Thirst for Light

Thirst for Light

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Giuseppe Sapori - thirst for light

This is Porta Latina, a road that leads to the most famous circus maximus to the ancient roman walls, on the left  the little chapel of St. Giovanni in Oleo, one inside which is painted the torture of St. Giovanni

Near the church there is a park and the whole area is surrounded by a beautiful green. I took this photo in the full sunset, taking advantage of the direction of the sun and a small column beside the chapel that “split in two” the direction of the rays

WORKFLOW EXPLANATION

For the first thing I remove all the lens flare using other shots I take with my finger in front of the camera of the sun direction. Using a large dynamic range of shots with luminosity masks I managed sunrays close to underexposed shot. I added orton effect and with dodge an burn I made the main adjustments in the dark areas

With TTS Fast Panel I launched details and sharpening, I also increased foreground details using darks masks applied to high pass filters to make it better visible. As the final touch I fixed some contrasts in the midtones and in the brights using curves always applied to luminosity masks

I hope you will find this usefull, I’m always happy to ear feedback from you

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Five Exposures (-2;-1; 0; +1; +2)

ISO: 100 at f/10

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Lost in Tuscany

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Giuseppe Sapori - Lost in Tuscany

 

This year I planned to turn back in Val d’Orcia for Easter period, while I was here I decided to return to the Vitaleta church which is located near the town of San Quirico d’Orcia and it represents one of the most famous spot of the place. While I was on my way to Vitaleta it started to rain, not so much to tell the truth but much enough to  soften the ground that was around the chapel Vitaleta, the result was that I found under my shoes two big pyramids of mud :)

I made several shots, some with my nd filter and others without it, the idea was to unite the brightest  shots but with static clouds with those who had long exposure to the clouds

 

WORKFLOW EXPLANATION

I blended the images with luminosity masks, then I used the resulting frame to blend it with a long exposure taken with nd filter, for the blend I used a gradient tool. With TTS Fast Panel I launched hight details, sharpen, an orton effect. With dodge and burn I lightened some part of the ground and of the church. I made some color corrections in the highlights increasing warm light and fixed contrast with luminosity mask applied to midtones

With levels adjustment layers I made some adjustment to contrast, highlights and darsk. As final touch I created a vignette effect increasing light in the middle of the picture. I hope you can find this usefull, I’m always happy to ear it from your

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 19mm)

Three Exposures (-1; 0; +1)

ISO: 100 at f/11

Software: Photoshop CC2017

Extensions: TTS Fast Panel


The Cloudsroof

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Giuseppe Sapori - The Cloudsroof

The Abbey of San Galgano is a cistercian abbey, located to thirty kilometers from Siena, in the city of Chiusdino. The site consists in a hermitage (Montesiepi Rotonda) and from the great abbey, now completely ruined and reduced to only walls.

Nevertheless the abbey of St. Galgano is not left in total decay, this abbey is the destination  of tourist flow and the place is maintained by the confraternity who is dealing. To make this shot I made 7 brackets exposures using a ND64 filter to remove people moving in the church

 

WORKFLOW EXPLANATION

I make a digital blending between the images discarding only a couple of too light frames, using luminosity masks, I adjusted the highlights and darks, some points of the abbey were very dark so with my panel I launched dodge and burn to lighten or darken the image at the points that I wanted

After adding a little ‘to contrast with the midtones masks, I stepped details and sharpen in the frame. As the last adjustments I set the color cast lowering some blue saturation in the clouds.  I hope you find this information useful, if you have any suggestions write to me, I love always hear you

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Seven Exposures (3;-2;-1; 0; +1;+2;+3)

ISO: 100 at f/11

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Flying over the Roofs

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Giuseppe Sapori - Flying over roofs

Views of Siena from the roofs, I took this shot during a visit on t the so-called facciatone, very large archway present to the left of the cathedral in Siena. The view of the city from here  is very interesting and certainly one of the best things to do in Siena. The only limit, is that the rooftop of facciatone is within a guided tour so you can not stay on top for more than 15 minutes. I took this picture with 3 handheld bracketed exposures  since was not allowed to use tripod

WORKFLOW EXPLANATION

The first thing was to align the three exposures that I blended together using luminosity masks. Always using luminosity masks, I set the shadows areas and lights one, with hue / saturation I desaturated the blue intensity of the sky. I launched dodge and burn to better adjust the exposure along the cathedral and the sky and with Fast Panel I launched high details and sharpen effect to have a great detail exalt in the frame. As the final touch i adjust the contrast in the image. 

