The Look-Out

The Look-Out

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Giuseppe Sapori - The Look-Out

 

The Truglia Tower is the symbol of Sperlonga, a small village in the central Italy with about 3000 habitants. The town of Sperlonga is very pretty and is included in the list of the most beautiful villages in Italy

I went around the tower truglia at the end of the day, unfortunately the sunlight was very much on right and I could not put it in the frame with the tower

To ensure the passage of pedestrians on the walkway I had to put the stand in an absurd position but in any case I managed to do everything :)

I make shots unitl the blue hour to see how the lights changed but practically I just worked the first shots, in this case the first lights was better

 

WORKFLOW EXPLANATION

I blended all the exposures with luminosity masks and I applied contrasts in the various part of the picture. I increased details and shadow light I also pushed up yellow lights in the highlights using a warming filter

Using dodge and burn I made some lights adjustments and using tonal contrast filter in Color efex pro I added a more detailed look to the closest wall and foreground

As final touch I fixed the warm lights on the tower and a more uniform look to the colors. I hope you will find this informations usefull, if you have any tips or question about it write to me. I’m always happy to hear it on you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Five Exposures (-2; -1; 0; +1; +2)

ISO: 100 at f/10

Software: Photoshop CC2017

Plugin: Color Efex Pro

Extensions: TTS Fast Panel


The Golden Bay

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Giuseppe Sapori - The Golden Bay

This is a beach located on the north of Malta, one of the most beautiful beaches on the island. It is a sandy beach with a blue sea but has two cliffs on its sides

It is on one of these cliffs that I went to take this photo, I made several shots since the sun was high when it dropped under the cliff, I caught all the moments using my nd filter, the idea was to merge the multiple exposures between solar reflections and sea

 

WORKFLOW EXPLANATION

I divided the exposures between the series sun on top and sun behind the cliff, I merged the two series separately using luminosity masks. Then I blended this two layers using a gradient between sky and sea

I made some lights adjustments using curves applied to luminosity masks, then I launched high details and sharpen using my panel. The step later was to correct some color cast and increasing yellows

Using dodge and burn I fix some luminosity around the rocks and the sea, after some other light and contrast correction I increased color vividness using LAB Color

As usual I hope you will find this usefull. Your feedback is my pleasure!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 16mm)

Five Exposures (-2; -1; 0; +1 +2)

ISO: 100 at f/22

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Nature Embrace 2

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Giuseppe Sapori - Nature Embrace 2

I found this shot between my shots of my trip near Bolzano and Dolomites and Lake Carezza  was a pleasant surprise that I met along my way. I remember well that in that day my destination was not even lake Carezza but the Sass Pordoi, which is several kilometers further from this lake

Unfortunately that day I found the cable car to go inexplicably closed, with any explaination on the website, so I went back and I stopped here to take some shots. It was almost a fortune to have found the closed cable car, I would not have discovered this magical place

 

WORKFLOW EXPLANATION

I blended all exposures with the luminosity masks, then I made some color correction on the green and the yellow. I used dodge and burn to lighten the darker parts of the trees and increase highlights on the mountain. I stepped up lights and darks in the foreground area then I increased contrast

With TTS Fast Panel I launched high details and sharpen over the picture, I also used the panel to launch LAB Color that give to the mountains a touch of gold. After applied a orton effect to darken a bit and create a glow effect the last touch was to darken a little more the frame

 

TECNHNICAL STUFF

Camera: Nikon D-90

Lens: Nikon 14-24mm f/2,8 (Shot at 15mm)

Five Exposures (-2; 0; +2)

ISO: 100 at f/11

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Forum Magnum

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Giuseppe Sapori - Forum Magnum

For my opinion this is one of the top spots in Rome to take photos, the location is easy to find and what you see from here is the typical view of Roman Imperial Forum

I did this photo at the first sunset lights with 5 bracketed shots, the light coming from the bottom of the forum was very high and dimmed the foreground. For this kind of takes I also use a high d-lighting on my camera,  why it provides a valid in-shot contribution and allows to have a clearer picture on the shadow areas

