Monolith

Monolith

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Another shot from the wonderful location of Rocca Calascio, a fantastic place where I will definitely come back to do again other milky way shots  because I was pleasantly impressed

In this photo I did something different, since the milky way was to the left of the ruin in the center of the frame I did many shots in this direction but I could not totally miss the opportunity to photograph the castle with the milky way, the castle of Rocca Calascio is the main protagonist of this location. For this reason I took several shots to compose a panorama, from the left to the right vertical

 

WORKFLOW EXPLANATION

I Photomerged the shots to have a final frame, for first I edited the colors in the milky way to give more saturation and vividness. The following step was to dodge and burn the foreground and the milky way to push out details in the white part of it, with hue/saturation I edits the luminosity of the colors in the sky

Other edits are: increase sharpness, increase contrast and adding a glow effect using orton effect. I fixed hue/saturation around the rocks and on the milky way, to reduce saturated yellow and increase magentas. At the end I increased a little bit contrast using levels and decreased noise.

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Three Exposures

ISO: 3200 at f/2,8

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 


Night from Day

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Giuseppe Sapori - Night from day

Probably soon, I will return to this beautiful place, while I look at the old shots made the last time I went to Campo Imperatore to photograph the milky way I found this untreated photo

That afternoon I made some shots at the beautiful rocky lake and then moved to the point where the milky way was better visible at night, this is just one of the shots I did at the time of the first darks of night, at the time discarded but today revalued

The reflections of clouds and stars on the water of the lake create a magical atmosphere throughout the picture. At that time I probably had discarded it because the sky was too cloudy and the milky street was almost on the opposite side but having found a shot with this particular light was almost a surprise 🙂

 

WORKFLOW EXPLANATION

I had only a shot, indeed two! The second is another picture with more foreground and less sky, I blended the two images to have a more complete frame with sky and foreground

I worked this picture only using luminosity masks applied to curves and other effect launched from my panel, high details, sharpen and dodge and burn as well. I also edited the colors warming the sky and pushing up some highlighs, I increased contrast and darkness to give a dark mood to the picture

As the final touch I reduce noise, at some points in the photo there was visible. I hope you will find this usefull, I’m always happy to ear it from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Single Exposure

ISO: 3200 at f/2,8

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Thirst for Light

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Giuseppe Sapori - thirst for light

This is Porta Latina, a road that leads to the most famous circus maximus to the ancient roman walls, on the left  the little chapel of St. Giovanni in Oleo, one inside which is painted the torture of St. Giovanni

Near the church there is a park and the whole area is surrounded by a beautiful green. I took this photo in the full sunset, taking advantage of the direction of the sun and a small column beside the chapel that “split in two” the direction of the rays

WORKFLOW EXPLANATION

For the first thing I remove all the lens flare using other shots I take with my finger in front of the camera of the sun direction. Using a large dynamic range of shots with luminosity masks I managed sunrays close to underexposed shot. I added orton effect and with dodge an burn I made the main adjustments in the dark areas

With TTS Fast Panel I launched details and sharpening, I also increased foreground details using darks masks applied to high pass filters to make it better visible. As the final touch I fixed some contrasts in the midtones and in the brights using curves always applied to luminosity masks

I hope you will find this usefull, I’m always happy to ear feedback from you

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Five Exposures (-2;-1; 0; +1; +2)

ISO: 100 at f/10

Software: Photoshop CC2017

Extensions: TTS Fast Panel


The Holy Way

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Giuseppe Sapori - The Holy Way

For someone, it may sound strange, but when I photograph my city it means I’ve been short supply of photos to work 😀
I’m actually waiting for the next trip to make some new shots, in the meantime I go to Rome that always offers great locations to be photographed, one of this in my opinion is precisely the “Via Sacra“, located between the Coliseum square and the Imperial Forums was in Antiquity is the most important street of ancient Rome

I take this shot after the closing of the “roman forum” to get fewer tourist on the road, the summer sunset time allows you to reconcile a beautiful location with a less busy street than usual with the sunset in front of you

WORKFLOW EXPLANATION

I take several shots during the sunset, I make a blend using luminosity masks. After this, I photomerged the resulting frame with another shot with more foreground to englarge the view of the viewer

I launched dodge and burn to increse light on the rocks in the foreground and to darken some part of the sky. After applied details and sharpen using my panel, I launched orton effect to increase glows and darks

