Evening Alps

Evening Alps

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evening alps

View of Dolomites from the main way long Tre Cime,  one on the left the Rifugio Auronzo, it is the first refuge you meet after leaving your car for the Tre Cime park. I took this photo on the way back from the other refuge more far away, the Refuge Locatelli. The sun was almost down completely down and I was about to exit, but I took the opportunity to take one last photo of the magnificent scenery of the area

WORKFLOW EXPLANATION

Given the poor light, I took single exposures without bracketing, I edited in Photoshop this single long exposure with adobe camera raw first and later using luminosity masks, to bring back some exposure in the sky and lighten the rocks in the foreground. With TTS Fast Panel I launched, high details, sharpen and dodge and burn with I lightened the rocks in the foreground and darkened the edges of the mountais

With orton effect I create a soft dreamy glow effect, then using a warm photo filter I increased yellows in the sky. I fixed contrast and light again using luminosity masks at as final touch I added a darken lighten center effect from color efex pro filter. As always I hope you can find this usefull, I always happy to ear it from your

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Single Exposure

ISO: 200 at f/5,6

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Turn on the Lights

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Giuseppe Sapori - Turn on the Lights

View of Porta Nuova in Milan, I made this photo from a series of shots taken during the last hours of light until sundown. Porta Nuova is a great place for cityscapes and to take light trails, during my shot. To realize this frame  I blended a series of exposures, starting from the golden hour to better exploit the best light up to the evening dark where I added the light trails taken later

WORKFLOW EXPLANATION

I blended the base shot (for the sky) from 3 exposures as obtaining a final frame, than I added 3 more shots with light trails that I blended with the previous blend.  To add light trails on the other exposure just change the blending mode to lighten.

I launched dodge and burn to fix lights and shadows around the lights areas and buildings, I fixed color cast and I make some tone adjustmets using color lookup filters adding a 16% of “futuristic bleak”I increased details and launched luminosity masks with TTS Fast Panel to make some adjustments to the shadows and into the higlights, always with midtones of luminosity masks I incresed contrast in the frame.

After the apply of a small vignette, I made the ultimate adjustments to the picture using levels. Hope you will find this usefull. For anything write to me, I’m always happy to hear it on you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Three Exposures (-1; 0; +1) + Light trails blend

ISO: 100 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel


The Arch of Peace

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Giuseppe Sapori - The Arch of Peace

 

I was in Milan and one of the places I wanted to photograph was the Arch of Peace, this is a triumphal arch located at the beginning of Corso Sempione. Dedicated to peace between European nations reached in 1815 with the Congress of Vienna. The Arch of Peace is one of the greatest neoclassical monuments in Milan

It is located in a large square, that although I was in the middle of the afternoon, no people was in the place, this has facilitated me a lot for the shot 😀 I applied a focus stacking between the foreground and the arch in the background to avoid issues of focus between the two subjects

 

WORKFLOW EXPLANATION

I selected 3 bracketed exposures shots for the foreground and 3 for the Arch of Peace, I blended  them using fous stacking and with the final 3 shots I applied luminosity masks to have a final image with all the blending correction. With dodge and burn tool I lightened some building, the arch and some bricks in the foreground, I applied high details with TTS Fast Panel to increase details without giving a crappy look at the picture

With luminosity masks again I fix highlighs and shadows, then I fix contrasts using midtones masks applied to curves layer. I fix the color cast and I applied a violet filter to the frame using this method

As final touch I launched curves to set the latest lights, contrast in the image. I hope you will find this informations usefull, if you have any tips or question about it write to me. I’m always happy to hear it on you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Three Exposures (-1; 0; +1)

ISO: 100 at f/7,1

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Frostbite Touch

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Giuseppe Sapori - Frostbite Touch

I took this picture at the lake Calaita in Trentino a few kilometers from Fiera di Primiero, lake Calaita is a small alpine lake is located in the upper Vanoi valley and is a spectacular balcony on the Pale of San Martino. The day that photograph this lake was not very cold, but the wind is channeled between the mountains was something of incredibly icy, I am not surprised that the lake was frozen, at the end of my shooting session though I was I covered much I had to spend a few minutes in the car to warm myself back  😀

I made several shots at sunset, using  focus stacking technique between the rocks and the mountain, I took with a very wide dynamic range since there was a strong contrast between the foreground and highlights

 