 

WORKFLOW EXPLANATION

I blended all selected exposures with luminosity masks, starting from the darken to the brightest image. I added contrast using darks2 curves and details plus sharpening in the whole frame. I used dodge and burn to lighten some darker part of the foreground and lighten some other too brights long the sunrays

After some correction of color cast, I increased sunset colors using a warm filter. I remove some noise visible on the foreground, and fixed light and darks as the final touch using luminosity mask  applied to curves

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 17mm)

Five Exposures (-2; -1; 0; +1; +2)

ISO: 100 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Follow the Leaf

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Giusppe Sapori - Follow the leaf

This is from Revine Lago, a place not far from Treviso, is a small norther italy town overlooking this lake. The whole area around the lake is not very easy to walk and it was not easy to find a place to shoot, the entire lake tour was in fact filled with bumps or crowded boats that did not make life easy

Fortunately I found this little glimpse but I needed a subject for my composition, so I take this big leaf near the water and I put it in front of me. The wind that was present that day, among other things, moved the leaf away from me so I was all time adjusting it with a branch to not to let it go :)

 

WORKFLOW EXPLANATION

I take several exposures but when I start editing I decided to use only one, the wind it was moving the leaf and the tree so it has been really difficult to blend the exposures. I decided to use luminosity masks applied to one single exposure to reduce lights in the sky and add contrast in the foreground

With TTS Fast Panel I launched high details, sharpen and dodge and burn with I pushed up light in the leaf and fixed luminosity in the mountain. I applied a yellow photo filter to enchance yellows and better mix the blue hour, I made some color adjustment to reduce a too strong blue  in the sky using luminosity masks applied to hue/saturation

As usual I hope you will find this usefull. Your feedback is always welcome!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 17mm)

Five Exposures (-2; -1; 0; +1; +2)

ISO: 50 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Lost in Tuscany

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Giuseppe Sapori - Lost in Tuscany

 

This year I planned to turn back in Val d’Orcia for Easter period, while I was here I decided to return to the Vitaleta church which is located near the town of San Quirico d’Orcia and it represents one of the most famous spot of the place. While I was on my way to Vitaleta it started to rain, not so much to tell the truth but much enough to  soften the ground that was around the chapel Vitaleta, the result was that I found under my shoes two big pyramids of mud :)

I made several shots, some with my nd filter and others without it, the idea was to unite the brightest  shots but with static clouds with those who had long exposure to the clouds

 

WORKFLOW EXPLANATION

I blended the images with luminosity masks, then I used the resulting frame to blend it with a long exposure taken with nd filter, for the blend I used a gradient tool. With TTS Fast Panel I launched hight details, sharpen, an orton effect. With dodge and burn I lightened some part of the ground and of the church. I made some color corrections in the highlights increasing warm light and fixed contrast with luminosity mask applied to midtones

With levels adjustment layers I made some adjustment to contrast, highlights and darsk. As final touch I created a vignette effect increasing light in the middle of the picture. I hope you can find this usefull, I’m always happy to ear it from your

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 19mm)

Three Exposures (-1; 0; +1)

ISO: 100 at f/11

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Evening Alps

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evening alps

View of Dolomites from the main way long Tre Cime,  one on the left the Rifugio Auronzo, it is the first refuge you meet after leaving your car for the Tre Cime park. I took this photo on the way back from the other refuge more far away, the Refuge Locatelli. The sun was almost down completely down and I was about to exit, but I took the opportunity to take one last photo of the magnificent scenery of the area

WORKFLOW EXPLANATION

Given the poor light, I took single exposures without bracketing, I edited in Photoshop this single long exposure with adobe camera raw first and later using luminosity masks, to bring back some exposure in the sky and lighten the rocks in the foreground. With TTS Fast Panel I launched, high details, sharpen and dodge and burn with I lightened the rocks in the foreground and darkened the edges of the mountais

