Nature Embrace 2

Nature Embrace 2

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Giuseppe Sapori - Nature Embrace 2

I found this shot between my shots of my trip near Bolzano and Dolomites and Lake Carezza  was a pleasant surprise that I met along my way. I remember well that in that day my destination was not even lake Carezza but the Sass Pordoi, which is several kilometers further from this lake

Unfortunately that day I found the cable car to go inexplicably closed, with any explaination on the website, so I went back and I stopped here to take some shots. It was almost a fortune to have found the closed cable car, I would not have discovered this magical place

 

WORKFLOW EXPLANATION

I blended all exposures with the luminosity masks, then I made some color correction on the green and the yellow. I used dodge and burn to lighten the darker parts of the trees and increase highlights on the mountain. I stepped up lights and darks in the foreground area then I increased contrast

With TTS Fast Panel I launched high details and sharpen over the picture, I also used the panel to launch LAB Color that give to the mountains a touch of gold. After applied a orton effect to darken a bit and create a glow effect the last touch was to darken a little more the frame

 

TECNHNICAL STUFF

Camera: Nikon D-90

Lens: Nikon 14-24mm f/2,8 (Shot at 15mm)

Five Exposures (-2; 0; +2)

ISO: 100 at f/11

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Forum Magnum

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Giuseppe Sapori - Forum Magnum

For my opinion this is one of the top spots in Rome to take photos, the location is easy to find and what you see from here is the typical view of Roman Imperial Forum

I did this photo at the first sunset lights with 5 bracketed shots, the light coming from the bottom of the forum was very high and dimmed the foreground. For this kind of takes I also use a high d-lighting on my camera,  why it provides a valid in-shot contribution and allows to have a clearer picture on the shadow areas

 

WORKFLOW EXPLANATION

I blended all selected exposures with luminosity masks, starting from the darken to the brightest image. I added contrast using darks2 curves and details plus sharpening in the whole frame. I used dodge and burn to lighten some darker part of the foreground and lighten some other too brights long the sunrays

After some correction of color cast, I increased sunset colors using a warm filter. I remove some noise visible on the foreground, and fixed light and darks as the final touch using luminosity mask  applied to curves

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 17mm)

Five Exposures (-2; -1; 0; +1; +2)

ISO: 100 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Stairing the Middle

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Giuseppe Sapori - Stairing the middle

This is the famous spiral staircase inside the Vatican Museums, is a staircase built in the 30s as a result of a series of architectural works included in the Vatican City in the aftermath of the signing of the Lateran Pacts. The spiral staircase of the vatican museums is a double spiral staircase by a striking perspective effect. As roman I visited the Vatican museums as a child many years ago with the school and I have always seen this scale in the picture, I recently had the chance to return again to visit this beautiful museum (which I recommend to everyone) and photograph this staircase

Speaking about how I take this picture: I visited the vatican museums on Saturday where there really was a sea of people :) that stopped to the stairs to take pictures, my goal was to take a series of exposures with the intent to auto align them and to remove people from the stairs

WORKFLOW EXPLANATION

I selected a bracketed series with the less people as possible behind the shots I take. I blend the images with luminosity masks, lighten some darks with darks4 around the stair. I take another exposure with no people on the bottom of the stairs and some other exposure with no people on the first part of it to auto align the images and easy mask out people from the main frame

With the clean frame available I started launching with TTS fast panel: high details, orton effect and dodge and burn with whom I darkened a few points on the scale that had too much brights

With the color lookup tool I launched “filmstock” filter and reduced the opacity to 10% to give effect made of different light to the staircase. I launched a photo filter giving a slight yellow tint, such as by applying soft light fusion method and reducing the opacity to 20%

Finally I adjusted the contrast and image lights adding a slight vignetting

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Three Exposures (-1; 0; +1)

ISO: 250 at f/4,5

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Turn on the Lights

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Giuseppe Sapori - Turn on the Lights

View of Porta Nuova in Milan, I made this photo from a series of shots taken during the last hours of light until sundown. Porta Nuova is a great place for cityscapes and to take light trails, during my shot. To realize this frame  I blended a series of exposures, starting from the golden hour to better exploit the best light up to the evening dark where I added the light trails taken later

WORKFLOW EXPLANATION

I blended the base shot (for the sky) from 3 exposures as obtaining a final frame, than I added 3 more shots with light trails that I blended with the previous blend.  To add light trails on the other exposure just change the blending mode to lighten.

