Vernazza Sunset

Vernazza Sunset

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Second picture from the Vernazza, I made this photo by changing the frame during the blue hour. This picture is the result of two images blend, in particular I blended the sky shot that had visible colors in the sky with another bright exposures that had more movement on the water

In this case I did not use filters since the light was very low, I used the Pluto Trigger function that allows you to make long exposure bracketing shots going over 30′ seconds. I really appreciated all the locations of the Cinque Terre but this one of Vernazza is certainly one of the best that can be found in this area, hope to have the chance to come here next time soon!

 

WORKFLOW EXPLANATION

I blended the images using auto blend function of TTS PRO creating a new frame, I increased details and I fixed contrast always using my panel with luminosity masks contrast effect. I applied a warm filter on the highlights and I created a soft light bleeding to intensify the sunset colors and lighting

I made some adjustment using dodge and burn, especially in the darker parts of the town (where i pushed also up with curves and darks masks) the darker parts of the frame. After a highlights fix I created a small vignette. As final adjustments I increased the color vibrance, the yellow look of the image and  some lights adjustments on the plants in the foreground

I hope you will find this informations usefull. I Love to ear this from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 24mm)

Two Exposures

ISO: 100 at f/11

Software: Photoshop CC2018

Plugin: TTS Pro

 

 


Dreaming Riomaggiore 2

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Here’s again another shot  from Riomaggiore that goes to close this mini series shot in this beautiful italian town. Together with the previous ones are all photos are taken in the same location, the small and pretty harbour of Riomaggiore, in this spot I moved a few meters to change the angle between the 3 photos that composed this series

Unlike the other images where I captured only sunlight in favor of greater framing of the town, this time I shot directly into the sun, I captured a series of exposures including some very long ones the idea was to have as many shots possibles to blend togheder

 

WORKFLOW EXPLANATION

I started from two exposures and I start blending the images using luminosity masks. The blend was between a long exposure and a normal exposure this creates a soft effect that I like for this picture. I increased yellows using a warm brush and giving the main color in the direction of the sun. With TTS Fast Panel  I increased details and contrast using luminosity masks applied to curves layer

After recovering som shadows and fixed the highlights I increased the luminosity over the buildings using luminosity masks. Increased vibrance with hue/saturation, same like the latest picture I added a soft glow effect with color efex pro. Last touch was to decrease luminosity just a bit 🙂

I  hope you will find this usefull. I love to ear that from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 17mm)

Two Exposure ( Regular shot + 61′ Long)

ISO: 100 at f/11

Software: Photoshop CC2018

Plugin: TTS Fast Panel – Colo Efex Pro

 


Dreaming Riomaggiore

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Second post in the beautiful village of Riomaggiore, the view of the small port is a view that strikes and captures. I dedicated an entire shooting session at sunset in this location and did not betray my expectations

Those days were very hot days with a clear sky but during the evening  luckily  🙂 it often happened that the sky was covered always leaving clouds interesting in the sky

Also here I captured a long exposure,  like so much the movement of the boats on the flat sea, I captured several shots to have different exposures to stack images into layers and be able to do a controlled blending on the frame

 

WORKFLOW EXPLANATION

I take two exposures of the port of Riomaggiore, I made a blend using luminosity masks only in some part of the image, after this the first thing I do is to clone stamp some spot and a half boat that was on the bottom. The first thing done was to increase the yellow lights using a warm filter and dodge and burning the light over the leafs and main building

Using my panel I increased details and I applied contrast using curves adjustment layers applied to luminosity masks, always using curves I fixed lights in the sky and I recovered some shadows too darks.

I applied light bleeding to the left part of the sky and over the building reducing the effect decreasing the opacity. As final step I fixed colors using hue/saturation over the sea and I added a soft glow effect using color efex pro filters

I always hope you will find this usefull. I’m happy to ear that from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 17mm)

Long Exposure for 91′

ISO: 100 at f/13

Software: Photoshop CC2018

Plugin: TTS Fast Panel – Colo Efex Pro

 


Coast to Coast

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With this post I connect last week image, Nightlight to show you another picture from the beautiful Amalfi coast, in particular this was taken the following day on the road that leads  Amalfi to Atrani town. The colors and the landscape that you can admire in this spot is very interesting and I never lose the opportunity to take this picture every time I’m here, the most attentive of you will in fact know that I took the same picture in the past 🙂

Even here the road certainly does not give easy moments to take pictures, being a very tight road you must always pay attention to cars moving on the road (especially buses).  Is a very nice place but not really quiet to stand in the middle of the road with the tripod. Fortunately, the road is always very busy and cars are often in traffic, this not allows to the cars to go faster

In this Amalfi spot I captured several long exposures, I wanted to have the effect of movement of the sky and the sea, I did some test shots before without filter to set the values and to save the leaves in the lower left corner, the strong wind of this spot moved them all the time and I wanted to make sure I could intervene later