I used a warm filter in the sky and a LAB Color in the whole frame. As the final touch I increase contrasts applied to luminosity masks and a vignette to emphasize the central light

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Five Exposures (-2;-1; 0; +1; +2)

ISO: 100 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Upper Barrakka

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Giuseppe Sapori - Upper Barrakka

 

Taken at the Upper Barrakka Gardens, that together with Lower Barrakka Gardens, is one of the panoramic views of the city of La Valletta. This is the terrace area where on the left you admire the waterfront of the city on the left

The gardens were originally used to offer recreation to the knights of the Italian langue of the Order of Saint John, but were opened to the public following the end of the French Occupation of Malta

 

WORKFLOW EXPLANATION

I blend the images using luminosity masks and I added contrast and details using TTS Fast Panel

I made some colors adjustments increasing yellows in the highlights and with dodge and burn I fixed some darks area under the arches. I added a small orton effect to the frame and I added a vignette to increase the dark atmoshpere of the picture

I hope you will find this few lines usefull, feel free to write to me your feedback is always welcome!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/7,1 (Shot at 14mm)

Five Exposures (-1; 0; +1)

ISO: 100 at f/1,6

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Stairing the Middle

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Giuseppe Sapori - Stairing the middle

This is the famous spiral staircase inside the Vatican Museums, is a staircase built in the 30s as a result of a series of architectural works included in the Vatican City in the aftermath of the signing of the Lateran Pacts. The spiral staircase of the vatican museums is a double spiral staircase by a striking perspective effect. As roman I visited the Vatican museums as a child many years ago with the school and I have always seen this scale in the picture, I recently had the chance to return again to visit this beautiful museum (which I recommend to everyone) and photograph this staircase

Speaking about how I take this picture: I visited the vatican museums on Saturday where there really was a sea of people 🙂 that stopped to the stairs to take pictures, my goal was to take a series of exposures with the intent to auto align them and to remove people from the stairs

WORKFLOW EXPLANATION

I selected a bracketed series with the less people as possible behind the shots I take. I blend the images with luminosity masks, lighten some darks with darks4 around the stair. I take another exposure with no people on the bottom of the stairs and some other exposure with no people on the first part of it to auto align the images and easy mask out people from the main frame

With the clean frame available I started launching with TTS fast panel: high details, orton effect and dodge and burn with whom I darkened a few points on the scale that had too much brights

With the color lookup tool I launched “filmstock” filter and reduced the opacity to 10% to give effect made of different light to the staircase. I launched a photo filter giving a slight yellow tint, such as by applying soft light fusion method and reducing the opacity to 20%

Finally I adjusted the contrast and image lights adding a slight vignetting

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Three Exposures (-1; 0; +1)

ISO: 250 at f/4,5

Software: Photoshop CC2017

Extensions: TTS Fast Panel


The Arch of Peace

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Giuseppe Sapori - The Arch of Peace

 

I was in Milan and one of the places I wanted to photograph was the Arch of Peace, this is a triumphal arch located at the beginning of Corso Sempione. Dedicated to peace between European nations reached in 1815 with the Congress of Vienna. The Arch of Peace is one of the greatest neoclassical monuments in Milan

It is located in a large square, that although I was in the middle of the afternoon, no people was in the place, this has facilitated me a lot for the shot 😀 I applied a focus stacking between the foreground and the arch in the background to avoid issues of focus between the two subjects

 

WORKFLOW EXPLANATION

I selected 3 bracketed exposures shots for the foreground and 3 for the Arch of Peace, I blended  them using fous stacking and with the final 3 shots I applied luminosity masks to have a final image with all the blending correction. With dodge and burn tool I lightened some building, the arch and some bricks in the foreground, I applied high details with TTS Fast Panel to increase details without giving a crappy look at the picture

With luminosity masks again I fix highlighs and shadows, then I fix contrasts using midtones masks applied to curves layer. I fix the color cast and I applied a violet filter to the frame using this method

As final touch I launched curves to set the latest lights, contrast in the image. I hope you will find this informations usefull, if you have any tips or question about it write to me. I’m always happy to hear it on you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Three Exposures (-1; 0; +1)

ISO: 100 at f/7,1

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Ascension

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giuseppe-sapori-ascension

Here we are in the new year with views of the Tre Cime di Lavaredo. This picture is part of the images that I made last October during my trip on the place. I took this picture in the late afternoon after a long time under the Tre Cime waiting the best light. I realize this final image after different series of exposures including one where I put a finger in front of the lens to remove the lens flare that reverberated in the image 🙂

