100 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 


Golden Blue

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I like Santander, both within the same town and just outside, offering lots of photographic spots and beautiful places to see. This is the case of the Magdalena Peninsula, a city park located on this small natural place

The place occupies a well-kept park with an area dedicated to see local sea fauna, museums and panoramic views. I found this little beach right in this peninsula where I shot some photos. For this shot  to avoid direct sunshine I took 7 bracketing shots with an nd64 filter

 

WORKFLOW EXPLANATION

I started blending the images, I discarted the too overexposed and underexposed shots to obtain a base shot. I created luminosity masks contrasts and I added some warm look using a filter

With TTS Fast Panel I increased details, sharpen and I use it for launch dodge and burn with I fixed some lights and shadows around the rocks, I also used a little orton effect and I added some more contrast and a light vignette to give more dark look at the image

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Seven Shots

ISO: 100 at f/14

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 


Sea guardian

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I’ve always loved photographing lighthouses. Wherever they are, always are a great photographic spot. When I decided to go to Santander this was one of my selected location in the area and I absolutely did not disappoint my expectations, the Cabo Mayor lighthouse is one of the most beautiful and suggestive I have ever seen. Located at the end of a large city park, the scenery that you can admire from here is the true idea of the power of the sea

To take the shot of Cabo Mayor lighthouse used  my nd64 filter, i also did the tests with nd1000 but the light was too poor to get the best results. Using the nd64 (-6 stops) filter I could keep exposure time under 30 seconds and use bracketing shots to allow easier digital blending of images. Another thing why I avoided too long exposure times given by a nd1000 is the presence of strong wind that made me not at all quiet at an exposure time of over 1 minute

 

WORKFLOW EXPLANATION

I blended the images using luminosity masks, I increased warm colors in the highlights using a photo filter applied to apply image mask. As a first step with blended image I fixed the landscape perspectives with the transform tool. Stepped up contrasts using curve tool and added details and sharpen using TTS Fast Panel. I also launched with the panel orton effect to give a more dreamy look and with dodge and burn I darkened and lightened some parts around the fields and on the rocks. As final I added a vignetting to darken the edges of the photo

I hope you will find this usefull. I always love to ear that from you 🙂

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Three Exposures

ISO: 100 at f/14

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Rome Sunset and Sunrise

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A workshop to discover two magnificent locations where to admire the beauty of the eternal city during sunset and sunrise

With two separate photographic sessions  we will find out the photographic techniques  to apply to cityscapes.

You will discover the importance of finding the ideal location for the best photographs and how to find photographic spots in a arts city

 

Main topics of this workshop:

– Landscape photography applied to city architecture

– Study of location

– Photographic composition technique

– The Golden Hour/Blue Hour/Civil Twiligh

– Main post production guidelines

 

 

Dates: Open every week-end

Cost: 99,00 eur per person (max 4 people)

Language: English – Italian

 

Use the following form for questions of booking

 

Your name (required)

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Object

Your message

 

 


The Holy Way

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Giuseppe Sapori - The Holy Way

For someone, it may sound strange, but when I photograph my city it means I’ve been short supply of photos to work 😀
I’m actually waiting for the next trip to make some new shots, in the meantime I go to Rome that always offers great locations to be photographed, one of this in my opinion is precisely the “Via Sacra“, located between the Coliseum square and the Imperial Forums was in Antiquity is the most important street of ancient Rome

I take this shot after the closing of the “roman forum” to get fewer tourist on the road, the summer sunset time allows you to reconcile a beautiful location with a less busy street than usual with the sunset in front of you

WORKFLOW EXPLANATION

I take several shots during the sunset, I make a blend using luminosity masks. After this, I photomerged the resulting frame with another shot with more foreground to englarge the view of the viewer

I launched dodge and burn to increse light on the rocks in the foreground and to darken some part of the sky. After applied details and sharpen using my panel, I launched orton effect to increase glows and darks

I used a warm filter in the sky and a LAB Color in the whole frame. As the final touch I increase contrasts applied to luminosity masks and a vignette to emphasize the central light