WORKFLOW EXPLANATION

I blended the exposures of lake Calaita with focus stacking to focus all the rocks and mountain in the frame, then I blended again the results images with luminosity masks. I correct the color cast then with TTS Fast Panel and I launched details and sharpen to increase them, finally I launched dodge and burn to increase the light around the stones and darken the images around them

With luminosity masks I decreased highlighs and I fixed light around the mountain, always with my panel I launched orton effect to increase the glow in the picture. With the help of hue/saturation I decreased some blue too much up, as the final touch I launched levels adjustment layer to fix the exposure in the frame. I hope you will find this information usefull, if you have any tips, write it as well. I always love to hear you 🙂

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Seven Exposures (-1; 0; +1)

ISO: 100 at f/8

Software: Photoshop CC2017

Extensions: TTS Fast Panel


The Hollow

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Giuseppe Sapori - The Hollow

The plain of Campo Imperatore on a quiet Sunday in December. I took this picture a few minutes before sunset in a small lake near the main road. That day I was going to make some shots to the largest and Lake Pietranzoni but I found all the roads closed due to snow and so I had to come back and take some shots here. I shot using  focus stacking between the foreground bush and the tip of Corno Grande of Gran Sasso basically doing three bracketed exposure shots by series

WORKFLOW EXPLANATION

I stack the images in three different pictures than I blended the different exposures togheder using luminosity masks. I increased contrast using curves applied to midtones and I raised up contrast again using midtones minus darks to avoid too much darken parts around the foreground. With the help of my panel, I launched details and sharpen, then I used dodge and burn to refine lights and darks around the bush

I make some color correction using camera raw and I decreased the blue on the top of the frame with hue/saturation. As final touch I added a vignette to the image increasing a little bit more contrast.  I hope you find this informations useful, if you have any suggestions write to me, I love always hear you

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Three Exposures (-1; 0; +1) x2

ISO: 100 at f/7,1

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Long Way Home

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Giuseppe Sapori - Long Way home

This is a shot taken outside the walls of San Gimignano, in this area, it is possible to see the view of the typical hills of this part of the Italy is one of the most characteristic places in the area.

I made this shot from San Gimignano lookout on a cloudy day during the morning, it was my last shot on this area before get back into the car and go back home

 

WORKFLOW EXPLANATION

The first thing I did was crop the photo, in fact, the image you see is the result of a crop within a larger scene where there were other houses and trees that I have decided to remove from the frame. The central view of the hills was definitely what I wanted to portray, but I could not do it shooting cause I had with me just wide angle 🙂

Then I made a color correction to change color cast of this image, which will be the subject of my next tutorial, so stay tuned! I applied dodge and burn through the trees and the most darken areas, with TTS Fast Panel I launched orton effect to give to the hills and a soft glow effect with a bit of contrast. After adding details in the whole frame I adjusted contrast and this is it!

I hope you will find this information usefull, if you have any tips or comments, write it as well. I love to hear it from you 🙂

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Seven Exposures (-1; 0; +1)

ISO: 200 at f/10

Software: Photoshop CC2017

Extensions: TTS Fast Panel


The Cloudsroof

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Giuseppe Sapori - The Cloudsroof

The Abbey of San Galgano is a cistercian abbey, located to thirty kilometers from Siena, in the city of Chiusdino. The site consists in a hermitage (Montesiepi Rotonda) and from the great abbey, now completely ruined and reduced to only walls.

Nevertheless the abbey of St. Galgano is not left in total decay, this abbey is the destination  of tourist flow and the place is maintained by the confraternity who is dealing. To make this shot I made 7 brackets exposures using a ND64 filter to remove people moving in the church

 

WORKFLOW EXPLANATION

I make a digital blending between the images discarding only a couple of too light frames, using luminosity masks, I adjusted the highlights and darks, some points of the abbey were very dark so with my panel I launched dodge and burn to lighten or darken the image at the points that I wanted

After adding a little ‘to contrast with the midtones masks, I stepped details and sharpen in the frame. As the last adjustments I set the color cast lowering some blue saturation in the clouds.  I hope you find this information useful, if you have any suggestions write to me, I love always hear you

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Seven Exposures (3;-2;-1; 0; +1;+2;+3)

ISO: 100 at f/11

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Flying over the Roofs

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Giuseppe Sapori - Flying over roofs

