Little Amalfi

Little Amalfi

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Also this year I decided to return to this beautiful Italian town and admire the beauties of the Amalfi coast. In this area I love the magnificent view of the cliff, the scent of lemons, the sea and the good cuisine of the area. This is absolutely one of my favourite places ever visited among beautiful panoramas, place to visit, architecture, culture and food i never get bored here

Amalfi and the Amalfi Coast offer numerous photographic spots and also the conditions for shooting are often optimal thanks to the alternation between rain and sun that often insists in the area

Coming to the photo I moved away from the center of Amalfi to take a postcard of the city, that day it was raining but I managed to find a way to protect the camera, what I have done is a long exposure using a ND64 and a ND8 filters both mounted, where I included the mobility of boats, sky and sea with the staticity of the coast

 

WORKFLOW EXPLANATION

I edited this long exposure as a single shot, but as usual I used luminosity masks to edit lights, darks and midtones. I fixed the color cast in the image giving a more blue look, using a cold filter applied to the highlights and to the shadows. With dodge and burn I fixed some part of the frame hard to edit even with luminosity masks

With TTS Fast Panel  I launched details and orton effect , than I fixed contrast using midtones applied to darks masks. With lights masks I increased the highlights in the sky and lightened the houses, I also increased the colors of the houses using LAB Color and hue/saturation tool. The final steps was fixing the perspective of the frame and cutting the image that included an additional piece of foreground

I hope you will find this usefull. I’m always happy to ear it from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 18mm)

Single Shot for 91′ sec

ISO: 100 at f/9

Software: Photoshop CC2018

 


Tuscany Dream

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Hello everyone, waiting for the next trip at the end of this month I propose for my week photo another of  my past photos, in this case one of my favorite destinations. In particular we are talking about the Val d’Orcia, a splendid place, a UNESCO world heritage that I always visit with great pleasure

Every time I go to Tuscany and Val d’Orcia a passage in the notorious chapel of Vitaleta is a must. Among the times that I went, this take was surely the one with the better conditions and colorfull sky . I remember that I had gone for a walk around the neighborhood of San Quirico d’Orcia looking for the Vitaleta chapel until I could see with the corner of my eye this little church in the middle of the valley. I found it I told to myself!

So I started to look to follow the road until I was in a barred country path where it was impossible to proceed with the car. Leaving the car there I continued on foot for about 15 minutes of walking. I always love to come here, it’s nice to admire the Tuscany hills in this place and find a place so characteristic to take pictures

 

WORKFLOW EXPLANATION

I blended the images using luminosity masks, I fixed color cast using auto adjust and decreasing the opacity to create a mix between the warm original color and the blue of the fix. I Increased vibrance in the sky to create more colors. I added contrast applied to luminosity masks to better use it on the foreground and the sky

With TTS Fast Panel I increased details reducing the effect on the sky. With dodge and burn I darkened the foreground and lightened the front part of the trees. I also used orton effect to create a soft look on the sky. As final touch I brighten the view of the chapel and the stones on the foreground adding a soft vignette to the frame

I hope you will find this information usefull. I love to ear this from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Three Shots (-1; 0; +1)

ISO: 100 at f/7,1

Software: Photoshop CC2018

 


Bled

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Hi guys here we are as usual with the appointment of the weekly photo. As you could easily imagine I finished photos to edits 🙂 and thanks to the bad weather and many seasonal illness I have not succeded to shot anything new. This is why today I also propose a photo from my archive of photos taken from the past 🙂

In this case we are talking about Lake Bled, a magical and beautiful place that I recommend everyone to visit at least once. Lake Bled is located in Slovenia, not far from Lubjiana, it can be reached by car in about an hour and a half from the highway and the whole area offers many other important places to visit and for excursions. I take this photo  in 2013 with my old Camera when I went on the island of the lake by rowing boat (it is one of the attractions of the place)

I hope to find time one day to come back here in Bled again, and take pictures with my new equipment soon! In the meantime I look forward to leaving for my new trip at the end of March,  for the location at the moment I  want to keep it secret … 🙂

 

WORKFLOW EXPLANATION

This is a single exposure shot, I fixed lights and darks using luminosity masks, with TTS Fast Panel I launched details and dodge and burn to increase details and brighten some part of the frame, specially around the bushes of the island

With a brush with soft light effect I incrased slighly yellows in the sky to give a soft look of drama in the sky. Always using luminosity masks, I increased contrast applying midtones excluing darks to curves layer. If you use my panel you can easily do this selecting  midtones 3 and subtracting by this, a dark layer pressing ALT keyboard and pushing on darks 2. After this if you lauch curves layer you could move only the specific selection of this and add contrast better

Last two passages was to decrease the lights in the sky and add a small vignette to create a dark mood to the image

As hope you will find this information usefull. I love to ear this from you!

