Morning Glow

Morning Glow

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I captured this beach in the morning twilight, the photo is a long exposure of 20 seconds I did using a filter nd64 (6 stops). Cilento area has beautiful landscapes made up of mountains but also many beaches

When I take thi shot I was impressed and Ireally liked this beach, the view of the sea that was lost in the morning glow of the clouds on the horizon

 

WORKFLOW EXPLANATION

This is a sinlge exposure so I don’t blend images but I made a ETTR, so the final picture was a bit overexposed but I used luminosity masks to decrease lights in the highlights and in the foreground to reach the effect I want from this

I  used Dodge and burn  to made some adjustments on the rocks and on the water, using my panel, I increased details and sharpen and by using a blue filter I increased the blue and purpe colors in the picture to give more cold look. With orton effect I increased the glow effect in the frame trying to give a dreamy look at the picture

Last edits was to increase contrast to give a more dark look on the rocks, emphatizing lights using again dodge and burn, the latest touch was adding a small vignette to the borders

I really hope you will like this and you will find this information usefull. I’m happy to hear this from you 🙂

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Single Exposure (20 seconds)

ISO: 100 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 

 


The Rocky House

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I love Cilento, a mountainous area in southern Italy located in the province of Salerno that also offers beaches, waterfalls, rivers and characteristic villages. When I return to these areas I never miss the opportunity to take from this location, a house built on the rocks. I enjoyed this spot for many years now and every time I return to these places cannot miss the opportunity to take photos in that place

I made this shot at sunset with my 64 nd filter to capture all the water movements on the rocks, since there was still light high I did not use a value too high the shot is in fact of 30 seconds made with f9 in the direction of sunset

 

WORKFLOW EXPLANATION

I don’t make a digital blend for this, with the use of luminosity masks I simply fixed the lights and darks to make it more clear and have a image neutral. With  Dodge and burn I made some adjustments on the darker parts of the rocks and the brighter parts of the sky, after this with clone stamp tool I remove some spots and a small boat on the horizon that becomes too blurry. With my panel I launched high details, orton effect to make some glow effect and sharpen

With luminosity masks applied to a cold filter I add some blue colors at the sky. I fixed contrast saving the rocks located below avoiding that become too darks, to make this just remove from a midtone selection the darks selection. As final touch I increased a little more the highlights and created a small vignette to emphatize the sunset

As always I hope you will find this usefull, I’m happy to hear this from you 🙂

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 18mm)

Single Exposure

ISO: 100 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 


The Valley of Silan

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Here is another waterfall shot coming from the Veneto region, we are in the area around Bassano del Grappa where is this small waterfall in the valley Valrovina. Watching some pictures from the web, it seemed very interesting and so I decided to go to this small resort to take some photos

This spot is a well-maintained tourist trail that leads to this waterfall, the path continues to high following the course of the creek. There are several stones along the river where I set up with my tripod to shot at the waterfall

I wanted to bring in the frame as much as possible the view of the creek behind, which with the light of the trees was really very beautiful. I took the photo with an nd64 filter, taking some lighter exposures to try to light up some very dark rock areas

 

WORKFLOW EXPLANATION

This shot coming from a blend of 2 exposure, I blend the best take of the waterfall with another overexposed shot, to bring up all the lights around the rocks

Using Dodge and burn was very useless to recover some underexposed part and increse lighting. After a increase of details I launched orton effect to create a soft dreamy effect, I like so much the glow between the trees on the top of the picture

To complete this work I increased yellow colors. As final I fixed contrast using luminosity mask applied to midtones decreasing the darkest parts to avoid to make too under the darken part of the picture

I hope you will find this usefull. I always love to hear this from you

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 24mm)

Two exposure blend

ISO: 100 at f/14

Software: Photoshop CC2017

Extensions: TTS Fast Panel


The Old Mill

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This picture is always from the natural valley near the river Bussento, the valley around the river is wonderful and full of this great waterfall spot. This is probably the main area of the oasis, the an old mill who as long lost his wheel, where in its place now there’s a small waterfall

I created this image with my nd1000 filter for about 60 second time long exposure, I used 7-shot bracketing function to have a full range of exposure, I started working on the image with the longest exposure time going to recover lights lightly on the darker images

 

WORKFLOW EXPLANATION

By selecting the best exposures  I blended them using luminosity masks. saving the rocks from overexposure and the flow of the waterfallDodge and burn  has helped too much to finish this work.