I was with a D90 rent by a friend and I made five bracketed exposures using before a bkt series (-1, 0, +1) and then a (-2, 0, +2) because the menu of  D90 will not take us longer than three bracketed exposures. However I was in the past a possessor of Nikon D90 and I not remember about it, D90 has proven a great camera, it has done a great job 🙂

 

WORKFLOW EXPLANATION

I started as usual with the digital blending of the images using the luminosity masks, starting from the over exposed  that I gradually darkened on the foreground and the sky, I repeated the same thing for the other series of exposures made by placing the finger in front the sun to avoid lens flare. So I created two final images taken with a digital blending, one with the sun and one with my finger placed in front of it. I used this last to remove all reflections from the main picture having an image from the sunlight clean without reflections

I flatten all levels and started editing the picture mainly using camera raw, I lowered  the exposure, highlights and lights. With my panel I launched the luminosity masks and applied contrast using midtones 3 applied to curves and soft light. I launched the dodge and burn with whom I dodge some points of the Tre Cime di Lavaredo as areas illuminated by the sun in the foreground.

I launched the effects high details and sharpen to increase detail and sharpness. As a finishing touch I still got up the contrasts using the levels adjustment layer and created a small vignetting to enhance the viewer’s vision depth. I hope you find this information useful, if you have any tips, questions or advices leave a comment I am always proud to hear you

 

TECNHNICAL STUFF

Camera: Nikon D-90

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Six Exposures (-1; 0; +1) (-2; 0; +2)

ISO: 100 at f/10

Software: Photoshop CC2017

Extensions: TTS Fast Panel


The Embrace

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Giuseppe Sapori - The Embrace

 

Hello guys, during my weekend in Milan I had also time for the classic site of the city,  the Duomo. This is a gigantic Cathedral which is located in the main square of the city. The Duomo of Milan is the main tourist attraction of the city, much visited, very big and beautiful. Inside this cathedral, photography it is quite difficult cause this is a cathedral of Gothic style with high ceilings and dark walls as well as tacky tourists at all hours of the day, tripods within cannot be used and thus inevitably make the final result very difficult.
In return the Milan Cathedral has one of the most beautiful terraces of the city, until a few years ago, before the construction of the Porta Nuova and its skyscrapers, where we talked about in previous posts neighborhood, was the highest point of the city. I took several photos in this location including this evocative detail of one of the arches making up the tip of the Duomo. I relized this image from a Photoshop collage, using “vertorama”, I took three exposures for the part of the canopy that makes up the foreground and 3 other exposures to high, then part I combined the images with the Photoshop function, then I realized the main interventions with Camera Raw, various application for my actions, LAB coloring and Dodge & Burn will soon be my new tutorial 🙂

 

TECHNICAL STUFF 

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Three Shots (-1; 0; +1) for the foreground

Three Shots (-1; 0; +1) for the highlights

ISO: 200 at f/5,6

Software: Photoshop CC2015


The Awake

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Giuseppe Sapori - The Awake

The City of Arts and Sciences of Valencia that you see represented in one of its halls, was for me the main purpose of my trip to Valencia. For this reason I went to this place twice to be sure of being able to take advantage of the right light in the sky and various weather conditions, I have to say that the first day in the evening the sky was beautifully overcast and after an exploratory phase of the city Calatrava I decided to pause and do some shooting in this place,  in my opinion is one of the most characteristic. I recommend everyone to visit the city of arts and sciences because it is attractive as well as very funny, indeed inside the City of Arts and Sciences offers many attractions for young and old in the physical and scientific topic to explore interactively.
Coming to the picture: it was taken by a bridge which is right in front of the building of the city of arts and sciences, is a good view which allows to shot full architectural features. I made five exposures, which I worked from the under exposure to the over exposure lighting it with luminance masks, I used my actions (which for those who does not still have I suggest you download them in the free downloads section) to increase golden hour, sharpening, details and reduce noise. For the last touch I set the saturation of colors with the LAB coloring technique.

I take several photos in this place, follow updates I just hope not to bore you 🙂

 

TECHNICAL STUFF 

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Five Shots (-2; -1; 0; +1; +2)

ISO: 250 at f/4,5

Software: Photoshop CC2015


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Hi, my name is Giuseppe Sapori, a professional photographer and author of this website, created by yours truly to show my work and share with you the techniques I use. My expertise is in the field of Landscape Photography... (Read More)

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