 

TECNHNICAL STUFF

Camera: Nikon D-90

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Single exposure

ISO: 100 at f/13

Software: Photoshop CC2018

Extensions: TTS Fast Panel

 

 

 


Hide and Seek

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Hi everyone, this is an old find inside a folder of photos taken years ago in the Regional Park of Gran Sasso. What we see is the Corno Grande, the highest peak in the Apennine range

I love this place, it is natural wild, sometimes inhospitable and above all very quiet, at the sight of the mountain overlooking the whole valley below and is completely different from the rest of the landscape. I recommend everyone to take a trip around here if you do not know Abruzzo is a milestone for photography enthusiasts and is just over an hour’s drive from Rome

I captured this photo with my old nikon 18-105 and I got the image from 3 bracketing shots at sunset while I waited for the sun to start taking some photos to the stars

 

WORKFLOW EXPLANATION

I discarted the overexposed picture and I merged the two shots using luminosity masks, I used lights applied to curves to fix lighting, always using the masks I reduced darks and adjusted contrast in the frame. With the use of TTS Fast Panel I increased details and applied a soft orton effect



I corrected colors using auto adjust, then I decreased the effect reducing the opacity. With a soft dodge and burn I recover the exposure in the darker part of the mountain and increased the colors around the Corno Grande. I reduced a bit the noise I increased the lights behind the mountain, after I decreased the light in the whole frame to make a more dark look and create more atmoshphere

As always I hope you will find this info usefull. I’m always happy to ear it from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 18-105mm f/3,5 (Shot at 34mm)

Three Exposures (-1; 0; +1)

ISO: 100 at f/11

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 


The Wall

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View of the lake of Stua inside the park of dolomites near Belluno, this artificial lake is located next to a small dam that serves the path in Val Canazoi. The view on the lake is very interesting also because it is facilitated by a terrace that overlooks this view

It would have been interesting to come down on the frozen surface and take some pictures with interesting shots from below but the ice surface did not allow it, so i decided to took the the framing close up the mountain because I love that light that touches the trees under it

 

WORKFLOW EXPLANATION

I take some exposure bracketing but I decided to work on a single image, I fixed lights and contrasts using luminosity masks between the trees and the sky. With TTS Fast Panel I launched details and orton effect to increase details and give after a softener effect through the forest

With the use of dodge and burn I lightened some darker areas between the trees and on the snow peaks of the mountain. After a contrast fix I put a filter mix between warm and cool fixing fixing the effect decreasing the opacity between two

To use this filter I applied the warmer filter and the cooler filter to lights luminosity masks. Last touch was to fix some contrast and fix the highlights. I hope you will find all this usefull. I love to ear this from you

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Sigma 24-70mm f/2,8 (Shot at 46mm)

Single shot

ISO: 100 at f/13

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 

 

 


Venice Moving II

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Always from the famous Piazza San Marco, looking at the Grand Canal I take this long exposure from he gondolas dock located in the square

Compared to the previous shot I changed point of view, this is as I mentioned above in the main dock of San Marco, I love the stark contrast of the movements of the boats opposed to the static of the dock

Also here I used a ND64 filter applied to 5 exposures brackets to this shot, to have a  dark sky from the underexposed frame and I very smooth water from the overexposed one

 

WORKFLOW EXPLANATION

I used the most bright image as top layer and applying luminosity masks to have a nice view of long exposure on the sea and on the gondolas,  I lowered the exposure of the sky and part of the water using the darker image

Once this done I applied a warm filter to increase the yellow effect of the sunset decreasing the opacity around 20%. After a use of dodge and burn under the dark areas of the docks I fixed darks and brights using luminosity masks applied to curves

With TTS Fast Panel I fixed details and contrasts, also applying a slight orton effect to the image. I darkened the image and raised the vibrance of the colors excluding the effect from the blue of the gondolas that became too intense

As always I hope you will find this info usefull. I’m always happy to ear it from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 16mm)

Five Exposures ( -2; -1; 0 +1; +2)

ISO: 100 at f/16

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 


Siena Oculus

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I love Siena, I come here about once a year, it’s a small city that offers a lot to visit and where you can eat very well 🙂 there are also lots of photographt spots here

One of the most popular shots in Siena is this, certainly I have not invented anything but it must be said that it is an interesting pov. I’m talking about the view of the Mangia Tower taken from the main entrance of the public building, once you enter the atrium just look up to get the view of the architectural perspective

I shot on this location at various times of the day and this photo with this light and those clouds, was the condition that I liked the most. Taken handheld with 3 bracketed shots

 

WORKFLOW EXPLANATION

I used luminosity masks to blend images and lighten the darker parts of building, with TTS Fast Panel I launched Dodge and burn to lighten the lights coming to the windows and emphatize this effect, from the panel I also launch details and sharpen

The picture needed a small color fix, so I adjust the yellow colors and decrease the lights coming from the hole of the building and the sky as well

I added contrast using midtones and after this I decreased the noise visible on the black parts, as final step I launched a hard vignette to give more contrast and look at the central part of the frame.