Also in this picture I incresed the yellow colors of the leafs using my filter autumn colors. I also launched details using TTS Fast Panel. I used orton effect to create a soft dreamy look and I pushed up lights coming from the top part of the frame, as final touch I fixed some contrast and lights adding a small vignette

I hope you will like this and find usefull my info. I always love to ear this from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Seven Exposures (-3; -2; -1; 0; +1; +2; +3)

ISO: 100 at f/16

Software: Photoshop CC2017

Extensions: TTS Fast Panel


The Flow

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I took this photo in the natural oasis near the river Bussento, all the valley around the river is a dense bush downhill. I struggled not a little downhill to reach this location where a series of small waterfalls are explained in the river, the way is very impervious but the downhill, and especially the uphill 🙂 surely worth it!

I created this image with my nd1000 filter for about 60 second time long exposure, I used 7-shot bracketing function to have a full range of exposure, underexposed shots were very useful to save the leaves moved by the wind

 

WORKFLOW EXPLANATION

I take the two best exposures and I blended them using luminosity masks. With dodge and burn I recover some underexposed spot in the frame and I fixed lights around the water flow. I incresed the yellow colors of the leafs using my filter autumn colors, you can find it inside TTS Fast Panel free downloadable here

With a warm filter I added more yellows to the highlights and more glow adding a slight orton effect. I increased the highlights coming to the top using luminosity masks applied to lights and always using lm, I increased darks subtracting lights to avoid to overexpose the other lights in the frame

I really hope you will find this usefull. I always love to hear that from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8(Shot at 14mm)

Seven Exposures (-3; -2; -1; 0; +1; +2; +3)

ISO: 100 at f/16

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 

 


By the Sea

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I take this shot on the seafront of Palinuro, this small beach looked out over the sunset and did not miss the opportunity to shot in the  sun direction. Taking shots in  direction of the sun provides a very important point of energy to the whole picture. I used my nd64 filter to capture water movements in bracketing mode to have various lower exposures for blending sunlight and sky

 

WORKFLOW EXPLANATION

With the exposure taken I make a blend using luminosity masks, I save all the water part and I recover the exposure on the sky and the sun. With dodge and burn I recover some overexposed parts of the water and darkened some glows around the mountain. Using TTS Fast Panel I launched details and sharpen and with orton effect I increased the glow effect in the photo

I used a warmer filter to increase the sunset lighting, I also fixed colors using hue saturation and increasing/decreasing the luminance and saturation of them, the color correction component affects very much of this kind of pictures especially on colors and water illumination. As final touch I added a small vignette to the frame to increse the dark look of the picture

I hope you will find this usefull. I always happy to ear it from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8(Shot at 14mm)

Five Exposures (-2; -1; 0; +1; +2)

ISO: 100 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 


The Hidden Beach

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The beaches of northern Spain are among the most beautiful beaches in Europe, the particular shape of the coast, the currents and tides that characterize it make these places very special to photograph. This is exactly the case of playa de barrika, a beach very influenced by the tide phenomenon, during the low tide, the sea retreats by discovering these rocks from this particular ridge form

That day I took about two hours in this location, the prospect on the rocks with a long exposure was my goal. The main difficult was when the tide began to rise the water, the sea grew more and more to my feet and this destabilized the stand, so I tried to avoid exposing too long for this I stay in the range of 20 seconds in more dry areas using an nd64 filter

 

WORKFLOW EXPLANATION

I take a single exposure for this shot so my editing this time was not a blending, nevertheless I used the same luminosity masks applied to levels and curves to lighten and darken some parts of the frame. With dodge and burn I lightened some part of the rocks and on the water, than I added details and sharpen using TTS Fast Panel