With orton effect I create a soft dreamy glow effect, then using a warm photo filter I increased yellows in the sky. I fixed contrast and light again using luminosity masks at as final touch I added a darken lighten center effect from color efex pro filter. As always I hope you can find this usefull, I always happy to ear it from your

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Single Exposure

ISO: 200 at f/5,6

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Turn on the Lights

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Giuseppe Sapori - Turn on the Lights

View of Porta Nuova in Milan, I made this photo from a series of shots taken during the last hours of light until sundown. Porta Nuova is a great place for cityscapes and to take light trails, during my shot. To realize this frame  I blended a series of exposures, starting from the golden hour to better exploit the best light up to the evening dark where I added the light trails taken later

WORKFLOW EXPLANATION

I blended the base shot (for the sky) from 3 exposures as obtaining a final frame, than I added 3 more shots with light trails that I blended with the previous blend.  To add light trails on the other exposure just change the blending mode to lighten.

I launched dodge and burn to fix lights and shadows around the lights areas and buildings, I fixed color cast and I make some tone adjustmets using color lookup filters adding a 16% of “futuristic bleak”I increased details and launched luminosity masks with TTS Fast Panel to make some adjustments to the shadows and into the higlights, always with midtones of luminosity masks I incresed contrast in the frame.

After the apply of a small vignette, I made the ultimate adjustments to the picture using levels. Hope you will find this usefull. For anything write to me, I’m always happy to hear it on you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Three Exposures (-1; 0; +1) + Light trails blend

ISO: 100 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Long Way Home

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Giuseppe Sapori - Long Way home

This is a shot taken outside the walls of San Gimignano, in this area, it is possible to see the view of the typical hills of this part of the Italy is one of the most characteristic places in the area.

I made this shot from San Gimignano lookout on a cloudy day during the morning, it was my last shot on this area before get back into the car and go back home

 

WORKFLOW EXPLANATION

The first thing I did was crop the photo, in fact, the image you see is the result of a crop within a larger scene where there were other houses and trees that I have decided to remove from the frame. The central view of the hills was definitely what I wanted to portray, but I could not do it shooting cause I had with me just wide angle :)

Then I made a color correction to change color cast of this image, which will be the subject of my next tutorial, so stay tuned! I applied dodge and burn through the trees and the most darken areas, with TTS Fast Panel I launched orton effect to give to the hills and a soft glow effect with a bit of contrast. After adding details in the whole frame I adjusted contrast and this is it!

I hope you will find this information usefull, if you have any tips or comments, write it as well. I love to hear it from you :)

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Seven Exposures (-1; 0; +1)

ISO: 200 at f/10

Software: Photoshop CC2017

Extensions: TTS Fast Panel


The Cloudsroof

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Giuseppe Sapori - The Cloudsroof

The Abbey of San Galgano is a cistercian abbey, located to thirty kilometers from Siena, in the city of Chiusdino. The site consists in a hermitage (Montesiepi Rotonda) and from the great abbey, now completely ruined and reduced to only walls.

Nevertheless the abbey of St. Galgano is not left in total decay, this abbey is the destination  of tourist flow and the place is maintained by the confraternity who is dealing. To make this shot I made 7 brackets exposures using a ND64 filter to remove people moving in the church

 

WORKFLOW EXPLANATION

I make a digital blending between the images discarding only a couple of too light frames, using luminosity masks, I adjusted the highlights and darks, some points of the abbey were very dark so with my panel I launched dodge and burn to lighten or darken the image at the points that I wanted

After adding a little ‘to contrast with the midtones masks, I stepped details and sharpen in the frame. As the last adjustments I set the color cast lowering some blue saturation in the clouds.  I hope you find this information useful, if you have any suggestions write to me, I love always hear you

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Seven Exposures (3;-2;-1; 0; +1;+2;+3)

ISO: 100 at f/11

Software: Photoshop CC2017

Extensions: TTS Fast Panel


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Hi, my name is Giuseppe Sapori, a professional photographer and author of this website, created by yours truly to show my work and share with you the techniques I use. My expertise is in the field of Landscape Photography... (Read More)

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