Venice Moving II

Venice Moving II

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Always from the famous Piazza San Marco, looking at the Grand Canal I take this long exposure from he gondolas dock located in the square

Compared to the previous shot I changed point of view, this is as I mentioned above in the main dock of San Marco, I love the stark contrast of the movements of the boats opposed to the static of the dock

Also here I used a ND64 filter applied to 5 exposures brackets to this shot, to have a  dark sky from the underexposed frame and I very smooth water from the overexposed one

 

WORKFLOW EXPLANATION

I used the most bright image as top layer and applying luminosity masks to have a nice view of long exposure on the sea and on the gondolas,  I lowered the exposure of the sky and part of the water using the darker image

Once this done I applied a warm filter to increase the yellow effect of the sunset decreasing the opacity around 20%. After a use of dodge and burn under the dark areas of the docks I fixed darks and brights using luminosity masks applied to curves

With TTS Fast Panel I fixed details and contrasts, also applying a slight orton effect to the image. I darkened the image and raised the vibrance of the colors excluding the effect from the blue of the gondolas that became too intense

As always I hope you will find this info usefull. I’m always happy to ear it from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 16mm)

Five Exposures ( -2; -1; 0 +1; +2)

ISO: 100 at f/16

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 


Venice Moving

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Finally my first post of the year! This 2018 I start with a photo of Venice that I took some time ago, a city that  I literally love and where I’m often the lucky to come back. This photo was taken from the famous Piazza San Marco, looking at the Grand Canal in the direction of the Giudecca Island, which is right in front of it

Here there is a beautiful view on canal and one of the different mooring points of the famous Venetian gondolas, the long exposure from this point is not perhaps the most original thing ever but personally I had never taken it, I can even check on this 🙂

I used a ND64 filter applied to 5 exposures brackets to this shot, to have a  dark sky from the underexposed frame and I very smooth water from the overexposed one. When I shot it was late afternoon, just before sunset, fortunately in Venice despite the thousands of tourists every day this is a picture that you can do without too much difficulty

 

WORKFLOW EXPLANATION

I take this picture from 5 exposure brackets, I used them to digital blend the images obtaining the starting frame to the edits. The whole area around the poles was full of chromatic aberrations, which I had to manually remove with so much patience

I used dodge and burn to recover dark areas under the gondolas, I used luminosity masks to darken the sky and recover the shadows. Using my panel I launched high details and orton effect to slightly decrease the effect giving at the same time a soft dreamy look

I increased the yellow colors of the sky adding Skylight filter of Color efex pro, I added contrasts removing the dark areas from the selection to avoid too much darks around the gondolas, as final step I addded a vignette removing the effects near the gondolas

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 16mm)

Five Exposures ( -2; -1; 0 +1; +2)

ISO: 100 at f/16

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 


Morning Glow

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I captured this beach in the morning twilight, the photo is a long exposure of 20 seconds I did using a filter nd64 (6 stops). Cilento area has beautiful landscapes made up of mountains but also many beaches

When I take thi shot I was impressed and Ireally liked this beach, the view of the sea that was lost in the morning glow of the clouds on the horizon

 

WORKFLOW EXPLANATION

This is a sinlge exposure so I don’t blend images but I made a ETTR, so the final picture was a bit overexposed but I used luminosity masks to decrease lights in the highlights and in the foreground to reach the effect I want from this

I  used Dodge and burn  to made some adjustments on the rocks and on the water, using my panel, I increased details and sharpen and by using a blue filter I increased the blue and purpe colors in the picture to give more cold look. With orton effect I increased the glow effect in the frame trying to give a dreamy look at the picture

Last edits was to increase contrast to give a more dark look on the rocks, emphatizing lights using again dodge and burn, the latest touch was adding a small vignette to the borders

I really hope you will like this and you will find this information usefull. I’m happy to hear this from you 🙂

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Single Exposure (20 seconds)

ISO: 100 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 

 


The Rocky House

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I love Cilento, a mountainous area in southern Italy located in the province of Salerno that also offers beaches, waterfalls, rivers and characteristic villages. When I return to these areas I never miss the opportunity to take from this location, a house built on the rocks. I enjoyed this spot for many years now and every time I return to these places cannot miss the opportunity to take photos in that place