I hope you will find this usefull! I’m always happy to hear it from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 15mm)

Single Exposure (20 seconds)

ISO: 100 at f/10

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 

 


Sunset Glow

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When I take this picture I was on the beaches in Cilento valley, where one evening I stopped  for this at sunset. This area as I said in some posts ago, is characterized by a great variety of natural scenarios, including the sea and the mountains. In this sunset photo I have just portrayed part of this variety including the colors of the beautiful landscapes that this part of Italy can offer

Also here as in the previous post I have taken a natural glow effect that was created with the lights of the sunset, with an intense yellow effect that also came on the rocks. It is a long exposure of 20 seconds made with ND64

 

WORKFLOW EXPLANATION

I blended two long exposures using luminosity masks, starting from the dark picture to brighten the foreground and the most black rocks.

I  used Dodge and burn  to made some adjustments on the rocks and on the water, using my panel I increased details and sharpen.

For the adjustments of colors I applied a warming filter to the lights masks and a cold filter to the darks playing with the opacity to create a mix between the two effects

As the final step I added contrast and fixed lights and darks

I will by proud if you will find this information usefull! I’m always happy to hear this from you

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Single Exposure (20 seconds)

ISO: 100 at f/10

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 


The Rocky House

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I love Cilento, a mountainous area in southern Italy located in the province of Salerno that also offers beaches, waterfalls, rivers and characteristic villages. When I return to these areas I never miss the opportunity to take from this location, a house built on the rocks. I enjoyed this spot for many years now and every time I return to these places cannot miss the opportunity to take photos in that place

I made this shot at sunset with my 64 nd filter to capture all the water movements on the rocks, since there was still light high I did not use a value too high the shot is in fact of 30 seconds made with f9 in the direction of sunset

 

WORKFLOW EXPLANATION

I don’t make a digital blend for this, with the use of luminosity masks I simply fixed the lights and darks to make it more clear and have a image neutral. With  Dodge and burn I made some adjustments on the darker parts of the rocks and the brighter parts of the sky, after this with clone stamp tool I remove some spots and a small boat on the horizon that becomes too blurry. With my panel I launched high details, orton effect to make some glow effect and sharpen

With luminosity masks applied to a cold filter I add some blue colors at the sky. I fixed contrast saving the rocks located below avoiding that become too darks, to make this just remove from a midtone selection the darks selection. As final touch I increased a little more the highlights and created a small vignette to emphatize the sunset

As always I hope you will find this usefull, I’m happy to hear this from you 🙂

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 18mm)

Single Exposure

ISO: 100 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 


Sea guardian

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I’ve always loved photographing lighthouses. Wherever they are, always are a great photographic spot. When I decided to go to Santander this was one of my selected location in the area and I absolutely did not disappoint my expectations, the Cabo Mayor lighthouse is one of the most beautiful and suggestive I have ever seen. Located at the end of a large city park, the scenery that you can admire from here is the true idea of the power of the sea

To take the shot of Cabo Mayor lighthouse used  my nd64 filter, i also did the tests with nd1000 but the light was too poor to get the best results. Using the nd64 (-6 stops) filter I could keep exposure time under 30 seconds and use bracketing shots to allow easier digital blending of images. Another thing why I avoided too long exposure times given by a nd1000 is the presence of strong wind that made me not at all quiet at an exposure time of over 1 minute

 

WORKFLOW EXPLANATION

I blended the images using luminosity masks, I increased warm colors in the highlights using a photo filter applied to apply image mask. As a first step with blended image I fixed the landscape perspectives with the transform tool. Stepped up contrasts using curve tool and added details and sharpen using TTS Fast Panel. I also launched with the panel orton effect to give a more dreamy look and with dodge and burn I darkened and lightened some parts around the fields and on the rocks. As final I added a vignetting to darken the edges of the photo

I hope you will find this usefull. I always love to ear that from you 🙂

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Three Exposures

ISO: 100 at f/14

Software: Photoshop CC2017

Extensions: TTS Fast Panel


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Hi, my name is Giuseppe Sapori, a professional photographer and author of this website, created by yours truly to show my work and share with you the techniques I use. My expertise is in the field of Landscape Photography... (Read More)

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