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Five Exposures (-2;-1; 0; +1; +2)

ISO: 100 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel


The Golden Bay

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Giuseppe Sapori - The Golden Bay

This is a beach located on the north of Malta, one of the most beautiful beaches on the island. It is a sandy beach with a blue sea but has two cliffs on its sides

It is on one of these cliffs that I went to take this photo, I made several shots since the sun was high when it dropped under the cliff, I caught all the moments using my nd filter, the idea was to merge the multiple exposures between solar reflections and sea

 

WORKFLOW EXPLANATION

I divided the exposures between the series sun on top and sun behind the cliff, I merged the two series separately using luminosity masks. Then I blended this two layers using a gradient between sky and sea

I made some lights adjustments using curves applied to luminosity masks, then I launched high details and sharpen using my panel. The step later was to correct some color cast and increasing yellows

Using dodge and burn I fix some luminosity around the rocks and the sea, after some other light and contrast correction I increased color vividness using LAB Color

As usual I hope you will find this usefull. Your feedback is my pleasure!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 16mm)

Five Exposures (-2; -1; 0; +1 +2)

ISO: 100 at f/22

Software: Photoshop CC2017

Extensions: TTS Fast Panel


The Touch of Light

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Giuseppe Sapori - The Touch of Light

 

And here’s again talking about Tuscany countryside, this time the photo is at sunset and precisely taken from a phenomenal location that is behind the main square of Montepulciano. A terrace with a magnificent sunset front view where you can admire all the world famous beauty of the Tuscany

To make this photo I captured different exposures to have a good dynamic range between the sun and the countryside, the light was direct and very strong so I needed a good margin between the shots. If you want to read more about how to shoot in the direction of the sun I realized this guide some time ago 🙂

 

WORKFLOW EXPLANATION

I blended the images togheder with the use of luminosity masks, with which I also increased contrast. For the first I corrected color cast, always difficult to make it later, specially with sun direction images. I increased details and sharpen in the whole frame, and corrected light and shadow using luminosity masks applied to curves adjustment layer. I used orton effect to increase glow and contrast in the picture, then with dodge and burn I lightened  the sunrays and darkened some edges of the mountains

I increased glow effect in the picture to lighten the sky that was too dark after my blendings, so with camera raw I made some other adjustments about highlighs, lights, contrast and vibrance. After a little last touch of contrat I also created a small vignette to give more light at the center image

I would recomment do download TTS Fast Panel that will be very usefull to lanch many of the effect I was talking about above. I hope you will find this usefull, I’m always happy to ear feedback from you

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 24mm)

Five Exposures (-2; -1; 0; +1; +2)

ISO: 100 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 


Frostbite Touch 3

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Giuseppe Sapori - Frostbite Touch 3

This is a old find from my pictures from the lake Calaita in Trentino, I  left behind this photo, which deserved to be processed. I really appreciated the beauty of this lake during winter with its frosts, definitely come back next winter in this beautiful place to take new pictures here

 

WORKFLOW EXPLANATION

The workflow of this shot is similar of the previous posts. I blended the shots with luminosity masks. I correct the color cast and then with my panel  I launched high details and sharpen to increase details in the picture, I used dodge and burn to increase the light around the main rocks, the nearest fields and the trees.

With luminosity masks I decreased highlighs and increased darks to make uniform light in the frame. After this I used orton effect to create a glow contrasted effect, I also increased contrast using darks 2 applied to curves adjustment layer.

With the help of hue/saturation I decreased blue on the top of the picture.  I increasesed vibrance using LAB color technique and darkened border of the frame using a vignette tool. I hope you will find this information usefull, for every tips or question write to me. I always love to hear you 🙂

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Seven Exposures (-2; -1; 0; +1; +2)

ISO: 100 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel


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Hi, my name is Giuseppe Sapori, a professional photographer and author of this website, created by yours truly to show my work and share with you the techniques I use. My expertise is in the field of Landscape Photography... (Read More)

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