After a fix of contrast made with luminosity masks applied to curves, I increased the yellow tones to give a warm touch to the picture. At the end I decreased luminosity of the sky and on the rocks using to create a more dark mood

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 17mm)

Single Exposure

ISO: 100 at f/14

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Midnight Memories

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Giuseppe Sapori - Midnight Memories

Rocca calascio is an excellent solution for photographing stars and milky way, the ruins were illuminated by the lights coming from the castle that until 1 AM were still on, nevertheless the visibility of the milky way was still great!

I have been here collecting so many shots of a beautiful starry sky, beginning today with this first photo promising to post the others on the return of my next trip to Northern Spain. This is actually my last post before my trip, when I  will come back with so many new content. Stay connected!

 

WORKFLOW EXPLANATION

This is a single shot, I edited it before in camera raw decreasing exposures and increasing contrast, shadows and blacks

One opened in Photoshop I made some adjustments to lights and shadows using luminosity masks, than I made a big work of dodge and burn with I fixed lights around the milky way

With hue/saturation I fixed colors around the stars and I decreased the yellows around the ruins. I applied sharpen and orton effect with TTS Fast Panel. As final touch I reduced noise and I applied a small vignette to the frame

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Single Exposure

ISO: 3200 at f/2,8

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Night from Day

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Giuseppe Sapori - Night from day

Probably soon, I will return to this beautiful place, while I look at the old shots made the last time I went to Campo Imperatore to photograph the milky way I found this untreated photo

That afternoon I made some shots at the beautiful rocky lake and then moved to the point where the milky way was better visible at night, this is just one of the shots I did at the time of the first darks of night, at the time discarded but today revalued

The reflections of clouds and stars on the water of the lake create a magical atmosphere throughout the picture. At that time I probably had discarded it because the sky was too cloudy and the milky street was almost on the opposite side but having found a shot with this particular light was almost a surprise 🙂

 

WORKFLOW EXPLANATION

I had only a shot, indeed two! The second is another picture with more foreground and less sky, I blended the two images to have a more complete frame with sky and foreground

I worked this picture only using luminosity masks applied to curves and other effect launched from my panel, high details, sharpen and dodge and burn as well. I also edited the colors warming the sky and pushing up some highlighs, I increased contrast and darkness to give a dark mood to the picture

As the final touch I reduce noise, at some points in the photo there was visible. I hope you will find this usefull, I’m always happy to ear it from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Single Exposure

ISO: 3200 at f/2,8

Software: Photoshop CC2017

Extensions: TTS Fast Panel


The Holy Way

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Giuseppe Sapori - The Holy Way

For someone, it may sound strange, but when I photograph my city it means I’ve been short supply of photos to work 😀
I’m actually waiting for the next trip to make some new shots, in the meantime I go to Rome that always offers great locations to be photographed, one of this in my opinion is precisely the “Via Sacra“, located between the Coliseum square and the Imperial Forums was in Antiquity is the most important street of ancient Rome

I take this shot after the closing of the “roman forum” to get fewer tourist on the road, the summer sunset time allows you to reconcile a beautiful location with a less busy street than usual with the sunset in front of you

WORKFLOW EXPLANATION

I take several shots during the sunset, I make a blend using luminosity masks. After this, I photomerged the resulting frame with another shot with more foreground to englarge the view of the viewer

I launched dodge and burn to increse light on the rocks in the foreground and to darken some part of the sky. After applied details and sharpen using my panel, I launched orton effect to increase glows and darks

I used a warm filter in the sky and a LAB Color in the whole frame. As the final touch I increase contrasts applied to luminosity masks and a vignette to emphasize the central light

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Five Exposures (-2;-1; 0; +1; +2)

ISO: 100 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel


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Hi, my name is Giuseppe Sapori, a professional photographer and author of this website, created by yours truly to show my work and share with you the techniques I use. My expertise is in the field of Landscape Photography... (Read More)

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