I launched dodge and burn to fix lights and shadows around the lights areas and buildings, I fixed color cast and I make some tone adjustmets using color lookup filters adding a 16% of “futuristic bleak”I increased details and launched luminosity masks with TTS Fast Panel to make some adjustments to the shadows and into the higlights, always with midtones of luminosity masks I incresed contrast in the frame.

After the apply of a small vignette, I made the ultimate adjustments to the picture using levels. Hope you will find this usefull. For anything write to me, I’m always happy to hear it on you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Three Exposures (-1; 0; +1) + Light trails blend

ISO: 100 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel


The Arch of Peace

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Giuseppe Sapori - The Arch of Peace

 

I was in Milan and one of the places I wanted to photograph was the Arch of Peace, this is a triumphal arch located at the beginning of Corso Sempione. Dedicated to peace between European nations reached in 1815 with the Congress of Vienna. The Arch of Peace is one of the greatest neoclassical monuments in Milan

It is located in a large square, that although I was in the middle of the afternoon, no people was in the place, this has facilitated me a lot for the shot 😀 I applied a focus stacking between the foreground and the arch in the background to avoid issues of focus between the two subjects

 

WORKFLOW EXPLANATION

I selected 3 bracketed exposures shots for the foreground and 3 for the Arch of Peace, I blended  them using fous stacking and with the final 3 shots I applied luminosity masks to have a final image with all the blending correction. With dodge and burn tool I lightened some building, the arch and some bricks in the foreground, I applied high details with TTS Fast Panel to increase details without giving a crappy look at the picture

With luminosity masks again I fix highlighs and shadows, then I fix contrasts using midtones masks applied to curves layer. I fix the color cast and I applied a violet filter to the frame using this method

As final touch I launched curves to set the latest lights, contrast in the image. I hope you will find this informations usefull, if you have any tips or question about it write to me. I’m always happy to hear it on you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Three Exposures (-1; 0; +1)

ISO: 100 at f/7,1

Software: Photoshop CC2017

Extensions: TTS Fast Panel


The Way of Angels

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Giuseppe Sapori - The Way of Angels

 

So here I am again to photograph my city and definitely one of my favorite spots, Castel Sant’Angelo and its magnificent bridge, this is a wonderful location wherever you decide to photograph it from the banks of the river or the main bridge like in this case. The only small detail is that Ponte Sant’Angelo is full of tourists from all around the world, that cross up and down for photograph the castle in in each pose, 365 days in the year! Take a picture here without people is very difficult, but it could be much easier during sunrises or as in my case with a very gloomy day and a good nd filter :)

The day I decide to go to shoot Castel Sant’Angelo from the bridge it was near sunset in the evening on a day where it threatened rain all day (an element not to be underestimated because there is less people around tourist attractions) I used a nd1000 (I needed the most imaginable stop) to erase the dozens of people who continually passing in front of my camera… on 10/15 shots I made about only 2 photos came without too many people, and together with, in addition that a good deal of the clone stamp I have so been able to use to compose my final image :)

 

WORKFLOW EXPLANATION

I selected 5 pictures of all my shots between some with less people in the bridge and others with cool sky colours, lights ecc, I blended the image togheder using luminosity masks and gradiend tool. I remove some remaining people ghost using clone stamp tool, then I launched dodge and burn to fix some lights and shadows in the bridge. I correct the color cast in the frame and removed the orange effect of it increasing yellows

With TTS Fast Panel I increased details and launched orton effect. I also increased contrast in the picture reducing a bit the exposure. The last step was to fix contrast and highlights using luminosity masks applied to curves adjustment layer and by creating a small vignetting to the image

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Different Exposures

ISO: 100 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Frostbite Touch

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Giuseppe Sapori - Frostbite Touch

I took this picture at the lake Calaita in Trentino a few kilometers from Fiera di Primiero, lake Calaita is a small alpine lake is located in the upper Vanoi valley and is a spectacular balcony on the Pale of San Martino. The day that photograph this lake was not very cold, but the wind is channeled between the mountains was something of incredibly icy, I am not surprised that the lake was frozen, at the end of my shooting session though I was I covered much I had to spend a few minutes in the car to warm myself back  😀

I made several shots at sunset, using  focus stacking technique between the rocks and the mountain, I took with a very wide dynamic range since there was a strong contrast between the foreground and highlights

 