It ‘was a quick and easy editing, I did not want to touch the colors that were was very natural. I hope you find this information useful, if you have any tips or comments, write it as well. I love to hear it from you:)

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Three Exposures (-1; 0; +1)

ISO: 100 at f/10

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 


Cross of the Alps

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giuseppe-sapori-cross-of-the-alps

I took this picture on the way back from Locatelli Refuge,  the sun was setting and the colors began to be warmer. I found this little chapel with the sunset behind and mountains to the side, a truly beautiful scene to photograph.The chapel  is the Cappella degli Alpini and is easily findable on google map complete with street view :)  The photo is the result of a digital blending of 3 bracketed shots that will show as usual as I worked below

 

WORKFLOW EXPLANATION

I started with the three shots working them with uminosity masks, starting from the image clearer and gradually darkening the sky. I used the dodge and burn tool to lighten some part of the foreground and the mountain and I made some color correction to adjust sunset colours

After give more details and sharpen to the frame using TTS Fast Panel, I added some contrast using curves applied to midtone masks. With hue/saturation I lovered some blues on the top of the sky and as the last touch I added some little more contrast manually. For save the image for web I used this guide

 

TECNHNICAL STUFF

Camera: Nikon D-90

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Four Exposures (-1; 0; +1)

ISO: 100 at f/7.1

Software: Photoshop CC2017

Extensions: TTS Fast Panel


The Embrace

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Giuseppe Sapori - The Embrace

 

Hello guys, during my weekend in Milan I had also time for the classic site of the city,  the Duomo. This is a gigantic Cathedral which is located in the main square of the city. The Duomo of Milan is the main tourist attraction of the city, much visited, very big and beautiful. Inside this cathedral, photography it is quite difficult cause this is a cathedral of Gothic style with high ceilings and dark walls as well as tacky tourists at all hours of the day, tripods within cannot be used and thus inevitably make the final result very difficult.
In return the Milan Cathedral has one of the most beautiful terraces of the city, until a few years ago, before the construction of the Porta Nuova and its skyscrapers, where we talked about in previous posts neighborhood, was the highest point of the city. I took several photos in this location including this evocative detail of one of the arches making up the tip of the Duomo. I relized this image from a Photoshop collage, using “vertorama”, I took three exposures for the part of the canopy that makes up the foreground and 3 other exposures to high, then part I combined the images with the Photoshop function, then I realized the main interventions with Camera Raw, various application for my actions, LAB coloring and Dodge & Burn will soon be my new tutorial :)

 

TECHNICAL STUFF 

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Three Shots (-1; 0; +1) for the foreground

Three Shots (-1; 0; +1) for the highlights

ISO: 200 at f/5,6

Software: Photoshop CC2015


Mechanisms

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Giuseppe Sapori - Mechanisms

After the beautiful days in Seville I went in the no less beautiful Valencia, here the photography spots are very much and I started precisely with a picture very representative of the city, the view of the Cathedral of Valencia,very big and with high ceilings it guards inside the cup of Holy Grail. The Cathedral of Valencia although it is a very important visit spot has a flow of tourists very well spread out in groups, this allows to visit it calmly without the crowd of people, and above all take pictures without too many tourists in front of the lens :)
When I took this picture I had in mind a vertorama and I did different tests at various distances in the nave of the cathedral, the main difficulty was trying to reconnect with those columns from the top to the bottom, without the help of the tripod, but I found that with photomerge function Photoshop CC2015 with a steady hand they can make beautiful collage. I combined the images and processed entirely the result with Camera Raw.

 

TECHNICAL STUFF 

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Single shot (up to down)

ISO: 250 at f/2,8

Software: Photoshop CC2015


Light Dome

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OLYMPUS DIGITAL CAMERA

The church of St. Gaetan in the heart of Munich. This church, in German “Theatinerkirche” is located in Odeonsplatz and is one of the most beautiful churches in Munich, striking the very altar worked with the twisted columns and the light that filters through the dome at the top. The domes of the bell towers reach 70 meters in height and their scrolls are inspired by the Basilica of Santa Maria della Salute in Venice, another beautiful church which I recommend you see (is located near the railway station): D

Single shot edited with Camera Raw and a light use of luminance masks

 

TECHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

ISO: 400 at f/3,5

Single Shot

Software: Photoshop CC


The Holy House

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Giuseppe Sapori - The holy house

 

The interior of the Sanctuary of Loreto, the building you see in white behind the candlestick is the famous Holy House. The tradition of the Holy House say that, in 1291, when the Crusaders were expelled permanently from Palestine, the brick walls of the house of the Virgin Mary were transported “for angelic ministry”. What you see depicted in white is nothing more than the outside of the house, inside it is not allowed to take pictures that although it is not so gorgeous, indeed quite simple affects its history and its beaufiful mystical charm.

Taking this photo was not at all easy, in fact many of the tourists, the faithful and pilgrims came out and entered the house as well, I had to do a job of shots of overlap between the pictures that I had taken with fewer people.

 

TECHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/4 (Shot at 15mm)

ISO: 320 at f/4,5

3 Shots (same exposure, used to mask people)

Software: Photoshop CC


Holy Black

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Giuseppe Sapori - Holy Black

The church of St. Ignazio di Loyola in Campo Marzio, we are in the heart of Rome near the Via del Corso, where there is this beautiful church from the high ceiling and completely painted. The church of St. Ignazio di Loyola is among in the top ten most beautiful churches in Rome. The special feature of the church is that it has a fake dome, definitely well painted, but fake … in fact what the picture is perceived as a fresco black is nothing more than the fake reproduction of the effect of the dome from the inside, to overcome the lack of it that was never built.

 

TECHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

ISO: 400 at f/5,6

7 Exposures ( -1; 0; +1;)

Software: Photoshop CC


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Hi, my name is Giuseppe Sapori, a professional photographer and author of this website, created by yours truly to show my work and share with you the techniques I use. My expertise is in the field of Landscape Photography... (Read More)

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