Views of Siena from the roofs, I took this shot during a visit on t the so-called facciatone, very large archway present to the left of the cathedral in Siena. The view of the city from here  is very interesting and certainly one of the best things to do in Siena. The only limit, is that the rooftop of facciatone is within a guided tour so you can not stay on top for more than 15 minutes. I took this picture with 3 handheld bracketed exposures  since was not allowed to use tripod

WORKFLOW EXPLANATION

The first thing was to align the three exposures that I blended together using luminosity masks. Always using luminosity masks, I set the shadows areas and lights one, with hue / saturation I desaturated the blue intensity of the sky. I launched dodge and burn to better adjust the exposure along the cathedral and the sky and with Fast Panel I launched high details and sharpen effect to have a great detail exalt in the frame. As the final touch i adjust the contrast in the image. 

It ‘was a quick and easy editing, I did not want to touch the colors that were was very natural. I hope you find this information useful, if you have any tips or comments, write it as well. I love to hear it from you:)

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Three Exposures (-1; 0; +1)

ISO: 100 at f/10

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 


Siena

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giuseppe-sapori-siena

The heart of Siena in a photo, the beautiful cathedral in middle of the square town e in a late December afternoon. I made this photo from a series of shots, from a minimum of 5 seconds to a maximum of 30 using a filter nd64 -6 stop. Try to imagine how many people, tourists and some vehicles was in the square at five of afternoon, i tried to “clean all” using a long exposure with the filter, specifically I use Haida filter and holder on my Nikon 14-24, I use Haida filters  for about 2 months and so far have always behaved very well 🙂

WORKFLOW EXPLANATION

I blended the exposures taken together using luminosity masks, I had the shots taken at different times of the evening, I blended  2 shots  between best sky and less people/more light trails available in one final frame. With TTS Fast Panel I used dodge and burn to lighten some dark parts of the foreground and darken some too light part of the cathedral

With the transform command I repositioned the perspective of the photo correcting some falling lines, especially among the buildings around the basilica. I used luminosity masks to correct lights and highlights behind the cathedral and to lighten the foreground that was very dark, with my panel I launched details and sharpen. At the end I increased contrast using curves exalting the middle light

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Three Exposures (-1; 0; +1)

ISO: 100 at f/14

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 


Ascension

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giuseppe-sapori-ascension

Here we are in the new year with views of the Tre Cime di Lavaredo. This picture is part of the images that I made last October during my trip on the place. I took this picture in the late afternoon after a long time under the Tre Cime waiting the best light. I realize this final image after different series of exposures including one where I put a finger in front of the lens to remove the lens flare that reverberated in the image 🙂

I was with a D90 rent by a friend and I made five bracketed exposures using before a bkt series (-1, 0, +1) and then a (-2, 0, +2) because the menu of  D90 will not take us longer than three bracketed exposures. However I was in the past a possessor of Nikon D90 and I not remember about it, D90 has proven a great camera, it has done a great job 🙂

 

WORKFLOW EXPLANATION

I started as usual with the digital blending of the images using the luminosity masks, starting from the over exposed  that I gradually darkened on the foreground and the sky, I repeated the same thing for the other series of exposures made by placing the finger in front the sun to avoid lens flare. So I created two final images taken with a digital blending, one with the sun and one with my finger placed in front of it. I used this last to remove all reflections from the main picture having an image from the sunlight clean without reflections

I flatten all levels and started editing the picture mainly using camera raw, I lowered  the exposure, highlights and lights. With my panel I launched the luminosity masks and applied contrast using midtones 3 applied to curves and soft light. I launched the dodge and burn with whom I dodge some points of the Tre Cime di Lavaredo as areas illuminated by the sun in the foreground.

I launched the effects high details and sharpen to increase detail and sharpness. As a finishing touch I still got up the contrasts using the levels adjustment layer and created a small vignetting to enhance the viewer’s vision depth. I hope you find this information useful, if you have any tips, questions or advices leave a comment I am always proud to hear you

 

TECNHNICAL STUFF

Camera: Nikon D-90

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Six Exposures (-1; 0; +1) (-2; 0; +2)

ISO: 100 at f/10

Software: Photoshop CC2017

Extensions: TTS Fast Panel


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Hi, my name is Giuseppe Sapori, a professional photographer and author of this website, created by yours truly to show my work and share with you the techniques I use. My expertise is in the field of Landscape Photography... (Read More)

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