Quasar

Quasar

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giuseppe-sapori-quasar

I am in the same location of Agios Ioannis in Skopelos. As I said I did a lot of photos here and for a few weeks I will post only about this place ūüôā

Here I was always close to the Agios Ioannis beach where I took several photos to the coast of the beach focusing on the rocks near the foreground. In that morning I was lucky benefiting from the cloudy sky in the morning there was a beautiful diffused light over the entire area

 

WORKFLOW EXPLANATION

For first thing I prepared all 5 of my exposures captured in photoshop and I started working them using TTS Fast Panel and Luminosity Masks to capture the entire dynamic range. I discarded the most overexposed shot and lowered the lights on the rocks  with luminosity masks applied the curves tool. I made the same thing to increase highlights in the sky.

After I applied a Dodge and Burn tool, to make it more homogeneous light and to finish the work previously done with luminosity masks, same with Dodge and Burn I made some light effects on the lower rocks in the foreground. Using the Fast Panel I launched the effects to enhance and sharpen the details, then Lab Color to give the image more vivid aspect. I increased yellow tonalities checking the effect on the bottom left rocks, I applied at the end a little Orton Effect, contrast and vignetting to accentuate the effects of light in the central part of the frame

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Five Exposures (-2; -1; 0; +1; +2)

ISO: 100 at f/7,1

Software: Photoshop CC2017

Extensions: TTS Fast Panel


Chasing the Sun

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In Agios Ioannis I probably take all my pictures of Skopelos, on my arrival I found a very cloudy day with threatening skies but also with the beautiful rays of light that filtered through the clouds. This is just one of the many shots that I did in Agios Ioannis Kastri, on this picture, I was on the shore of the beach before taking the walkway toward the top of the monastery

 

WORKFLOW EXPLANATION

Starting from 5 exposures shots, I blend them using Luminosity Masks and TTS Fast Panel, I used all my exposures exept for the more brightest. After applied details and Orton Effect, I used Dodge and Burn tool to give some enhancements to the rocks and to the mountain. I adjusted the colors to the neutral values using hue/saturation filter, then I applied the LAB Color  to intensify the colors and emphasize the greens

However blues colors remained, very strong especially in the sky as well, with the “click and drag” ¬†function present in hue/saturation filter I have reduced blues in the affected areas.¬†I raised the central photo brightness and increased the contrast using midtones masks applied to the curves (select a midtones mask> curves> change the blending method in soft light).¬†The final touch was to create a slight vignetting for intensifying the dark near the rocks and give more light¬†the center of the frame¬†by adding yet another contrast, this time to the entire image

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Five Exposures (-2; -1; 0; +1; +2)

ISO: 100 at f/9

Software: Photoshop CC2017

Extensions: TTS Fast Panel


A Light in the Dark

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giuseppe-sapori-a-light-in-the-dark

From Skiathos  to Skopelos, another Greek island of great natural value. This island is a spectacle of nature and mountains and has some fantastic location. One of these is  Agios Ioannis, a location on northeast of the island where there is a small monastery on a top of a cliff of the mountains, the whole area of Agios Ioannis, sea, beach, boundary mountains are an incredible sight that it is rarely seen in seascapes.

When  I went to Agios Ioannis I photographed  every part of the place, benefited from the cloudy sky in the morning there was a beautiful diffused light over the entire area, including this opening to the sky, on the road leading to the monastery I stopped on this open to the sea which offered this composition of rocks below

 

WORKFLOW EXPLANATION

Although I made a bracketed series of the scene, I realized the whole image with the use of luminosity masks applied to the regular exposure. The reason for this is that the contrasts between the sky and the foreground remained still high despite the bracketing series, where the benefit of using multiple exposures will employ more time.

For this reason I applied the luminosity masks to the affected areas of the sky using lights masks, the sea and rocks using darks masks, working them almost exclusively with the curves tool. Always applying the luminosity masks, I used dodge and burn on rock and water, applying them to hue / saturation tool I reduced the saturation of water colors with contrasts had intensified excessively.

Other uses of  luminosity masks are on the sky to increase the color tones and midtones to increase the contrast. At the last I increased the details in the whole frame, all the changes were made using my panel that you can download free in the download section

 

TECNHNICAL STUFF

Camera: Nikon D-800

Lens: Nikon 14-24mm f/2,8 (Shot at 14mm)

Five Exposures (-2; -1; 0; +1; +2)

ISO: 100 at f/7,1

Software: Photoshop CC2015.5

Extensions: TTS Fast Panel

 


Site Founder

Hi, my name is Giuseppe Sapori, a professional photographer and author of this website, created by yours truly to show my work and share with you the techniques I use. My expertise is in the field of Landscape Photography... (Read More)

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