 

WORKFLOW EXPLANATION

I blended the long exposure with the normal exposure to save the leafs on the left. The wind moved the leaves and in the long exposure them results blurry, with this method I have limited the damages, not easy to edit because on the back there was the smooth sea but I managed something. Anyway I used luminosity masks to fix the lights and darks, I reduce the strong highlights on the back of the mountain and I pushed up the darkness of the foreground rocks

I incrased contrasts and I used dodge and burn to darken the middle rock and to lighten the sea breaking on the coast. With TTS Fast Panel I launched high details and orton effect to smooth the effect and to create a soft dreamy look. To begin edit the colors I started fixing color cast reducing the opacity on the result, than I increased the yellow colors using this techniques, reducing again the highlights in the sky. Latest passages was to darken a bit the whole frame and add a small purple look using camera raw

I always hope you will find this usefull. I love to ear this from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 24mm)

Long Exposure for 30′

ISO: 100 at f/13

Software: Photoshop CC2018

Plugin: TTS Fast Panel

 

 

 


Nightlight

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I founded an exciting twilight light that day in Amalfi, together with a very strong wind on the cliff where I was to photograph the city. Amalfi coast view is one of the most beautiful in Italy and the city is located in the heart of this location, although it is not easy to move and walk along a very narrow road crammed with vehicles of all kinds (it is the only way to get there) with patience and paying max attention you can walk some paths in the rocks or on the coast that allow you to find beautiful views to admire

The whole area of ​​the Amalfi coast is subject to many sudden changes of the weather, probably due to the fact that the mountains above the coast are very close to the sea, the currents are often strong and sun and clouds and rains are very easily alternated, but it is easy to find very interesting skies like this

About this picture I take some long exposure shots, to try to have the sea softer but at the same time I did not want to lose the sky of that color so dark and mysterious. I shot several long exposures with various time from shorter to longer exposures, although I had taken all kinds of precautions I could not avoid that some photos being moved… anyway I stayed a while and in the end I managed to capture several shots that I could use for what I had in mind

 

WORKFLOW EXPLANATION

Since I use the digital blending on my photos I have combined the exposures of the sky with those of the sea, in order to obtain from that images what I needed. I applied contrast to luminosity masks to control midtones, darks and light contrast individually. All my use of luminosity masks here was applied to curves to fix lights and darks around the sky and sea

I applied details using TTS Fast Panel and with the same plugin I launched  dodge and burn to increase luminosity on the darker parts of the rocks. I launched  a slightly orton effect with a low percentile opacity is an effect that I always like to put in my images when I can. I also use sharpening tool in my panel this time because I wanted to notice the edges on the mountain and best details on the houses. As final passages I darkened the image a bit on the sea adding a small vignette to the frame.

I always hope you will find this usefull. I love to ear this from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 16mm)

2 Long exposure shots

ISO: 100 at f/8

Software: Photoshop CC2018

Plugin: TTS Fast Panel

 


Little Amalfi

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Also this year I decided to return to this beautiful Italian town and admire the beauties of the Amalfi coast. In this area I love the magnificent view of the cliff, the scent of lemons, the sea and the good cuisine of the area. This is absolutely one of my favourite places ever visited among beautiful panoramas, place to visit, architecture, culture and food i never get bored here

Amalfi and the Amalfi Coast offer numerous photographic spots and also the conditions for shooting are often optimal thanks to the alternation between rain and sun that often insists in the area

Coming to the photo I moved away from the center of Amalfi to take a postcard of the city, that day it was raining but I managed to find a way to protect the camera, what I have done is a long exposure using a ND64 and a ND8 filters both mounted, where I included the mobility of boats, sky and sea with the staticity of the coast

 

WORKFLOW EXPLANATION

I edited this long exposure as a single shot, but as usual I used luminosity masks to edit lights, darks and midtones. I fixed the color cast in the image giving a more blue look, using a cold filter applied to the highlights and to the shadows. With dodge and burn I fixed some part of the frame hard to edit even with luminosity masks

With TTS Fast Panel  I launched details and orton effect , than I fixed contrast using midtones applied to darks masks. With lights masks I increased the highlights in the sky and lightened the houses, I also increased the colors of the houses using LAB Color and hue/saturation tool. The final steps was fixing the perspective of the frame and cutting the image that included an additional piece of foreground

I hope you will find this usefull. I’m always happy to ear it from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 18mm)

Single Shot for 91′ sec

ISO: 100 at f/9

Software: Photoshop CC2018

 


Postcard from Venice

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The famous Ponte dei Sospiri in Venice gives this name because tradition has it that, at the time of the Serenissima, the prisoners, crossing it, sighed in front of the prospect of seeing for the last time the outside world

