Night from Day

Night from Day

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Giuseppe Sapori - Night from day

Probably soon, I will return to this beautiful place, while I look at the old shots made the last time I went to Campo Imperatore to photograph the milky way I found this untreated photo

That afternoon I made some shots at the beautiful rocky lake and then moved to the point where the milky way was better visible at night, this is just one of the shots I did at the time of the first darks of night, at the time discarded but today revalued

The reflections of clouds and stars on the water of the lake create a magical atmosphere throughout the picture. At that time I probably had discarded it because the sky was too cloudy and the milky street was almost on the opposite side but having found a shot with this particular light was almost a surprise :)

 

WORKFLOW EXPLANATION

I had only a shot, indeed two! The second is another picture with more foreground and less sky, I blended the two images to have a more complete frame with sky and foreground

I worked this picture only using luminosity masks applied to curves and other effect launched from my panel, high details, sharpen and dodge and burn as well. I also edited the colors warming the sky and pushing up some highlighs, I increased contrast and darkness to give a dark mood to the picture

As the final touch I reduce noise, at some points in the photo there was visible. I hope you will find this usefull, I’m always happy to ear it from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Single Exposure

ISO: 3200 at f/2,8

Software: Photoshop CC2017

Extensions: TTS Fast Panel


The Twilight Set

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Giuseppe Sapori - The Twilight set

Piazza Grande in Montepulciano, is the main square that is in this city and is reached after a uphill way in the upper part of Montepulciano. This town is rich in art and history, and as well as seeing all the places shown in the twilight saga, you’ll come across plenty of interesting sights in this beautiful, cobblestoned town. Do not miss the Piazza Grande with its town hall and tower, seen in the exciting scene where Bella saves Edward

I used my ND filters to remove all the people who was in the square of Montepulciano, since they were a small center to say the truth were not so many people but it was a lot easier removing them using filters. I made several shots from the sunset lights to the evening, to keep the shots at various times of the day

 

WORKFLOW EXPLANATION

I selected some of the best shots taken and I blended them with luminosity masks. With the result, I choice some other earlier hour shot to remove the stronger light coming from the church simply using a layer mask. I made some color adjust reducing the violet strong color of blue hour and I aligned the square fixing proportions and angles

I launched high details and sharpen with my panel and I created some light in the foreground using dodge and burn. After increasing contrast and light using levels, I made the final touch with darken lighten center effect of color efex  pro filter

I hope you will find this usefull, I’m always happy to ear it from you!

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 15mm)

Five Exposures (-2; -1; 0; +1; +2)

ISO: 100 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Frostbite Touch 2

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Giuseppe Sapori - Frostbite Touch2

This picture is always from the lake Calaita in Trentino som minutes before the picture of my previous post. This lake is an amazing place, and I hope to come back here soon during sping, in order to photograph it with other colors and to admire the transparency of its waters

 

WORKFLOW EXPLANATION

The workflow of this shot is very close from my previous post, except for the focus stacking, that I not applied it having taken this picture from a different height I was not close to the rocks and the fire was the same between the two low points and high image. I blended the shots with luminosity masks. I correct the color cast and then with my panel  I launched high details and sharpen to increase details in the frame, I used dodge and burn to increase the light around the stones and darken the images around them

With luminosity masks I decreased highlighs and I fixed light around the mountain, always with fast panelI launched orton effect to create a soft glow effect. With the help of hue/saturation I decreased blue on the top of the picture applied to a gradient to remove the effect in the lower part of the picture, as the final touch I increasesed vibrance using LAB color technique. I hope you will find this information usefull, if you have any tips, write to me. I always love to hear you :)

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Seven Exposures (-2; -1; 0; +1; +2)

ISO: 100 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Siena

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giuseppe-sapori-siena

The heart of Siena in a photo, the beautiful cathedral in middle of the square town e in a late December afternoon. I made this photo from a series of shots, from a minimum of 5 seconds to a maximum of 30 using a filter nd64 -6 stop. Try to imagine how many people, tourists and some vehicles was in the square at five of afternoon, i tried to “clean all” using a long exposure with the filter, specifically I use Haida filter and holder on my Nikon 14-24, I use Haida filters  for about 2 months and so far have always behaved very well :)

WORKFLOW EXPLANATION

I blended the exposures taken together using luminosity masks, I had the shots taken at different times of the evening, I blended  2 shots  between best sky and less people/more light trails available in one final frame. With TTS Fast Panel I used dodge and burn to lighten some dark parts of the foreground and darken some too light part of the cathedral

With the transform command I repositioned the perspective of the photo correcting some falling lines, especially among the buildings around the basilica. I used luminosity masks to correct lights and highlights behind the cathedral and to lighten the foreground that was very dark, with my panel I launched details and sharpen. At the end I increased contrast using curves exalting the middle light

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Three Exposures (-1; 0; +1)

ISO: 100 at f/14

Software: Photoshop CC2017

Extensions: TTS Fast Panel

 


Lights and Bounds

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giuseppe-sapori-lights-and-bounds