I made this shot at sunset with my 64 nd filter to capture all the water movements on the rocks, since there was still light high I did not use a value too high the shot is in fact of 30 seconds made with f9 in the direction of sunset

 

WORKFLOW EXPLANATION

I don’t make a digital blend for this, with the use of luminosity masks I simply fixed the lights and darks to make it more clear and have a image neutral. With  Dodge and burn I made some adjustments on the darker parts of the rocks and the brighter parts of the sky, after this with clone stamp tool I remove some spots and a small boat on the horizon that becomes too blurry. With my panel I launched high details, orton effect to make some glow effect and sharpen

With luminosity masks applied to a cold filter I add some blue colors at the sky. I fixed contrast saving the rocks located below avoiding that become too darks, to make this just remove from a midtone selection the darks selection. As final touch I increased a little more the highlights and created a small vignette to emphatize the sunset

As always I hope you will find this usefull, I’m happy to hear this from you 🙂

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 18mm)

Single Exposure

ISO: 100 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 


The Flow

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I took this photo in the natural oasis near the river Bussento, all the valley around the river is a dense bush downhill. I struggled not a little downhill to reach this location where a series of small waterfalls are explained in the river, the way is very impervious but the downhill, and especially the uphill 🙂 surely worth it!

I created this image with my nd1000 filter for about 60 second time long exposure, I used 7-shot bracketing function to have a full range of exposure, underexposed shots were very useful to save the leaves moved by the wind

 

WORKFLOW EXPLANATION

I take the two best exposures and I blended them using luminosity masks. With dodge and burn I recover some underexposed spot in the frame and I fixed lights around the water flow. I incresed the yellow colors of the leafs using my filter autumn colors, you can find it inside TTS Fast Panel free downloadable here

With a warm filter I added more yellows to the highlights and more glow adding a slight orton effect. I increased the highlights coming to the top using luminosity masks applied to lights and always using lm, I increased darks subtracting lights to avoid to overexpose the other lights in the frame

I really hope you will find this usefull. I always love to hear that from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8(Shot at 14mm)

Seven Exposures (-3; -2; -1; 0; +1; +2; +3)

ISO: 100 at f/16

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 

 


By the Sea

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I take this shot on the seafront of Palinuro, this small beach looked out over the sunset and did not miss the opportunity to shot in the  sun direction. Taking shots in  direction of the sun provides a very important point of energy to the whole picture. I used my nd64 filter to capture water movements in bracketing mode to have various lower exposures for blending sunlight and sky

 

WORKFLOW EXPLANATION

With the exposure taken I make a blend using luminosity masks, I save all the water part and I recover the exposure on the sky and the sun. With dodge and burn I recover some overexposed parts of the water and darkened some glows around the mountain. Using TTS Fast Panel I launched details and sharpen and with orton effect I increased the glow effect in the photo

I used a warmer filter to increase the sunset lighting, I also fixed colors using hue saturation and increasing/decreasing the luminance and saturation of them, the color correction component affects very much of this kind of pictures especially on colors and water illumination. As final touch I added a small vignette to the frame to increse the dark look of the picture

I hope you will find this usefull. I always happy to ear it from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8(Shot at 14mm)

Five Exposures (-2; -1; 0; +1; +2)

ISO: 100 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 


Golden Blue

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I like Santander, both within the same town and just outside, offering lots of photographic spots and beautiful places to see. This is the case of the Magdalena Peninsula, a city park located on this small natural place

The place occupies a well-kept park with an area dedicated to see local sea fauna, museums and panoramic views. I found this little beach right in this peninsula where I shot some photos. For this shot  to avoid direct sunshine I took 7 bracketing shots with an nd64 filter

 

WORKFLOW EXPLANATION

I started blending the images, I discarted the too overexposed and underexposed shots to obtain a base shot. I created luminosity masks contrasts and I added some warm look using a filter