The bridge is one of the most popular destinations in the lagoon city and that small space that faces the bridge is photographed by thousands of tourists every day, making its way through the crowd is not easy practically at all hours of the day

I made this frame from some bracketing shots handheld, I then used the brightest shots to lighten the areas of shadows inside the canal

 

WORKFLOW EXPLANATION

As I mentioned above, I used the brightest shots to lighten the shadow areas of the channel, obviously helping me with the luminosity masks applied to the darks. Once this sets done, I corrected the color cast and I applied a warmer filter mixing it with a colder filter

I applied details, dodge and burn and orton effect using my panel. I fixed lights and darks using luminosity masks applied to curves layer, creating the right contrast between sky and buildings

As final step I launched a vignette slightly increasing the light in the central part of the frame

I hope you will find all this informations usefull. I love to ear it from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Three Exposures ( -1; 0 +1)

ISO: 100 at f/5

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 

 

 


Venice Moving II

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Always from the famous Piazza San Marco, looking at the Grand Canal I take this long exposure from he gondolas dock located in the square

Compared to the previous shot I changed point of view, this is as I mentioned above in the main dock of San Marco, I love the stark contrast of the movements of the boats opposed to the static of the dock

Also here I used a ND64 filter applied to 5 exposures brackets to this shot, to have a  dark sky from the underexposed frame and I very smooth water from the overexposed one

 

WORKFLOW EXPLANATION

I used the most bright image as top layer and applying luminosity masks to have a nice view of long exposure on the sea and on the gondolas,  I lowered the exposure of the sky and part of the water using the darker image

Once this done I applied a warm filter to increase the yellow effect of the sunset decreasing the opacity around 20%. After a use of dodge and burn under the dark areas of the docks I fixed darks and brights using luminosity masks applied to curves

With TTS Fast Panel I fixed details and contrasts, also applying a slight orton effect to the image. I darkened the image and raised the vibrance of the colors excluding the effect from the blue of the gondolas that became too intense

As always I hope you will find this info usefull. I’m always happy to ear it from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 16mm)

Five Exposures ( -2; -1; 0 +1; +2)

ISO: 100 at f/16

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 


Sea guardian

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I’ve always loved photographing lighthouses. Wherever they are, always are a great photographic spot. When I decided to go to Santander this was one of my selected location in the area and I absolutely did not disappoint my expectations, the Cabo Mayor lighthouse is one of the most beautiful and suggestive I have ever seen. Located at the end of a large city park, the scenery that you can admire from here is the true idea of the power of the sea

To take the shot of Cabo Mayor lighthouse used  my nd64 filter, i also did the tests with nd1000 but the light was too poor to get the best results. Using the nd64 (-6 stops) filter I could keep exposure time under 30 seconds and use bracketing shots to allow easier digital blending of images. Another thing why I avoided too long exposure times given by a nd1000 is the presence of strong wind that made me not at all quiet at an exposure time of over 1 minute

 

WORKFLOW EXPLANATION

I blended the images using luminosity masks, I increased warm colors in the highlights using a photo filter applied to apply image mask. As a first step with blended image I fixed the landscape perspectives with the transform tool. Stepped up contrasts using curve tool and added details and sharpen using TTS Fast Panel. I also launched with the panel orton effect to give a more dreamy look and with dodge and burn I darkened and lightened some parts around the fields and on the rocks. As final I added a vignetting to darken the edges of the photo

I hope you will find this usefull. I always love to ear that from you 🙂

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Three Exposures

ISO: 100 at f/14

Software: Photoshop CC2017

Extensions: TTS Fast Panel


The Hidden Beach 2

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Second shot from the last location of the golfo norte, for this photo I moved to a spot more sheltered by currents to be able to use longer exposure times

The wind and the currents that day were very strong and to avoid the movements of the tripod I had to try to stay away from the water. For this location I can definitely feel to suggest medium focal lenses and very stable stands to avoid having contact with the water and having microscopes on the photos

 

WORKFLOW EXPLANATION

I take a single exposure for this shot so my editing this time was not a blending, nevertheless I used the same luminosity masks applied to levels and curves to lighten and darken some parts of the frame. With dodge and burn I lightened some part of the rocks and on the water, than I added details and sharpen using TTS Fast Panel 

I used a mild yellow filter to give more heat to the picture and I raised the saturation, I liked in this case the vibrant colors, I applied an orton effect and reduced the brightness in some areas of the sky

As alway hope you will find this usefull

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 17mm)

Single Exposure

ISO: 100 at f/14

Software: Photoshop CC2017

Extensions: TTS Fast Panel


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Hi, my name is Giuseppe Sapori, a professional photographer and author of this website, created by yours truly to show my work and share with you the techniques I use. My expertise is in the field of Landscape Photography... (Read More)

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