Photo taken in the port area of Skopelos, from here it is a small rocky beach behind a walkway from the port. I made this photo at sunset from a series of bracketed shot, where I applied focus stacking between the rocks that are in the foreground and the hill which is seen in the background. I take 5 bracketed shots per series but I decided to use only 3 for it

WORKFLOW EXPLANATION

I opened my bracketed shots series in Photoshop and I align them for blending (for more information about focus stacking blending please read this article). At the end of this process, I create a series of three shots aligned and ready for edits. I applied luminosity masks to use darks to lighten the foreground, then increased contrast with midtones 3 applied to curves

Using my panel I launched dodge and burn to make some adjustments on the rocks and on the sea, then I launched orton effect to increase glow and darken the image. Next, I create some color correction using lab color and hue/saturation to adjust blues and yellows, then increased contrast again to have more highlighs and more darkenss on the foreground. As always In applied details and sharpness to the entire frame, without including the sea. As a final touch  using camera raw I lowered the exposure and raised slightly up the shadows

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Five Exposures (-2; -1; 0; +1; +2) x2

ISO: 100 at f/7,1

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Coastal Sunset II

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Giuseppe Sapori - Coastal Sunset 2

If you liked my previous post, surely you appreciate this too, because this is the same location but taken from a closer position… and with less light course :)

After taking all the pictures on the cliff for the view from the top (I was precisely halfway between Amalfi and Atrani) I started to descend the cliff to direct me back to Amalfi to catch the last but to go home. A notice: My stay was in Maiori, a town not far from there, because Amalfi city is really very expensive

Anyway this is the view that welcomes the entrance of the city. I stopped on this place to take some shoots here, it was starting to get dark, the lights of the village were on and I did not want to miss a lighted shooting Amalfi in a late blue hour with citylights

 

TECHNICAL STUFF 

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Five Shots (-2; -1; 0; +1; +2)

ISO: 100 at f/7,1

Software: Photoshop CC2015


The Awake

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Giuseppe Sapori - The Awake

The City of Arts and Sciences of Valencia that you see represented in one of its halls, was for me the main purpose of my trip to Valencia. For this reason I went to this place twice to be sure of being able to take advantage of the right light in the sky and various weather conditions, I have to say that the first day in the evening the sky was beautifully overcast and after an exploratory phase of the city Calatrava I decided to pause and do some shooting in this place,  in my opinion is one of the most characteristic. I recommend everyone to visit the city of arts and sciences because it is attractive as well as very funny, indeed inside the City of Arts and Sciences offers many attractions for young and old in the physical and scientific topic to explore interactively.
Coming to the picture: it was taken by a bridge which is right in front of the building of the city of arts and sciences, is a good view which allows to shot full architectural features. I made five exposures, which I worked from the under exposure to the over exposure lighting it with luminance masks, I used my actions (which for those who does not still have I suggest you download them in the free downloads section) to increase golden hour, sharpening, details and reduce noise. For the last touch I set the saturation of colors with the LAB coloring technique.

I take several photos in this place, follow updates I just hope not to bore you :)

 

TECHNICAL STUFF 

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Five Shots (-2; -1; 0; +1; +2)

ISO: 250 at f/4,5

Software: Photoshop CC2015


The Black Sand Sunset

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Giuseppe Sapori - The Rocks sunset

 

This is the Kamari beach in Santorini, it was very nice to see the powerful light of sunset tick from the mountain with the typical colors of the blue hour. Kamari is one of the places of Santorini where you can find restaurants, bars but also good beach… here the beach is made of very small black rocks renamed precisely Black Sand Beach. That day I was going to dinner and I was without my tripod, so I made this picture by a single shot, pointing to the rocks my camera focus with a f4 and a ISO higher of my usual average. In Photoshop I have tried to emphasize the yellow colors, “bringing back” the time behind the blue hour that there was at that time. If you want to see how to intensify the yellow or golden hour look this tutorial. I also sharpen more than i could, the rocks and the foreground.

 

TECHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

ISO: 320 at f/4

Single Shot

Software: Photoshop CC


Night Gate

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Giuseppe Sapori - Night gate

I write with terrible delay and I apologize for that. There was a time that I was not physically at home for travel and other unexpected this has prevented my updated at least weekly … But let’s talk about this picture, what you see is represented the entry of Roman imperial Forum, a short walk from the Colosseum, inserted into an archaeological site of immense historical value as wonderful. I took this picture at two different moments, one at the end of the golden hour and one during the blue hour. When I edited the picture I start with the golden hour image to take the foreground  and the blue hour one to the sky to make it more impressive, in that image it is visible a few small star 😉
The rest of the editing is all luminance masks and Photoshop cc layers work

 

TECHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 24mm)

ISO: 100 at f/11

5 Shots (-2; -1; 0; +1; +2)

Software: Photoshop CC


The way of angels

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Return to photograph my city, this is my favorite bridge of Rome, it is one of the is the most characteristic and charming with Castel Sant’Angelo at the end of the pass. On the bridge all those statues you see are angels

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Hi, my name is Giuseppe Sapori, a professional photographer and author of this website, created by yours truly to show my work and share with you the techniques I use. My expertise is in the field of Landscape Photography... (Read More)

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