With TTS Fast Panel I increased details, sharpen and I use it for launch dodge and burn with I fixed some lights and shadows around the rocks, I also used a little orton effect and I added some more contrast and a light vignette to give more dark look at the image

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Seven Shots

ISO: 100 at f/14

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 


Sea guardian

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I’ve always loved photographing lighthouses. Wherever they are, always are a great photographic spot. When I decided to go to Santander this was one of my selected location in the area and I absolutely did not disappoint my expectations, the Cabo Mayor lighthouse is one of the most beautiful and suggestive I have ever seen. Located at the end of a large city park, the scenery that you can admire from here is the true idea of the power of the sea

To take the shot of Cabo Mayor lighthouse used  my nd64 filter, i also did the tests with nd1000 but the light was too poor to get the best results. Using the nd64 (-6 stops) filter I could keep exposure time under 30 seconds and use bracketing shots to allow easier digital blending of images. Another thing why I avoided too long exposure times given by a nd1000 is the presence of strong wind that made me not at all quiet at an exposure time of over 1 minute

 

WORKFLOW EXPLANATION

I blended the images using luminosity masks, I increased warm colors in the highlights using a photo filter applied to apply image mask. As a first step with blended image I fixed the landscape perspectives with the transform tool. Stepped up contrasts using curve tool and added details and sharpen using TTS Fast Panel. I also launched with the panel orton effect to give a more dreamy look and with dodge and burn I darkened and lightened some parts around the fields and on the rocks. As final I added a vignetting to darken the edges of the photo

I hope you will find this usefull. I always love to ear that from you 🙂

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Three Exposures

ISO: 100 at f/14

Software: Photoshop CC2017

Extensions: TTS Fast Panel


The Hidden Beach 2

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Second shot from the last location of the golfo norte, for this photo I moved to a spot more sheltered by currents to be able to use longer exposure times

The wind and the currents that day were very strong and to avoid the movements of the tripod I had to try to stay away from the water. For this location I can definitely feel to suggest medium focal lenses and very stable stands to avoid having contact with the water and having microscopes on the photos

 

WORKFLOW EXPLANATION

I take a single exposure for this shot so my editing this time was not a blending, nevertheless I used the same luminosity masks applied to levels and curves to lighten and darken some parts of the frame. With dodge and burn I lightened some part of the rocks and on the water, than I added details and sharpen using TTS Fast Panel 

I used a mild yellow filter to give more heat to the picture and I raised the saturation, I liked in this case the vibrant colors, I applied an orton effect and reduced the brightness in some areas of the sky

As alway hope you will find this usefull

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 17mm)

Single Exposure

ISO: 100 at f/14

Software: Photoshop CC2017

Extensions: TTS Fast Panel


The Hidden Beach

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The beaches of northern Spain are among the most beautiful beaches in Europe, the particular shape of the coast, the currents and tides that characterize it make these places very special to photograph. This is exactly the case of playa de barrika, a beach very influenced by the tide phenomenon, during the low tide, the sea retreats by discovering these rocks from this particular ridge form

That day I took about two hours in this location, the prospect on the rocks with a long exposure was my goal. The main difficult was when the tide began to rise the water, the sea grew more and more to my feet and this destabilized the stand, so I tried to avoid exposing too long for this I stay in the range of 20 seconds in more dry areas using an nd64 filter

 

WORKFLOW EXPLANATION

I take a single exposure for this shot so my editing this time was not a blending, nevertheless I used the same luminosity masks applied to levels and curves to lighten and darken some parts of the frame. With dodge and burn I lightened some part of the rocks and on the water, than I added details and sharpen using TTS Fast Panel

After a fix of contrast made with luminosity masks applied to curves, I increased the yellow tones to give a warm touch to the picture. At the end I decreased luminosity of the sky and on the rocks using to create a more dark mood

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 17mm)

Single Exposure

ISO: 100 at f/14

Software: Photoshop CC2017

Extensions: TTS Fast Panel


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Hi, my name is Giuseppe Sapori, a professional photographer and author of this website, created by yours truly to show my work and share with you the techniques I use. My expertise is in the field of Landscape Photography... (Read More)

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