WORKFLOW EXPLANATION

I blended the exposures of lake Calaita with focus stacking to focus all the rocks and mountain in the frame, then I blended again the results images with luminosity masks. I correct the color cast then with TTS Fast Panel and I launched details and sharpen to increase them, finally I launched dodge and burn to increase the light around the stones and darken the images around them

With luminosity masks I decreased highlighs and I fixed light around the mountain, always with my panel I launched orton effect to increase the glow in the picture. With the help of hue/saturation I decreased some blue too much up, as the final touch I launched levels adjustment layer to fix the exposure in the frame. I hope you will find this information usefull, if you have any tips, write it as well. I always love to hear you :)

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Seven Exposures (-1; 0; +1)

ISO: 100 at f/8

Software: Photoshop CC2017

Extensions: TTS Fast Panel


The Hollow

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Giuseppe Sapori - The Hollow

The plain of Campo Imperatore on a quiet Sunday in December. I took this picture a few minutes before sunset in a small lake near the main road. That day I was going to make some shots to the largest and Lake Pietranzoni but I found all the roads closed due to snow and so I had to come back and take some shots here. I shot using  focus stacking between the foreground bush and the tip of Corno Grande of Gran Sasso basically doing three bracketed exposure shots by series

WORKFLOW EXPLANATION

I stack the images in three different pictures than I blended the different exposures togheder using luminosity masks. I increased contrast using curves applied to midtones and I raised up contrast again using midtones minus darks to avoid too much darken parts around the foreground. With the help of my panel, I launched details and sharpen, then I used dodge and burn to refine lights and darks around the bush

I make some color correction using camera raw and I decreased the blue on the top of the frame with hue/saturation. As final touch I added a vignette to the image increasing a little bit more contrast.  I hope you find this informations useful, if you have any suggestions write to me, I love always hear you

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Three Exposures (-1; 0; +1) x2

ISO: 100 at f/7,1

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Cross of the Alps

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giuseppe-sapori-cross-of-the-alps

I took this picture on the way back from Locatelli Refuge,  the sun was setting and the colors began to be warmer. I found this little chapel with the sunset behind and mountains to the side, a truly beautiful scene to photograph.The chapel  is the Cappella degli Alpini and is easily findable on google map complete with street view :)  The photo is the result of a digital blending of 3 bracketed shots that will show as usual as I worked below

 

WORKFLOW EXPLANATION

I started with the three shots working them with uminosity masks, starting from the image clearer and gradually darkening the sky. I used the dodge and burn tool to lighten some part of the foreground and the mountain and I made some color correction to adjust sunset colours

After give more details and sharpen to the frame using TTS Fast Panel, I added some contrast using curves applied to midtone masks. With hue/saturation I lovered some blues on the top of the sky and as the last touch I added some little more contrast manually. For save the image for web I used this guide

 

TECNHNICAL STUFF

Camera: Nikon D-90

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Four Exposures (-1; 0; +1)

ISO: 100 at f/7.1

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Counterparts

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giuseppe-sapori-counterparts

Sunset at Tre Cime of Lavaredo, I took this photo on the way back from the refuge Locatelli, in a lucky day of October where there was a beautiful and warm weather. This side view is just one of hundreds of pictures I took during sunset and is the result of a vertical stitch between the foreground and the Tre Cime peaks. Since my D-800 was broken and I was with a d90, and thankfully :), I tried to expand the visual field and give more depth to the image, I take 3 bracketed shots for the Tre Cime and 3 for the foreground

WORKFLOW EXPLANATION

This time instead of stitching the images before the digital blending I did it as first thing of the mountains and then of the foreground, only later did I sticth, this is because by doing the stitching before the images alignment was bad. The digital blending of the images was done with luminosity masks launched from my panel that i suggest to download it even if you didn’t

Starting frome the blended image, I applied and worked dodge and burn the mountains and foreground. I intensified the sunset colors using the brush method that you can find in this guide, and launched orton effect to add a glow effect to the photo.

With the help of luminosity masks i added some contrast applying curves to darks 3 masks and changing the blending mode to soft light. Final interventions was adding more details, with high details filter into TTS Fast Panel, a small vignette effect and a bit more contrast using levels

 

TECNHNICAL STUFF

Camera: Nikon D-90

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Four Exposures (-1; 0; +1)

ISO: 100 at f/10

Software: Photoshop CC2017

Extensions: TTS Fast Panel


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Hi, my name is Giuseppe Sapori, a professional photographer and author of this website, created by yours truly to show my work and share with you the techniques I use. My expertise is in the field of Landscape Photography... (Read More)

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